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The Poetry Project Announces 43rd Annual New Year's Day Marathon Reading

The Poetry Project announces the lineup for the 43rd Annual New Year's Day Marathon Benefit Reading, on Sunday, January 1, 2017, from 3pm to 2am, at St. Mark's Church. In celebration of the Poetry Project's 50th anniversary, the 2017 marathon will ring in the New Year with a stellar roster of 150 poets, musicians, dancers, and other artists from throughout the Project's storied history, as well as many first-timers. The marathon is the Poetry Project's largest fund-raiser and community-building (and sustaining) event of the year. Admission is $20 in advance and $25 at the door ($20 students/seniors).

Twelfth Edition of PS122's Coil Features Dance, Theater, Virtual Reality and More

Performance Space 122's annual performance festival, Coil, returns for its twelfth edition with 13 individual events. The festival explores the constant vitality of live performance in New York City through contemporary artists from diverse genres, cultures and perspectives. Featuring work created locally, across the U.S., and around the world, Coil is known for its groundbreaking contemporary performance across interdisciplinary art, working with new technologies and forms. Through installations, live and virtual practices, PS122 is committed to redefining how, where, and when performance is experienced.

Penny Arcade's LONGING LASTS LONGER Set for St. Ann's Warehouse

St. Ann's Warehouse welcomes Penny Arcade, legendary downtown New York writer, performance artist, actress and force for artistic resistance, for the American Premiere of her internationally acclaimed Longing Lasts Longer, December 1-11.

Carol Lipnik to Bring GODDESS OF IMPERFECTION to Pangea

Carol Lipnik - the spellbinding, wistfully-humorous singer and songwriter called an "ethereal vocal phenomenon" by The New York Times -  continues her current Fall Sunday Night Residency at Pangea through Sunday, December 18 at 7:00 PM.

BWW Cabaret Conversation: Tammy Faye Starlite on Character Creation and Pushing the Boundaries of Art and Life

Tammy Faye (nee Tammy Lang) is a luminary on the downtown NYC performance art scene. Long before I met her, I'd heard her name spoken with reverence by many artists and musicians I met when I first came to the city in 1999. Recently I saw the performer in her current show, HOLY WAR 2016: THE NEW REGIME at Pangea, in which she returns to her well-known original character Tammy Faye Starlite, a twisted conflation of Tammy Faye Bakker, Tammy Wynette, and then some. Tammy Faye Starlite brings a perverse, amoral, politically adjacent evening of song and signature improvised unhinged patter, which arises out of such an 'unacceptable' yet earnest point of view that the minds of the audience members are set free to wander in a vast desert of uncertainty, outrageousness, and catharsis of an unknown nature. It was an exhilarating and delightfully uncomfortably confounding place to be. I wanted to talk with this extraordinary performer to learn about her particular vision and creative process. Seeking to reconcile the performer Tammy Faye with the woman Tammy, I discovered a humble, down-to-earth, curious woman immersed in an ongoing critical examination of our culture---both pop and high---as well as the media and the political landscape we are mucking around in these days. Tammy also comes across as a serious, ambitious artist, pushing to present her work and be a part of the cultural conversation. We met at a cozy macaron shop in Chelsea on the day of the train crash in Hoboken. Tammy, coming from her home in Hoboken, was able to take an alternate route via bus into the city and keep our appointment, a decidedly un-diva-like move, which I found endearingly respectful. She and I spent over an hour talking about her work over the years, this shit show of an election, and the underlying question about the place of femininity and women in our culture at present.

Dixon Place Presents A La Lucha Arts Group Production: PORNING THE PLANET 10/14

Porning the Planet challenges our notion of how pornography has altered our social communication. Based on five years of  real life interviews with adult stars, Raquel Almazan returns to Dixon Place October 14th for a one-night-only performance of her solo show. A dark comedy developed in collaboration with Penny Arcade, this electric one hour journey melds Japanese Butoh dance and narrative performance through a multimedia experience to explore how our virtual world interacts with our "real world." 

Danspace Project's Platform 2016: LOST & FOUND to Feature Over 80 Artists

Since their inception in 2009, the Platform series, Danspace Project's signature curatorial initiative, has 'given dance presentation a makeover.' (The New York Times). Conceived by Danspace Project Executive Director and Chief Curator Judy Hussie-Taylor as exhibitions that unfold over time, Platforms are multi-week series of performances and events, organized by guest curators, that act as deep inquiries into artistic practice and concerns. Ten Platforms have been held to date, each accompanied by a print catalogue.

Theater for the New City to Host 40th Annual Village Halloween Costume Ball

Nonstop theater, a costume competition and ballroom dancing will bewitch the East Village in Theater for the New City's 40th annual Village Halloween Costume Ball on Monday, October 31 at TNC, 155 First Avenue. This unique festival continues as a grand coming-together for real witches, everyday New Yorkers and artists alike. An explosive fall tradition, the event is held annually on the actual night of Halloween and celebrates artistic creation and fertilization.

Danspace Project's Platform 2016: LOST & FOUND to Feature Over 80 Artists

Since their inception in 2009, the Platform series, Danspace Project's signature curatorial initiative, has 'given dance presentation a makeover.' (The New York Times). Conceived by Danspace Project Executive Director and Chief Curator Judy Hussie-Taylor as exhibitions that unfold over time, Platforms are multi-week series of performances and events, organized by guest curators, that act as deep inquiries into artistic practice and concerns. Ten Platforms have been held to date, each accompanied by a print catalogue.

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