THE MODERN STAGE is please to annoucne additional performances for 'MIRACLE DAY,' a new play written and directed by TOM SIME, Writer in Residence at 45 Bleecker in New York. This romantic comedy-drama is a bittersweet story about extreme happiness-and what comes after.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
The Modern Stage presents MIRACLE DAY, a new play written and directed by TOM SIME, Writer in Residence at 45 Bleecker in New York. This romantic comedy-drama is a bittersweet story about extreme happiness-and what comes after. The action is interwoven with an original rock score composed and played live by Vern Woodhead and Yana Davydova of the Brooklyn band The Epicures.
THE MODERN STAGE is please to annoucne an additional 3 weeks for performances for 'MIRACLE DAY,' a new play written and directed by TOM SIME, Writer in Residence at 45 Bleecker in New York.
The Modern Stage presents MIRACLE DAY, a new play written and directed by TOM SIME, Writer in Residence at 45 Bleecker in New York. This romantic comedy-drama is a bittersweet story about extreme happiness-and what comes after. The action is interwoven with an original rock score composed and played live by Vern Woodhead and Yana Davydova of the Brooklyn band The Epicures.
THE MODERN STAGE is please to annoucne an additional 3 weeks for performances for 'MIRACLE DAY,' a new play written and directed by TOM SIME, Writer in Residence at 45 Bleecker in New York. This romantic comedy-drama is a bittersweet story about extreme happiness-and what comes after. The production features ADAM SMITH, KRISTINA OLSON, DAMIAN MAFFEI and MARCELLA GOHEEN. The action is interwoven with an original rock score composed and played live by VERN WOODHEAD and YANA DAVYDOVA of the Brooklyn band THE EPICURES. 'MIRACLE DAY' opens Monday, May 10th at 8:15pm and runs Mondays and Tuesdays at 8:15 pm through June 15th. All tickets are $21.50. For reser! vations call (212) 239-6200 or visit Telecharge.com. The 45 Bleecker Street Theatre is located at 45 Bleecker Street.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
Piven Theatre will end its production of Emilie Beck's Number of People, directed by Emilie and featuring Piven Ensemble Member Bernard Beck on April 18th.
THE MODERN STAGE presents 'MIRACLE DAY,' a new play written and directed by TOM SIME, Writer in Residence at 45 Bleecker in New York. This romantic comedy-drama is a bittersweet story about extreme happiness-and what comes after.
The Modern Stage presents MIRACLE DAY, a new play written and directed by TOM SIME, Writer in Residence at 45 Bleecker in New York. This romantic comedy-drama is a bittersweet story about extreme happiness-and what comes after. The action is interwoven with an original rock score composed and played live by Vern Woodhead and Yana Davydova of the Brooklyn band The Epicures.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
Piven Theatre Workshop will host a pre-show event in observance of Holocaust Remembrance Day on April 11, 2010 at 1:15PM, prior to the matinee performance of Number of People. The hour long program will feature speeches by Rabbi Josh Feigelson, Campus Rabbi & Senior Director Fiedler Hillel at Northwestern University, and Fr. John Karjte, Chaplain and Director of the Sheil Catholic Center at Northwestern University; a special performance of 'Raining Season' by the United States Holocaust Memorial Museum's Teen Committee on Conscience; and Hannah Senesch's song 'Eili, Eili' led by David Y. Chack, President of the Association for Jewish Theatre.
Piven Theatre Workshop will host a pre-show event in observance of Holocaust Remembrance Day on April 11, 2010 at 1:15PM, prior to the matinee performance of Number of People. The hour long program will feature speeches by Rabbi Josh Feigelson, Campus Rabbi & Senior Director Fiedler Hillel at Northwestern University, and Fr. John Karjte, Chaplain and Director of the Sheil Catholic Center at Northwestern University; a special performance of 'Raining Season' by the United States Holocaust Memorial Museum's Teen Committee on Conscience; and Hannah Senesch's song 'Eili, Eili' led by David Y. Chack, President of the Association for Jewish Theatre.
Piven Theatre announces the extension of Emilie Beck's Number of People, directed by Emilie and featuring Piven Ensemble Member Bernard Beck. The production is adding a week of performances and now runs through April 18, 2010, at Piven Theatre Workshop, 927 Noyes Street, Evanston.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.