The Ensemble Studio Theatre will present a world premiere dark comedy based on a true story, LENIN'S EMBALMERS, by Canadian playwright Vern Thiessen and directed by William Carden. LENIN'S EMBALMERS, part of the Ensemble Studio Theatre/Alfred P. Sloan Foundation Science & Technology Project, begins previews March 3 for an opening March 8 at the Ensemble Studio Theatre, 549 West 52nd Street.
The Ensemble Studio Theatre will present a world premiere dark comedy based on a true story, LENIN'S EMBALMERS, by Canadian playwright Vern Thiessen and directed by William Carden. LENIN'S EMBALMERS, part of the Ensemble Studio Theatre/Alfred P. Sloan Foundation Science & Technology Project, begins previews March 3 for an opening March 8 at the Ensemble Studio Theatre, 549 West 52nd Street.
The Irish Repertory Theatre's revival of 'Ernest in Love,' a musical adaptation of Oscar Wilde's 'The Importance of Being Ernest' will close on January 31, 2010.
Applause Theatre & Cinema Books will release the most recent version of 'The Best American Short Plays,' in 2010, the publishing house has announced, and will include the 2003-2004, 2006-2007, and 2008 - 2009 version in the anthology. Play featured include works by Neil LaBute, David Ives, and Murray Schisgal.
Broadway's Beth Fowler (THE BOY FROM OZ, SWEENEY TODD, BEAUTY AND THE BEAST) and Noah Racey (CURTAINS, NEVER GONNA DANCE) set for The Irish Repertory Theatre's upcoming revival of 'Ernest in Love,' a musical adaptation of Oscar Wilde's 'The Importance of Being Ernest'
Broadway's Beth Fowler (THE BOY FROM OZ, SWEENEY TODD, BEAUTY AND THE BEAST) and Noah Racey (CURTAINS, NEVER GONNA DANCE) set for The Irish Repertory Theatre's upcoming revival of 'Ernest in Love,' a musical adaptation of Oscar Wilde's 'The Importance of Being Ernest'
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Broadway's Beth Fowler (THE BOY FROM OZ, SWEENEY TODD, BEAUTY AND THE BEAST) and Noah Racey (CURTAINS, NEVER GONNA DANCE) set for The Irish Repertory Theatre's upcoming revival of 'Ernest in Love,' a musical adaptation of Oscar Wilde's 'The Importance of Being Ernest'
Long before New York had a Fringe Festival, New York had the Ensemble Studio Theatre's OCTOBERFEST, a marathon of new, old and developing plays crammed together on two floors of the theatre company's home at 549 West 52nd Street. The first OCTOBERFEST was in 1981.
Long before New York had a Fringe Festival, New York had the Ensemble Studio Theatre's OCTOBERFEST, a marathon of new, old and developing plays crammed together on two floors of the theatre company's home at 549 West 52nd Street. The first OCTOBERFEST was in 1981.
Long before New York had a Fringe Festival, New York had the Ensemble Studio Theatre's OCTOBERFEST, a marathon of new, old and developing plays crammed together on two floors of the theatre company's home at 549 West 52nd Street. The first OCTOBERFEST was in 1981.
The Perry-Mansfield New Works Festival (June Lindenmayer, Executive Director; Andrew Leynse, Artistic Director) has announced casting for the line-up of new works for the 2009 summer festival of theatre and dance at the venerable performing arts school in Steamboat Springs, CO. The 12th Annual New Works Festival is scheduled June 19 - 21 with staged readings of the plays and a special dance presentation.
The Perry-Mansfield New Works Festival (June Lindenmayer, Executive Director; Andrew Leynse, Artistic Director) has announced casting for the line-up of new works for the 2009 summer festival of theatre and dance at the venerable performing arts school in Steamboat Springs, CO. The 12th Annual New Works Festival is scheduled June 19 - 21 with staged readings of the plays and a special dance presentation.
It has been announced that MTC's production of TO BE OR NOT TO BE will play its final performance on November 16th, 2008. November 16th, 2008 is the end of Manhattan Theater Club's subscription run. They had previously been offering tickets through November 23rd, 2008, but will now be canceling that week of performances. Patrons who have purchased tickets for performances through November 23rd, 2008 should return to their point of purchase for a refund.
It has been announced that MTC's production of TO BE OR NOT TO BE will play its final performance on November 16th, 2008. November 16th, 2008 is the end of Manhattan Theater Club's subscription run. They had previously been offering tickets through November 23rd, 2008, but will now be canceling that week of performances. Patrons who have purchased tickets for performances through November 23rd, 2008 should return to their point of purchase for a refund.
The Manhattan Theatre Club (Lynne Meadow, Artistic Director;Barry Grove, Executive Producer) world premiere production of Nick Whitby's 'To Be or Not To Be' officially opened on Broadway on Tuesday October 14th. BroadwayWorld's cameras were there to capture the cast as they arrived at Planet Hollywood to celebrate after the curtain came down!
The Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) world premiere production of Nick Whitby's 'To Be or Not To Be' officially opened on Broadway last night, Tuesday October 14th. BroadwayWorld's cameras were there to capture the star-studded red carpet arrivals.
The Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer)world premiere production of Nick Whitby's 'To Be or Not To Be' opens on Broadway tonight, Tuesday October 14th.
Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) will celebrate opening night for their upcoming world premiere production of Nick Whitby's TO BE OR NOT TO BE. The play, based on the 1942 motion picture To Be or Not To Be, is directed by three-time Tony Awardâ nominee Casey Nicholaw (The Drowsy Chaperone, Monty Python's Spamalot).
Manhattan Theatre Club is pleased to announce guests and dates for After Words, the popular discussion series at the Samuel J. Friedman Theatre (261 West 47th Street). The series begins its third season on Saturday, September 20 following the matinee performance of TO BE OR NOT TO BE with J. Hoberman, film critic for The Village Voice, and Foster Hirsch, professor of film at Brooklyn College. The discussion will be moderated by Lisa McNulty, MTC's Associate Director of Artistic Operations.
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