Birth Place: Jamestown, ND, USA
The smile in question is that of Dame Elizabeth Taylor, Ann Talman's close friend for (almost) all of her life, and her stage mother in THE LITTLE FOXES, and these are their tales.
The Knights of Swing, LLC and E3 Music Productions have announced the March 25 Vimeo On Demand release of 'Knights of Swing,' a feature length film powered by an incredible cast and crew of dreamers and believers.
Tony Award nominee Ann Hampton Callaway, one of the leading pop/jazz singers of our time, has created an exciting night of songs and stories in celebration of her inspiration and one of America's most beloved artists, Peggy Lee. On the heels of Ann's Streisand Songbook symphonic triumph, this show celebrates the 100th birthday of the trailblazing woman who gave the world “Fever” through six decades of iconic songs from sultry to sizzling.
Nelson Riddle, the legendary arranger/orchestrator/composer is largely responsible for what we think of as the sound of The Great American Songbook. His arrangements and orchestrations for artists like Ella Fitzgerald, Frank Sinatra, Peggy Lee, Nat King Cole Dean Martin, Judy Garland, Johnny Mathis, Rosemary Clooney, and Doris Day, created for the Capitol label defined the sound of the 40s, 50s, and 60s. He is responsible for resuscitating Sinatra’s career and turning him into the legend he became. Riddle is the creator of the “Rat Pack” sound, composing scores for Robin and the Seven Hoods and Ocean’s 11 among dozens of other films. He won an Oscar for the score of 1974’s The Great Gatsby in addition to 3 Grammy awards, two of them for his album collaborations with Linda Ronstadt that revived his extraordinary career shortly before his death in 1985. It’s hard to overestimate his importance to American popular music.
Lapell took to her notebook and the resulting song, “Land Of Plenty,” presents a look at the hopes and hardships of immigrating to a new world as the opening track from her upcoming album, Stolen Time. Its themes are both timeless and timely in its recurring, praryerful refrains, envoking the spirits of Woody Guthrie or Pete Seeger.
2019 MAC Hanson Award recipient Teresa Fischer and recent NY Independent Theater Award winner Mary Sheridan come back to the cabaret stage with an evening of musical delights.
Singer-songwriter Karen Mack and piano-playing vocalist Elliot Roth have a new residency at Pangea and, at their launch Saturday, they were already packing 'em in.
The real star of the evening was the musical arrangements that Huffman and McSweeney created themselves. They reimagined some wonderful classics by artists as diverse as Ann Margaret, Nat King Cole, Jimi Hendrix, The Pointer Sisters, Cole Porter, Joni Mitchell, and Peggy Lee, utilizing only bass and voice with a little sprinkling of piano, violin, and Ms. Huffman’s “Low G” ukulele. The sparseness of the ensemble was a huge asset, focusing attention on the lyrics and the performances themselves. And the performances were lovely. Ms. Huffman is a gifted and versatile actress and Ms. McSweeney is a truly soulful jazzwoman.
As the pandemic nears its much overdue endemic end, artists are coming out of the woodwork to sum up the past 24 months with their personal stories of survival and thriving. Last September, Tony award winner Cady Huffman and respected jazz bassist Mary Ann McSweeney presented such an evening at Birdland. With only the two of themselves, they put together an eclectic evening of jazz-flavored tunes with Ms. McSweeney on bass and Ms. Huffman on vocals entitled IT WAS A VERY GOOD YEAR: SONGS INSPIRED BY A PANDEMIC. This coming Tuesday, February 22, Huffman and McSweeney will present a new and improved version of the show at The Green Room 42, with a few surprises for those who caught the show before.
When you go to see an evening featuring Michael Feinstein, it is a given that you will hear some well-crafted performances of classics from The Great American Songbook as well as some more obscure gems. What is less well known is what an educational experience any appearance by Mr. Feinstein is. There is probably no one who knows more about American popular music from the golden age than Michael Feinstein.
This March Flushing Town Hall will present a Women's History Month series featuring four, unique performances celebrating iconic women of music history - women whose talent, boldness, and originality overcame barriers in the male-dominated spaces of their time.
With a cyclical, hypnotizing guitar part and foggy, maritime imagery, Toronto songwriter Abigail Lapell’s new song “Ships” crashes on top of itself again and again until its subtle power tops the seawall and floods the landscape. Fans can hear the previously-released “Pines” and pre-order or pre-save Stolen Time now!
The beloved musical theatre star brings songs of love to The Green Room 42
Santino Fontana, the extraordinary lead from the cross-dressing musical Tootsie, on Sunday, April 10; and Stephanie J. Block, the sensational star of the mega-hit musical, The Cher Show, on Sunday, June 5.
The Los Angeles Philharmonic Association today announced the 2022 Hollywood Bowl season, celebrating a century of stellar performances at one of the world’s most iconic venues.
Lee Squared: The Liberace & Peggy Lee Comeback Tour makes its North Carolina debut at Judson Theatre Company.
The complete Carnegie Hall concert schedule for February and March has been announced.
The Green Room 42 has announced their February line-up for in-person performances. Additionally, The Green Room 42 is excited to launch 5/5/5 Tickets – in celebration of their 5th Anniversary, five $5 tickets will be available for every show from February 15, 2022, through February 14, 2023.
With his solo show debut, Jonathan leaves it all on the stage, from his stories to his songs, from his art to his heart.
The upcoming Stolen Time strikes a balance between Lapell’s acoustic debut, Great Survivor, and her two rockier Chris Stringer-produced records Hide Nor Hair and Getaway, while bringing a live off-the-floor 70s folk-rock vibe and more experimentation to the table on songs that feel expansive in their scope.
