Philip Glass News

Violinist Jennifer Koh, known for her commanding, laser-focused performances and commitment to new repertoire, plays the New York premiere of Jennifer Higdon's The Singing Rooms, a large scale work for violin, chorus and orchestra with the New York Choral Society and Orchestra conducted by David Hayes at Carnegie Hall's Stern Auditorium tonight, April 29, 2014 at 8:00 p.m.

The acclaimed Days and Nights Festival, founded and curated by Philip Glass, returns for its 2014 edition September 25-28 with four days of performances in Big Sur and Carmel, CA. Highlights of the long weekend include public radio host Ira Glass' new live show, Three Acts, Two Dancers, One Radio Host; Brian Greene's Icarus at the Edge of Time accompanied by a live performance of Glass' score conducted by Michael Riesman; an evening of music and spoken word with Glass on piano, spoken word artist Jerry Quickley and renowned instrumentalists Tim Fain (vioin), Matt Haimovitz (cello) and Jaron Lanier; and a screening of Visitors, the latest collaboration between Glass and director Godfrey Reggio, accompanied by a live Q&A. Tickets go on sale July 1-see below for schedule and details.

Multi-platinum selling recording artist Natalie Merchant performs a Carnegie Hall Family Concert today, April 26 at 3:00 p.m. in Stern Auditorium/Perelman Stage. Based on Merchant's recent book and music project Leave Your Sleep, the concert features nursery rhymes and lullabies by 19th- and 20th-century poets set to the singer's beautiful melodies, performed by a chamber orchestra and with projected illustrations by renowned artist Barbara McClintock. James Bagwell conducts the performance, which also features musicians from the dynamic chamber music collective Decoda, pianist and accordion player Uri Sharlin, and guitarist Gabriel Gordon. This Family Concert is presented by Carnegie Hall's Weill Music Institute and recommended for children ages 5?10.

Blair McMillen and Pam Goldberg are thrilled to present the fourth and busiest season yet of the Rite of Summer Music Festival, taking place Summer 2014 at Colonels' Row on Governors Island, New York City. Rite of Summer will present free outdoor concerts on four different weekends on beautiful Governors Island from Memorial Day until just after Labor Day. In a locale The New York Times has called a "Playground for the Arts," the aim of the Festival is simple: to present the highest quality live performances, and to bring free contemporary classical music to as many people as possible in a relaxed, fun, outdoor setting.

Court Theatre closes its 2013-2014 season with the Chicago premiere of M. Butterfly written by David Henry Hwang and directed by Artistic Director Charles Newell, with choreography by Jamie Guan. M. Butterfly will run May 8 - June 8, 2014 at Court Theatre, 5535 S. Ellis Avenue. Press Opening is Saturday, May 17, 2014 at 8:00PM.

New English Ballet Theatre, founded by its Artistic Director Karen Pilkington-Miksa, made its successful debut at the Peacock Theatre in 2012. A highly profile performance at the ROH Linbury Theatre followed in October 2013 and this July sees the company return to the Peacock with an ambitious, exciting programme of five world premieres by the cream of the UK's emerging choreographic talent. With five performances at the Peacock Theatre and two at Canary Wharf's hidden gem of a theatre, Lanterns Studio Theatre, NEBT will present Tryst: Devotion and Betrayal, a varied and compelling evening performed by NEBT dancers and guest musicians with sets and costumes by rising designers.

Time Square Arts, in partnership with Allied Partners and Brickman Real Estate, will present Jim Findlay's Dream of the Red Chamber, a performance for a sleeping audience, produced by Collapsable Giraffe and 3-Legged Dog.

Eight remarkable artists and philanthropists will be hooded and handed their degrees in person when The Juilliard School confers honorary doctorates during its 109th Commencement Ceremony on Friday, May 23, 2014 at 11 AM in Alice Tully Hall, Lincoln Center (Broadway at 65th Street, NYC).

Malcolm Gets will join Jennifer Bowles and Rob McClure in the New York City Center Encores! production of Irma La Douce, running for seven performances, May 7 - 11, 2014. Mr. Gets replaces Allan Corduner, who has had a scheduling conflict. The final production of the 2014 Encores! season will also feature Sam Bolen, Ben Crawford, Stephen DeRosa, Zachary James, Ken Krugman, and Chris Sullivan. Irma La Douce will be directed by John Doyle and choreographed by Chase Brock, with music direction by Rob Berman. Jack Viertel is Encores! Artistic Director.

Classic Stage Company, under the leadership of Artistic Director Brian Kulick and Executive Director Greg Reiner, announced today that its acclaimed production of David Ives' THE HEIR APPARENT, adapted from the play by Jean-Francois Regnard, will extend through Sunday, May 11 at CSC (136 East 13th Street). Directed by John Rando, THE HEIR APPARENT features Suzanne Bertish (Madame Argante), Carson Elrod (Crispin), Claire Karpen (Lisette), Amelia Pedlow (Isabelle), David Pittu (Scruple), Dave Quay (Eraste) and Paxton Whitehead (Geronte).

SpaceLab9, in partnership with Madison Gate Records, is primed for the release of 'BREAKING BAD (Original Score From The Television Series)', a Deluxe Double LP edition scheduled to hit store shelves in North America on April 29th and in Europe on May 9th. Previously released as a limited double picture disc LP exclusively for Hot Topic stores by SpaceLab9 this past November, the score album to the groundbreaking series BREAKING BAD will now be released as a deluxe gatefold double LP to delight fans of the hit TV show and rabid vinyl collectors alike.

Under the leadership of Artistic Director Derek Bermel and Music Director George Manahan, American Composers Orchestra's (ACO) 2014-2015 season strengthens the orchestra's commitment to serve as a catalyst for the creation of new orchestral music, providing unprecedented opportunities for American composers to create new work and for audiences to discover it. Now in its 11th year at Carnegie Hall's Zankel Hall, Orchestra Underground continues as ACO's subversive and entrepreneurial redefinition of the orchestra as an elastic ensemble, and this year features the rarely performed orchestral music of pioneering composer and performer Meredith Monk, holder of the 2014-2015 Richard and Barbara Debs Composer's Chair at Carnegie Hall (Monk's Sphere, November 21). Orchestra Underground brings cabaret, pop, and jazz traditions into the concert hall in a program featuring Kurt Weill's cabaret cult classic The Seven Deadly Sins sung by Shara Worden (Sin & Songs, February 27). For the first time in several seasons, ACO returns to performing with full symphonic forces outside of Carnegie Hall - the orchestra's April concert at Jazz at Lincoln Center will showcase the New York premiere ofWynton Marsalis' Blues Symphony.

Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with "From Screen to Score: New Concert Music by Famous Film Composers"-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ("Star Wars," "Raiders of the Lost Ark," "E.T., the Extra Terrestrial"), Howard Shore ("Lord of the Rings," "The Hobbit," "Hugo"), James Horner ("Titanic," "Star Trek," "Apollo 13") and Elliot Goldenthal ("Alien 3," "Batman Forever" and "Batman and Robin"). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for "Titanic" sold 30 million copies), yet their music is the least performed.

The Collegiate Chorale announces the New York premiere of battle hymns on May 15, 2014 at 7:30pm at the Intrepid Sea, Air & Space Museum, Pier 86, 12th Ave. & 46th Street in New York, NY.

These are heady times for Kronos Quartet, celebrating its 40th anniversary this season. As you may know, today, April 8, Nonesuch is releasing the Kronos Explorer Series box set and a new CD, A Thousand Thoughts. Both releases spotlight the quartet's longstanding engagement with musical traditions from around the globe.

Bernard Haitink will return to the New York Philharmonic to conduct two weeks of performances highlighting works by Austrian composers - Berg, Webern, and Mahler - and Beethoven, who spent much of his career in Austria. In the first program, Mr. Haitink will conduct Webern's Im Sommerwind, Berg's Violin Concerto with Leonidas Kavakos, and Beethoven's Symphony No. 3, Eroica, on Thursday, May 8, 2014, at 7:30 p.m.; Friday, May 9 at 8:00 p.m.; and Saturday, May 10 at 8:00 p.m. Bernard Haitink's appearances are part of an international, season-wide celebration of the 60th anniversary of his conducting debut with the Netherlands Radio Union Orchestra (now the Netherlands Radio Philharmonic Orchestra) and his 85th birthday.

Classic Stage Company, under the leadership of Artistic Director Brian Kulick and Executive Director Greg Reiner, will present its popular First Look Festival, a series of one-night only staged readings, this year focusing on the remarkable work of playwright Caryl Churchill, whose plays have provoked, captivated and astounded audiences since she burst onto the scene in the late 1960s.

All-Star Orchestra took home two Emmy Awards yesterday at the 57th Annual New York Emmy Awards, which took place at the Marriott Marquis' Broadway Ballroom in New York City.

Music Director Alan Gilbert will conduct the New York Philharmonic in the New York Premiere of The Marie-Josee Kravis Composer-in-Residence Christopher Rouse's Requiem with baritone Jacques Imbrailo, the Westminster Symphonic Choir directed by Joe Miller, and the Brooklyn Youth Chorus directed by Dianne Berkun-Menaker.

Ballet San Jose will conclude its 2014 repertory season—the first under the leadership of new Artistic Director José Manuel Carreño—with Roland Petit's iconic story ballet, Carmen, and Twyla Tharp's masterful In the Upper Room in three performances May 9-11 at the San Jose Center for the Performing Arts. Considered one of Twyla Tharp's most accomplished and striking works, In the Upper Room features a commissioned score by Philip Glass that both propels and liberates the dancers in Tharp's physically demanding choreography. Since its premiere in 1949, Carmen has remained one of inventive French choreographer Roland Petit's most popular ballets for its keen character studies, theatrical staging and soaring dances. Performances will be given Friday and Saturday, May 9 and 10, at 8 pm and Sunday, May 11, at 1:30 pm. For more information about Ballet San Jose, visit www.balletsj.org .