Two-time Tony Award Winner Norbert Leo Butz is about to take the stage again this year in the Broadway Revival of My Fair Lady as Alfred P. Doolittle -- a part that won George Rose the Tony back in 1976. Butz is one of only nine actors who have won the Best Actor Tony twice (alongside stars like Nathan Lane). As he prepares to take stage yet again, let's reflect on his career: all twenty two years of it!
On March 1, 2018, I saw one of the final performances of New York City Ballet's Winter 2018 season (ending March 4th). The Stravinsky/ Balanchine program presents some of Balanchine's most appreciated ballets, which is exciting to experience. Over the years, many dancers have had the opportunity to perform these ballets. Now, many years since the death of the choreographer/artistic director, April 30, 1983, the NYCB company continues to thrive. While a number of the older dancers take on the style of the Master, many of the corps de ballet members seem to be dancing without the full comprehension of the spirit, even the technique, which created these works. This, of course, can be explained in part by the changes in the world in which they live. We can hope for evolution in a positive direction.
Riveting, Breathtaking! A cultural phenomenon! Worthy of all the standing ovations it received! Yes, The Alvin Ailey American Dance Theater delivered one of the most spectacular dance masterpieces that I've ever witnessed.
As reported on Broadwayworld.com and elsewhere in December 2017, the New York City Ballet Board of Directors appointed an interim artistic team in the wake of the leave of absence and subsequent resignation of longtime NYCB Ballet Master in Chief Peter Martins following accusations against him of sexual harassment.
It's easy for a premier ballet company to delight and amaze, but it's even more exciting when they leave you surprised, and on February 1 2018 at the David H. Koch Theater, New York City Ballet did just that. With an eccentric program that ran the gamut in both content and cadence, it was the world premiere of “dance odyssey” that ended up stealing the show.
Entering its 24th season, the 92Y Harkness Dance Festival spans five weeks and showcases a varied spectrum of work from revivals of classic works to cutting-edge pieces by emerging talent exploring the expressiveness of physicality. The festival reflects the reputation of 92Y's Harkness Dance Center not only as the place where it all started…but where it's all heading.
During their John Guare Festival and the World Premiere of Guare's epic Lydie Breeze Trilogy, EgoPo Classic Theater is collaborating with Drexel University's Performing Arts Department for an evening symposium, Future of American Playwriting, Saturday, February 3 at 4 p.m. The panel will feature John Guare and local playwrights Jacqueline Goldfinger, Bruce Graham, and James Ijames. The panel is moderated by Broad Street Review Editor in Chief Wendy Rosenfield. The symposium will be held in the Stein Auditorium in Nesbitt Hall at Drexel University, 3215 Market Street. Tickets cost $10 and are available on www.egopo.org or by phone at 267-273-1414.
Produced by Barry and Fran Weissler, CHICAGO is the winner of six 1997 Tony Awards including Best Musical Revival and the Grammy Award for Best Musical Cast Recording. With a legendary book by Fred Ebb and Bob Fosse, music by John Kander and lyrics by Fred Ebb, CHICAGO is now the #1 longest-running American musical in Broadway history -- and it shows no sign of ever slowing down!
Chicago returns to the Kravis Center January 19-21! With a legendary book by Fred Ebb and Bob Fosse, music by John Kander and lyrics by Fred Ebb, CHICAGO is now the #1 longest-running American musical in Broadway history -- and it shows no sign of ever slowing down!
On Friday, December 8, longtime Ailey star Jamar Roberts made his choreographic debut on the company with Members Don't Get Weary. Set to music by legendary saxophonist John Coltrane, the blues-inspired premiere was attended by Tarell Alvin McCraney, playwright and co-writer of the Oscar-winning film Moonlight a high school classmate of Roberts at Miami's New World School of the Arts. The New York Times called the opening scene striking and the work as emotional as it was virtuosic.
When the opening night curtain rose on the final work of an emotional night - the last performances of the Suzanne Farrell Ballet that has been in residence at the Kennedy Center for 15 years - there was applause even before there was any movement.
Alvin Ailey American Dance Theater, New York City Center's Principal Dance Company, returns to the theater's stage from November 29th - December 31st, 2017. Artistic Director Robert Battle leads Ailey's 32 extraordinary dancers during this annual five-week engagement, which has become a joyous holiday tradition.
Alvin Ailey American Dance Theater, New York City Center's Principal Dance Company, returns to the theater's stage from November 29th - December 31st, 2017.
New York City Ballet will open its annual season of George Balanchine's The Nutcracker today, November 24 at 8 p.m. at the David H. Koch Theater at Lincoln Center for the Performing Arts. The 2017 season of the holiday classic, sponsored by The Travelers Companies, Inc., will include 47 performances through Sunday, December 31, 2017. Scroll down for a sneak peek at the production!
Ailey Extension welcomes leading dancers from Alvin Ailey American Dance Theater to teach three special workshops during the company's New York City Center holiday season (November 29 - December 31).
New York City Ballet will open its annual season of George Balanchine's The Nutcracker on Friday, November 24 at 8 p.m. at the David H. Koch Theater at Lincoln Center for the Performing Arts. The 2017 season of the holiday classic, sponsored by The Travelers Companies, Inc., will include 47 performances through Sunday, December 31, 2017. Scroll down for a sneak peek at the production!
On Saturday evening, October 14, 2017, at the David H. Koch Theater, I saw a performance by NYCB including five contemporary pieces choreographed by four members of NYCB and the fifth who had trained at SAB (School of American Ballet, the official school of NYCB).
On September 30, 2017, the David H. Koch Theater pulsed with excitement, anticipating the start of Peter Martins' rendition of Swan Lake. A New York City Ballet staple, the company first premiered this production 18 years ago. But with such crisp movement and staging, you would think it was the very first time.
New York City Ballet's 21st CENTURY CHOREOGRAPHERS program uses collaboration between ballet and fashion designers to create a unique performance experience.
The Public Ticket Sale Day for the 2017-2018 season of the Raymond F. Kravis Center for the Performing Arts will be Saturday, October 7.
