Dusan Tynek Dance Theatre will present the World Premiere of choreographer Dusan Tynek's Le Jardin Qui Rit (The Laughing Garden) at Baruch Performing Arts Center (BPAC), 25th Street between 3rd & Lexington Avenues, New York, NY 10010 for three performances only, Today, March 7 - Saturday, March 9 at 7:30pm.
Bryan Arias, Artistic Director of ARIAS Company, receives the Jacob's Pillow Fellowship at Tilles Center for the Performing Arts at LIU Post. The fellowship includes a $15,000 grant, a residency at the Pillow Lab, and a residency at LIU Tilles Center. The newly established Fellowship represents a shared vision between the two organizations to broaden resources that allow artists to thrive and bring new work to stages in Massachusetts, New York, and beyond.
New York Live Arts (Live Arts) to present the New York premiere of Netta Yerushalmy's Paramodernities, March 14-17, 2019, having commissioned the work as part of the Live Feed Residency Program. The complete six-part encyclopedic series is a multidisciplinary work that weaves theory and performance into a four-hour-long hybrid event. Yerushalmy and a cast of 20 dancers and scholars, ranging in age from 20 to 68, perform deconstructed installments of Nijinsky's “Sacre” (1913), Graham's “Night Journey” (1947), Ailey's “Revelations” (1960), a mix of Cunningham works “Rainforest,” “Sounddance”, “Points in Space”, “Beach Birds”, and “Ocean” (1968-1990), dance numbers from the 1969 Fosse's film “Sweet Charity”, and a response to Balanchine's “Agon” (1957) that includes none of the original choreography.
The Art Institute of Chicago presents Iterations, a new series of performance commissions opening in 2019 and running through 2021 that underline the wide range of artistic practices and attitudes in performance today. New works by Alexandra Bachzetsis, Math Bass, Cevdet Erek, Ralph Lemon, Paulina Olowska, Cally Spooner, and Evelyn T. Wang-anchored in choreography, sound art, spoken word performance, installation, music, gesture and movement research-explore how performance practice might be situated in the context of the Art Institute of Chicago.
Dusan Tynek Dance Theatre will present the World Premiere of choreographer Dusan Tynek's Le Jardin Qui Rit (The Laughing Garden) at Baruch Performing Arts Center (BPAC), 25th Street between 3rd & Lexington Avenues, New York, NY 10010 for three performances only, Thursday, March 7 - Saturday, March 9 at 7:30pm.
Mark Murphy has announced his decision to leave REDCAT (Roy and Edna Disney CalArts Theater), the California Institute of the Arts' contemporary performing arts and exhibition space located in The Walt Disney Concert Hall, at the end of the 2018/2019 season, in order to focus his attention on initiating new creative programs and productions in a variety of US and international cities. Murphy has led REDCAT for more than seventeen years, starting as its founding Executive Director in 2001, before overseeing the grand opening of the facility in 2003. Edgar Miramontes, Associate Director at REDCAT, will assume additional duties of interim leadership until a permanent appointment is made.
Mark Murphy has announced his decision to leave REDCAT (Roy and Edna Disney CalArts Theater), the California Institute of the Arts' contemporary performing arts and exhibition space located in The Walt Disney Concert Hall, at the end of the 2018/2019 season, in order to focus his attention on initiating new creative programs and productions in a variety of US and international cities. Murphy has led REDCAT for more than seventeen years, starting as its founding Executive Director in 2001, before overseeing the grand opening of the facility in 2003. Edgar Miramontes, Associate Director at REDCAT, will assume additional duties of interim leadership until a permanent appointment is made.
Co-curators: choreographer Stefanie Nelson of Stefanie Nelson Dancegroup and bestselling author David Shenk (The Forgetting) present the launch of a new festival devoted to memory and forgetting. The inaugural event will feature Stefanie Nelson's A, MY NAME IS…, a dance piece inspired by a family experience with dementia, using several short films from David Shenk's Living With Alzheimer's Film Project. It will take place on January 23, 2019, at Aaron Davis Hall at The City College of New York (129 Convent Avenue at West 135th Street), with performances at 11:00 am and 6:30 pm. Both shows will be followed by a discussion with invited panelists including Meredith Wong from CaringKind's Connect2Culture program, and a reception (evening show only). Tickets are $20 and can be purchased HERE (https://goo.gl/K9FoMb)
In advance of the full Festival announcement in mid-December, Jacob's Pillow announces four companies that will be presented in 2019. Following the record-breaking ticket sales of Festival 2018 and amidst a robust season of artist residencies in the Pillow Lab and new programming which serves Berkshire County's year-round population, America's longest-running dance festival gears up for its 87th consecutive summer, June 19-August 25. Compañia Irene Rodriguez brings a particular vision of flamenco that is both Spanish and Cuban, featuring a world premiere; Caleb Teicher & Company presents More Forever, a highly anticipated new collaboration with innovative composer/pianist Conrad Tao; the Martha Graham Dance Company celebrates female power with Graham classics, a suite of Lamentation Variations, and a new work by Maxine Doyle and Bobbi Jene Smith; and Boston Ballet returns for the first time in over a decade with works by William Forsythe, resident choreographer Jorma Elo, and twentieth century Russian choreographer Leonid Yakobson.
ODC Theater is proud to present former Resident Artist Catherine Galasso in ALONE TOGETHER, the third installment of her multi-chapter performance series, Of Iron and Diamonds, inspired by Boccaccio's 14th-century collection of tales, The Decameron. A collaboration with San Francisco-based composer Dave Cerf, Alone Together runs December 6 - 8, Thursday to Saturday at 8 p.m. Tickets are $30, and may be purchased online at odc.dance/tickets or by phone at 415-863-9834.
Christine Bonansea - a French-born, NYC-based choreographer known for her striking, virtuosic performances - brings OnlyHuman, a visually arresting, media-enhanced work to New York for its US premiere at Danspace Project. Developed in collaboration with an international group of stellar multidisciplinary artists, and following successful presentations at DOCK11 in Berlin and 2018 Tanzmesse in Dusseldorf, Germany, the evening-length version of this production will be presented for the first time to the American audiences November 15-17. Tickets ($22 General / $15 Danspace Members) are available online through OvationTix (https://web.ovationtix.com/trs/pr/996935) or by calling 866-811-4111.
May 13, 2019 marks the 25th year the Herb Alpert Award in the Arts (HAAIA) will be presented to five risk-taking, mid-career artists who use their talent, vision, and labor to make something that matters within and potentially beyond their field.
Under the direction of Charles O. Anderson, Dorothy O'Shea Overbey and Gesel Mason, The University of Texas at Austin's award-winning dance company Dance Repertory Theatre returns to the stage in Fall For Dance, November 6-11 at the B. Iden Payne Theatre. An examination of embodiment and innovation through contemporary ballet, Fall For Dance features works by renowned guest artists, including Gregory Dolbashian and Sidra Bell.
Velocity Dance Center and the gray are thrilled to announce the world premiere of The Midsummer, running Oct 19-21 at Velocity's Founder's Theater. The gray is a brand new dance company in Seattle, and for its inaugural piece, artistic director and choreographer Beth Terwilleger has curated a stellar artistic team that features dancers from Seattle gems Whim W'him, Evoke Productions, The Three Yells, and Coriolis Dance among others. A veritable feminist powerhouse, this female-choreographed experimental ballet work is also scored with original music by the critically acclaimed cellist and composer Julia Kent.
Velocity presents The Bridge Project: Summer 2018. Three of Seattle's most promising choreographers will take the leap to create three new works within a pressure cooker of just three-weeks. The Bridge Project is Velocity's program for movement-based artists who have been making work in Seattle for three years or less. The performances feature cutting-edge new work by emerging Seattle artists Moonyeka, Timothy M. Johnson, and Allison PB.
Jacob's Pillow announces the participants of the 2018 National Dance Presenters' Forum, a three-day dance leadership development intensive held on its site in Western Massachusetts, July 12-14. Reinstated after over a decade and developed in collaboration with key partners from across the U.S., the immersive experience is framed as a catalytic opportunity for emerging dance presenters. The Forum will provide a learning environment for participants to discuss critical issues, strengthen curatorial practice, grow professional networks, and bolster support for the field of dance. The 2018 Forum planning committee selected 17 emerging dance presenters with diverse backgrounds as curators, cultural organizers, and service providers to artists and audiences, from a pool of over 71 applicants from 25 states and the District of Columbia.
Elevator Repair Service, "one of the city's few truly essential theater companies" (New York Times), is pleased to present the world premiere of Everyone's Fine With Virginia Woolf, a new play written by longtime company member Kate Scelsa and directed by Elevator Repair Service Artistic Director John Collins.
Queer|Art|Mentorship was launched in 2011 to develop an intergenerational and interdisciplinary network of support and shared knowledge for LGBTQ artists. Now beginning its eighth year, the program brings together early-career and advanced-career artists for a year-long exchange across five different fields: Film, Literature, Performance, Visual Art, and Curatorial Practice.
Elevator Repair Service, "one of the city's few truly essential theater companies" (New York Times), is pleased to present the world premiere of Everyone's Fine With Virginia Woolf, a new play written by longtime company member Kate Scelsa and directed by Elevator Repair Service Artistic Director John Collins.
Dance We Must: Treasures from Jacob's Pillow, 1906-1940 explores the contributions of Jacob's Pillow founder Ted Shawn and the iconic Ruth St. Denis to American modern dance. Gathering over 350 materials, including more than 30 costumes and accessories, over 200 photographs, five original antique costume trunks, and a dozen original artworks from both the Jacob's Pillow Archives and Williams College Special Collections, the exhibition contextualizes the pioneering work of Shawn and St. Denis within the scope of American art history through artifacts that have never been seen before. Dance We Must will be on view at Williams College Museum of Art (WCMA) from June 29 through November 11, 2018. The opening celebration will take place on July 2, featuring performances by Adam H. Weinert and Williams College Artist-in-Residence in Dance Erica Dankmeyer.
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