The OBIE-winning HERE announces the line-up for CULTUREMART 2014, taking place January 28 - February 9. In CULTUREMART, process becomes the focus, as this annual festival offers a first look at live performance work in various stages of development from the boundary-breaking artists in the HERE Artist Residency Program (HARP) on their journey to mainstage productions. CULTUREMART 2014 serves up 13 adventurous workshop performances of new hybrid work that blurs the lines between theater, dance, music, multimedia, puppetry and visual art. Scroll down for a sneak peek at the performers!
As part of its 2013-2014 producing season, HERE presents The Pigeoning, by Robin Frohardt. A HERE Artist Residency Program (HARP) and Dream Music Puppetry Program presentation, The Pigeoning plays today, December 3 - 22 in the Dorothy B. Williams Theatre at HERE (145 Sixth Avenue, just below Spring Street). Official Opening Night is Wednesday, December 4 at 7:00pm.
As part of its 2013-2014 producing season, HERE presents The Pigeoning, by Robin Frohardt. A HERE Artist Residency Program (HARP) and Dream Music Puppetry Program presentation, The Pigeoning plays December 3 - 22 in the Dorothy B. Williams Theatre at HERE (145 Sixth Avenue, just below Spring Street). Official Opening Night is Wednesday, December 4 at 7:00pm.
HERE begins its 2013-2014 producing season with the premiere of the site-specific Artistic Director production, Trade Practices, by Kristin Marting & David Evans Morris. Trade Practices, a new work exploring the notion of 'value' against the backdrop of the booms and busts of the past decade, is set to play October 18 - November 3. Official Opening Night is set for Tuesday, October 22 at 7:00pm. Trade Practices will take place at a site in lower Manhattan's Financial District; address to be announced.
Utah Opera will present Wolfgang Amadeus Mozart's German opera "The Magic Flute," March 16, 18, 20 and 22 at 7:30 p.m. and March 24 at 2 p.m. at the Capitol Theatre.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick. DOUBLE FALSEHOOD will close at CSC (136 East 13th Street) Sunday, April 3.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, continues its 44th season with DOUBLE FALSEHOOD, written by William Shakespeare and John Fletcher, adapted for the 18th Century stage by Lewis Theobald, and directed by Kulick.
