Peter Cor News

Woolly Mammoth Theatre Company is pleased to announce a partnership with iStrategyLabs, a DC based digital and experiential marketing agency.

Up in Central Park is a Broadway musical with a book by Herbert Fields and Dorothy Fields, lyrics by Dorothy Fields, and music by Sigmund Romberg.

The biggest Broadway event of 1937 was undoubtedly the gala opening night of I'd Rather Be Right.  Not only did the new musical boast a score by Richard Rodger and Lorenz Hart and a book by George S. Kaufman (who also directed) and Moss Hart (the pair had just won that year's Pulitzer for You Can't Take It With You), but the star was no less than the grand old man of Broadway - who many will argue invented the book song and dance musical comedy as we know it today - George M. Cohan, playing the role of then-President of the United States, Franklin Delano Roosevelt.  Never before and never since has a sitting U.S. president been the leading character in a Broadway musical.

George S. Kaufman and Moss Hart have set their first musical collaboration with Richard Rodgers and Lorenz Hart in New York's Central Park on July 4th (1937).

George S. Kaufman and Moss Hart have set their first musical collaboration with Richard Rodgers and Lorenz Hart in New York's Central Park on July 4th (1937).

While the campy antics of Devil Boys From Beyond may suggest an unlikely blend of screwball classics like His Girl Friday with infamous sci-fi fare such as Plan 9 From Outer Space, the movie title that kept popping into my mind was Clash of The Titans.  Not because of the mythical physiques of beefy boys Jeff Riberdy and Jacques Mitchell, but because this honey of a laff-riot matches esteemed associates from the schools of Off-Broadway's two most significant drag theatre artists.

Sure, in America the guilty have just as much a right to a fair trial as the innocent.  But when someone you believe is guilty doesn't get one, is that a wrong you can be all that enthused about righting?  That's one of the discussion points that might be mulled over by leftist radicals downing shots of vodka after taking in Amy Herzog's After The Revolution.  Unfortunately, this tantalizing moral dilemma is regulated to a throwaway point in a play that teases us with its political content while contenting itself with being a rather formulaic family drama.  It's a good one, for sure; well-written (despite an unsatisfying ending) with absorbing conflicts and director Carolyn Cantor's excellent cast is always engaging, but every so often the play reminds us of an interesting direction the author decided not to take.

Producer David J. Foster announced today that Devil Boys from Beyond, by Buddy Thomas and Kenneth Elliott, had its Off-Broadway premiere at New World Stages (340 West 50th Street) on Wednesday, November 3.

Producer David J. Foster announced today that Devil Boys from Beyond, by Buddy Thomas and Kenneth Elliott, will have its Off-Broadway premiere at New World Stages (340 West 50th Street) on Wednesday, November 3.

Producer David J. Foster announced today that Devil Boys from Beyond, by Buddy Thomas and Kenneth Elliott, had its Off-Broadway premiere at New World Stages (340 West 50th Street) on Wednesday, November 3.

Producer David J. Foster announced today that Devil Boys from Beyond, by Buddy Thomas and Kenneth Elliott, will have its Off-Broadway premiere at New World Stages (340 West 50th Street) on Wednesday, November 3.

Producer David J. Foster announced today that Devil Boys from Beyond, by Buddy Thomas and Kenneth Elliott, will have its Off-Broadway premiere at New World Stages (340 West 50th Street) on Wednesday, November 3.

Mind The Gap Theatre (NYC's premiere Anglo-American company) returns for their seventh series of new short plays by, for or about the British - featuring their in-house repertory company of actors.

Mind The Gap Theatre (NYC's premiere Anglo-American company) returns for their seventh series of new short plays by, for or about the British - featuring their in-house repertory company of actors.

Mind The Gap Theatre (NYC's premiere Anglo-American company) returns for their seventh series of new short plays by, for or about the British - featuring their in-house repertory company of actors.

Mind The Gap Theatre (NYC's premiere Anglo-American company) returns for their seventh series of new short plays by, for or about the British - featuring their in-house repertory company of actors.

Since their inception in 1996 the Paper Mill Playhouse (Mark S. Hoebee-Artistic Director, Mark W. Jones-Executive Director) Rising Star Awards for Excellence in High School Musical Theatre have ignited the careers of many notable performers, all of whom attended high school in New Jersey. Among the early nominees and winners are Academy Award® nominee Anne Hathaway, and Tony® award winner Laura Benanti.

Mind The Gap Theatre (NYC's premiere Anglo-American company) returns for their seventh series of new short plays by, for or about the British - featuring their in-house repertory company of actors.

Mind The Gap Theatre (NYC's premiere Anglo-American company) returns for their seventh series of new short plays by, for or about the British - featuring their in-house repertory company of actors.

Since their inception in 1996 the Paper Mill Playhouse (Mark S. Hoebee-Artistic Director, Mark W. Jones-Executive Director) Rising Star Awards for Excellence in High School Musical Theatre have ignited the careers of many notable performers, all of whom attended high school in New Jersey.