Paul Kolnik News

The Suzanne Farrell Ballet performed a staging-in-process showing of the second movement of the rarely seen George Balanchine ballet, Gounod Symphony, on Sunday, September 11, 2016 at the NYU Skirball Center. Presented in collaboration with The Center for Ballet and the Arts at New York University, the revived work will premiere in full at the John F. Kennedy Center for the Performing Arts in Washington, D.C.  October 21-23, 2016

Today's big news: The cast of HAMILTON is setting sail today, ENGAGEMENTS opens tonight at Second Stage, Off-Broadway dims its lights in memory of James Houghton, and the stars of HOLIDAY INN hit BROADWAY IN BRYANT PARK!

?Broadway In Chicago, Ambassador Theatre Group and NETworks Presentations LLC are pleased to announce that the national tour of the Lincoln Center Theater Production of Rodgers & Hammerstein's THE KING AND I will play Chicago's Oriental Theatre (24 W Randolph) for four weeks, June 13 through July 9, 2017.

As active behind the scenes as he is as an actor, Kim stresses that greater diversity depends on actors in underrepresented groups creating work for themselves.

Lincoln Center Theater's Tony-winning production of THE KING AND I plays its final performance on Broadway today, June 26. The production has played for 39 previews and 499 performances. In honor of the show's run, BroadwayWorld brings you a look back at the cast's journey to Siam!

The Broadway favorite in a frank and open discussion of her healing process and the excitement of being back on Broadway.

Alvin Ailey American Dance Center is now presenting their 2016 at Lincoln Center's David H. Koch Theater through June 19th. See the company's stunning displays of modern dance that celebrate the African-American cultural experience.

The afternoon performance on Saturday May 28, 2016 of the New York City Ballet (NYCB) was bubbling with children and balletomanes in anticipation of A Midsummer Night's Dream. This playful ballet, which was based upon the Shakespearean play, was delightfully displayed with the combination of music by Felix Mendelssohn and choreography by the company's co-founder, George Balanchine.

The world renowned Alvin Ailey American Dance Theater returns to Lincoln Center from June 8 - 19, and New Yorkers have a unique opportunity to join in the dance. The Ailey Extension announces the return of 'Ticket to Dance,' which allows audience members to try their first class FREE with a performance ticket (returning students receive a free class with the purchase of a 10-class card).

Charitybuzz's new auction for house seats to see Marin Mazzie and Daniel Dae Kim benefits Transport Group.

On the afternoon of May 22nd 2016, audience members at a nearly sold out performance of New York City Ballet's 'Classic NYCB II' program at the Koch Theater in Lincoln Center were treated to five selections that underscored the impressive range and enduring excellence of the troupe's repertoire.

The dynamic between its new stars gives the hit revival new dramatic textures.

In this episode: Susan Stroman maybe the most awarded female director/choreographer in history, but it is her truth as an artist that has made her work ever-evolving. She deservedly has received legendary status and her contributions to the theatre are far from over. In this podcast, "Stro" shares inspiration, guidance, laughter, and reality: with  a  quantity of quotes that are mantra-worthy.  It is Stroman's love for the theatre, respect for the craft and compassion for the performer that makes her an extraordinary woman in a creative yet complicated career. 

A different kind of energy crackled throughout the David H. Koch Theater on the evening of May 13, 2016, vibrant and self-aware, with a knowing sense of the dynamic dancing that lay ahead. As I settled into my seat, preparing to bask in the evening's ode to Jerome Robbins, a British accent behind me said, clearly and plainly, 'I've never been to the ballet...I'm so excited.' I smiled to myself; thankful for all of the ballets I had seen before, and with a keen certainty that after tonight, this gentleman was certainly going to be returning.

Three-time Tony Award nominee Marin Mazzie and Daniel Dae Kim recently joined the Tony Award-winning production of Rodgers & Hammerstein's The King and I at the Vivian Beaumont Theater, and BroadwayWorld has a first look at the pair on stage below!

New York City Ballet, home to George Balanchine's vision of dance in America, is well known for commissioning new work. This devotion to innovation can result in work that runs the gamut from zestful to appalling. Case in point, the '21st Century Choreographers II' program on May 7th, 2016, which presented a hodgepodge of brilliant, ill conceived, entertaining, and 'not suited to house style'.

At Lincoln Center's Koch Theater on April 29, 2016, the ballet crowd filled the house that Friday evening. For this program, City Ballet presented Estancia, Pictures at an Exhibition, and Everywhere We Go. Each piece demonstrated a variance in style, yet conclusively was still in the realm of the dancers' undeniable Balanchine training.

To judge by Sunday's matinee on April 24, 2016, the New York City Ballet is in good dancing hands-shall I say excellent hands. If two of the three ballets that afternoon did not always meet the demands of the choreographic high level set forward by Balanchine, the dancing most certainly did. It was, to be understated, superb.

This Sunday, April 17 marks the first year anniversary for Lincoln Center Theater's Tony Award-winning production of Rodgers & Hammerstein's The King and I directed by Bartlett Sher, at the Vivian Beaumont Theater (150 West 65 Street).