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Photo Flash: Ocean State Theatre presents INHERIT THE WIND

Ocean State Theatre Company (OSTC), currently celebrating its fifth season in its comfortable stadium-style theatre in Warwick, presents Jerome Lawrence and Robert Edwin Lee's Tony Award-winning play, Inherit the Wind, which will run at Ocean State Theatre from March 29 - April 16.

Cast, Creatives Announced for INHERIT THE WIND at Ocean State Theatre Company

Ocean State Theatre Company (OSTC), currently celebrating its fifth season in its comfortable stadium-style theatre in Warwick, is proud to announce casting for its production of Inherit the Wind by Jerome Lawrence and Robert Edwin Lee, which will run at Ocean State Theatre from March 29 - April 16.

BWW Review: Powerful THE CHILDREN'S HOUR at The Gamm

Lillian Hellman's THE CHILDREN'S HOUR is a classic play, which premiered in 1934 and is just as timely and relevant today.  The Gamm's production is a near-flawless retelling of this disturbing story about how much words matter and how the power of a lie can have repercussions far greater than expected.  The intricate and methodical script comes to life under the talents of Madeleine Lambert and Gamm resident actor Karen Carpenter and as two women who run an all-girls boarding school and find themselves with a pupil who seeks to destroy anything that gets in the way of her agenda.

BWW Review: Darkly Hilarious THE FLU SEASON at Burbage Theatre Company

THE FLU SEASON is a darkly funny, incredibly touching and thoroughly strange production.  At its core, it's a simple story about love and relationships. The setting of a mental hospital, with additional commentary from two men known as Prologue and Epilogue, who are dueling over creating the story as it unfolds for the audience, complicates things and interjects unexpected twists and turns.  Burbage Theatre Company has never been afraid to take on the surreal and strange, and with The Flu Season, they have proven once again that odd little stories are in very good hands.  Under the expert direction of Wendy Overly, this simple premise becomes wholly immersive and heartbreaking.

BWW Review: Wilbury Group Starts the Season With Exciting UI [OO-EY]

There is a current trend in Hollywood to combine movies in a way that creates a 'cinematic universe.' This allows studios to create a number of movies that are all connected and can be tied together, usually because of a shared world of characters, think Marvel superheroes or the famous Universal Studios movie monsters. In an ingenious sort of experiment, Wilbury Group is kicking off its season with a production that creates a kind of 'theatrical universe,' by linking together three plays that would otherwise be thought of us very different and entirely separate. With masterful execution, Wilbury manages to create a fascinating and frightening world in which we can really believe these three disparate works might coexists.

BWW Review: Stellar Ensemble Soars in Wilbury Group's Fantastic STUPID F#%*ING BIRD

There's a moment in the play Stupid F#%*ing Bird, currently playing at The Wilbury Group, where a character talks about how contemporary theaters adapt and reimagine Shakespeare. Certainly, it's always a tricky proposition, reconfiguring a classic work and attempting to bring it into the current era while maintaining all the aspects, themes and characteristics that made it great. Or, at least, finding a way to reshape it so it will hold up in front of today's audiences, keeping them engaged and entertained within of our modern-day context. As written by Aaron Posner, adapted from the classic Anton Chekhov play The Seagull, Bird is a play that more than holds its own as a thought provoking, entertaining and hilarious modern take on a theatrical classic.

BWW Reviews: The Gamm's Sublime THE HOUSE OF BLUE LEAVES Surprises in Many Ways

There are some plays that are easily categorized. They fit a very specific label, nice and neat and tidy. Hamlet is a tragedy. Noises Off is a comedy. There's little room for doubt or debate. On the other hand, some plays defy definition. They challenge you to put them into a category or give them a label. When that happens, you can sometimes get a muddled, confused mess that never really works. Or, as in the case of The House of Blue Leaves, currently playing at the Gamm Theatre, you get an exciting and entertaining piece of theater that surprises in part because of just how well it works.

Wilbury Group's CABARET is a Surpisingly Dull, Disappointing Season Ender

Since the earliest shows produced by The Wilbury Group, the company has grown by leaps and bounds, becoming a force in the Rhode Island theater scene. They've established themselves a fine young professional theater company and arrive now at the end of a theatrical season they can and should be proud of. On the other hand, their final show of this season seems to be a bit of a step backwards. Or, perhaps, a missed opportunity, as their production of the classic musical Cabaret is surprisingly and disappointingly safe and rather dull.

BWW Reviews: Wilbury Group Presents Witty, Moving LUNGS

Current world events, financial realities and personal readiness are concerns all couples grapple with when deciding if the time is right to start a family together. However, most couples do not discuss these issues with the hilarious, unrestrained animation of M and W, the engaging young duo at the center of Duncan MacMillan's LUNGS.

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