10 Hairy Legs returns to New Brunswick for its fifth consecutive season at a new location. Tickets for the weeknight show are $25 General Admission/Students at the Door and $20 for Artists, Students in Advance and Groups of 10 or more. Tickets: 10HL.org. The performance features the New Jersey Premieres of 10HL 2016 Commissions by Doug Varone and Megan Williams, a Preview of a new Commission by New Jersey native Al Blackstone, and a new work choreographed by Artistic Director Randy James.
A pre-Thanksgiving Holiday Treat is in store for the whole family when Randy James' all male dance company, 10 Hairy Legs, and invited female guest artists will dance James' The Lion, the Witch and the Wardrobe at The Theatre at Raritan Valley Community College on Sunday, November 20 at 3:00 pm for public audiences and again onMonday, November 21 at 10:00 am for school groups. Tickets for the November 20 show are $20 and $30, and $7.00 for students on November 21. Tickets: RVCCArts Online.
10 Hairy Legs, the all-male repertory dance company, returns to New York Live Arts for its fourth consecutive New York Season for four performances June 23-26. Continuing to showcase the company's extensive repertory that celebrates and explores the artistry of the male dancer, this season features 3 World Premiere works and the return of David Parker's “Slapstuck.”
Randy James' all male repertory dance company, 10 Hairy Legs, returns to Crossroads Theatre, New Brunswick for its fourth consecutive annual appearance on Saturday, March 26 at 2:00 pm.
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced the exciting international line-up today for the 12th annual UNDER THE RADAR FESTIVAL, running January 6-17, 2016.
JACK will present the acclaimed performance collective, Sister Sylvester, with their new work, They Are Gone But Here Must I Remain which will preview on Thursday, September 3rd and open on Friday, September 4th at JACK (505 1/2 Waverly Ave in Brooklyn). The company's New York premiere will run through September 19th. They Are Gone But Here Must I Remain, a multi-faceted piece, directed by Kathryn Hamilton, examines the ties between art and rebellion. The New York Times chose Sister Sylvester's recent work, Dead Behind These Eyes as a critic's pick and Time Out called their The Maids' The Maids "genuinely subversive." They Are Gone But Here I Must Remain, will be performed September 3rd, open on September 4th and continue September 5th, 10th, 11th, 12th, 17th, 18th and 19th at 8PM. Tickets are $20 and are on sale at: http://www.brownpapertickets.com/event/2027329 or by calling 1-800-838-3006.
Performances of Dead Behind These Eyes will take place at Sing Sing Karaoke (81 Avenue A) on August 29-31 at 7.30pm and September 3-5, 7, 10-14 and 17-19 at 7.30pm Tickets are $18 and can be purchased by calling 212.352.3101 or visiting www.abronsartscenter.org. Performance suitable for ages 21 and above.
Chicago International Movies & Music Festival (CIMMfest No. 5), Chicago's annual festival of film screenings, music concerts and more, presents CIMMpathy for The Stones, a major retrospective celebrating The Rolling Stones' 50 years of music on film. The retrospective includes screenings of ten concert films and documentaries - two never before seen in Chicago - plus music videos and filmmaker Q&As today-Sunday, April 19-21, at Music Box Theatre, 3733 N. Southport.
Chicago International Movies & Music Festival (CIMMfest No. 5), Chicago's annual festival of film screenings, music concerts and more, presents CIMMpathy for The Stones, a major retrospective celebrating The Rolling Stones' 50 years of music on film. The retrospective includes screenings of ten concert films and documentaries - two never before seen in Chicago - plus music videos and filmmaker Q&As Friday-Sunday, April 19-21, at Music Box Theatre, 3733 N. Southport.
Marking a significant departure for the choreographer, Susan Marshall's world premiere, 'Adamantine,' incorporates technology into its choreographic structure inviting spontaneous improvisation by its six dancers. Many of the usually hidden elements of the stage, its pipes, lighting and ropes are exposed and creatively manipulated to challenge the audience's visual and aural perception and expectations. Peter Whitehead is composing the original score.
