Paul Walsh News

Featuring a lively cast of dozens, delightful music, gorgeous costumes, and those deliciously spooky ghosts, the Bay Area's favorite holiday tradition returns with American Conservatory Theater (A.C.T.)'s celebrated production of the Charles Dickens classic A Christmas Carol. Now in its 36th year, this version of A Christmas Carol, adapted by Paul Walsh and Carey Perloff, stays true to the heart of Dickens's timeless story of redemption and brings a playful sensibility to his rich language. A Christmas Carol runs November 30-December 24, 2012, at A.C.T.'s Geary Theater (415 Geary Street, San Francisco). Press night is Tuesday, December 4, at 7 p.m. VIP seating is available for all performances, and VIP ticket holders enjoy the best seats in the house and complimentary drinks during intermission. Tickets (ranging in price from $20-$95), are available by calling the A.C.T. Box Office at 415.749.2228 or online at www.act-sf.org. Groups of 15 or more save up to 50% and enjoy free tickets for group leaders. Call Edward Budworth at 415.439.2473 for group sales.

Cutting Ball Theater opens its 14th season with Strindberg Cycle: The Chamber Plays in Rep, a festival of August Strindberg's five Chamber Plays in new translations by Paul Walsh.

Cutting Ball Theater continues its 2012 celebration of August Strindberg's centennial with the first installment of this season's Hidden Classics Reading Series today, August 19, 2012, at 1 p.m. One of Strindberg's best known plays, THE FATHER, like Strindberg's Miss Julie, is an intense look at the power struggles between men and women.

Cutting Ball Theater opens its 13th season with Strindberg Cycle: The Chamber Plays in Rep, a festival of August Strindberg's five Chamber Plays in new translations by Paul Walsh, directed by Cutting Ball Artistic Director Rob Melrose.

Cutting Ball Theater continues its 2012 celebration of August Strindberg's centennial with the first installment of this season's Hidden Classics Reading Series on August 19, 2012, at 1 p.m. One of Strindberg's best known plays, THE FATHER, like Strindberg's Miss Julie, is an intense look at the power struggles between men and women.

Lorenzo Pisoni's celebrated one-man show, Humor Abuse, returns to American Conservatory Theater (A.C.T.) for an exclusive limited engagement.

Lorenzo Pisoni's celebrated one-man show, Humor Abuse, returns to American Conservatory Theater (A.C.T.) for an exclusive limited engagement.

San Francisco's cutting-edge Cutting Ball Theater today announced the lineup for its 13th season. The season opens in October with Strindberg Cycle: The Chamber Plays in Rep, August Strindberg's Chamber Plays in new translations by Paul Walsh, directed by Cutting Ball Artistic Director Rob Melrose; this will be the first time all five of Strindberg's Chamber Plays will be performed together in repertory in any language.

Cutting Ball Theater closes its 12th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. This year's festival, which will run tonight, June 8 to July 14, features two new works and five new translations in staged readings. Like the 2011 festival, which featured workshops of two Cutting Ball commissioned works, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.

Cutting Ball Theater closes its 12th season with the adventurous RISK IS THIS.THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage.

Cutting Ball Theater has announced that it will add an additional four performances of its current hit production of TENDERLOIN, a World Premiere about the people and places in Cutting Ball Theater's neighborhood. Written by Annie Elias, with theater documentarians Tristan Cunningham, Siobhan Doherty, Rebecca Frank, Michael Uy Kelly, Leigh Shaw, and David Sinaiko (with additional writing by David Westley Skillman), and directed by Elias, TENDERLOIN plays now through June 3 (added performances: Thursday, May 31, 7:30pm; Friday, June 1, 8pm; Saturday, June 2, 8pm; Sunday, June 3, 5pm).

Cutting Ball Theater continues its 2012 celebration of August Strindberg's centennial with a Hidden Classics presentation of three one-act plays that show the power of Strindberg's invention. The readings are free and open to the public today, May 6, 2012 at 1pm at The Cutting Ball Theater in Residence at EXIT on Taylor, 277 Taylor St., San Francisco. For more information, visit cuttingball.com or call 415-525-1205

Annie Elias brings her years of experience in documentary theater to Cutting Ball with the World Premiere of TENDERLOIN, a piece about the people and places in Cutting Ball Theater's neighborhood. Written by Annie Elias, with theater documentarians Tristan Cunningham, Siobhan Doherty, Rebecca Frank, Michael Uy Kelly, Leigh Shaw, and David Sinaiko (with additional writing by David Westley Skillman), and directed by Elias, TENDERLOIN plays tonight, April 27 - May 27 at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco.

Cutting Ball Theater concludes this season's Hidden Classics series with THE KEYS TO HEAVEN, part of the company's celebration of August Strindberg's centennial.

American Conservatory Theater (A.C.T.) Artistic Director Carey Perloff announced the lineup for the company's 46th subscription season, which includes an eclectic and unforgettable world premiere musical event, a masterwork from acclaimed playwright Tom Stoppard, a world premiere comedy from one of Canada's most prolific playwrights, a sultry Tennessee Williams drama, a revitalized classic starring Academy Award winner Olympia Dukakis, and the return of Lorenzo Pisoni's sold-out stage memoir. An exciting world premiere event - to be announced at a later date - will fill the ninth show slot.