Today's subject is living his theatre life as a company member of one of the most prestigious dance companies in the country. Daniel Harder is currently on tour with the Alvin Ailey American Dance Theater. The company will be performing at The Kennedy Center starting tomorrow evening (Feb 7th) through 12th in the Opera House.
A review of three works presented at the New York City Ballet's 'New Works' program.
Dampened from the chilly rain falling outside, I stepped into the majestic David H. Koch Theater on January 24, 2017 in desperate need of comfort. But I got so much more than that at New York City Ballet's Stravinsky x Five program. As I took my seat, the heavenly timbres of Stravinsky's bluesy score from "Scenes de Ballet" flooded my ears and spirit. In that moment, all was right in the world, and it stayed that way for the entire evening.
George Balanchine said that 'Allegro Brillante' contained everything he knew about classical ballet in 13 minutes. I would say a bit more, depending on the tempo the conductor is taking for the evening. But putting tempos aside, 'Allegro Brilliante' offers a ballet so rich in form and steps that it's hard to take it all in. I've been watching the ballet for over 30 years, and I still marvel and its invention and the sheer stamina it takes to perform the work.
Happy New Year, BroadwayWorld! As we eagerly anticipate the amazing musicals and plays coming up in 2017, we're taking a moment to look back at the significant Broadway closings of 2016.
On Wednesday evening, December 21, 2016, I was fortunate to be present as the Alvin Ailey Dance Theater performed three pieces created in the 21st century by three choreographers, two European, Johan Inger and Mauro Bigonzetti, and one home grown, a veteran dancer of the Ailey company, Hope Boykin. Each piece is a world unto itself, different from the other two.
December 13, 2016 continued the favorite return of Alvin Ailey American Dance Theater for their joyous annual five-week holiday engagement at the New York City Center. Under the artistic direction of Robert Battle, the company continues to reach audiences of all ages, while using dance as a platform to unify and educate. This evening's program did just that!
Tony-winning director and choreographer Susan Stroman (THE PRODUCERS) is joining forces with writer John Lahr to develop a new musical featuring the music of Broadway and Hollywood lyricist Alan Jay Lerner
The state of any company's dancing can be gauged by looking at how it performs its founder's work. Of course that is no easy feat to assess with City Ballet, what with its glorious repertoire. All the same, Wednesday October 12th's program found the company disconcertingly off the mark. In politics, we follow the money; in ballet, we follow the casting.
Jewels, choreographed by George Balanchine, performed on Friday September 30, 2016 at The Koch Theater was a wonderful beginning to the weekend. This ballet is a truly priceless gem in the repertoire of the New York City Ballet. The three-act storyless ballet is quite distinctive with its style and music.
On Friday, September 23, 2016, the David H. Koch Theater was abuzz with excitement, as the company of the New York City Ballet prepared to take the stage. Each time I get to experience this group of artists perform, it's a completely unique adventure. But what remains constant is their collective ability to remain rooted in Balanchine's essence - in movement, character, and cadence. And this night proved no different.
The Suzanne Farrell Ballet performed a staging-in-process showing of the second movement of the rarely seen George Balanchine ballet, Gounod Symphony, on Sunday, September 11, 2016 at the NYU Skirball Center. Presented in collaboration with The Center for Ballet and the Arts at New York University, the revived work will premiere in full at the John F. Kennedy Center for the Performing Arts in Washington, D.C. October 21-23, 2016
Today's big news: The cast of HAMILTON is setting sail today, ENGAGEMENTS opens tonight at Second Stage, Off-Broadway dims its lights in memory of James Houghton, and the stars of HOLIDAY INN hit BROADWAY IN BRYANT PARK!
?Broadway In Chicago, Ambassador Theatre Group and NETworks Presentations LLC are pleased to announce that the national tour of the Lincoln Center Theater Production of Rodgers & Hammerstein's THE KING AND I will play Chicago's Oriental Theatre (24 W Randolph) for four weeks, June 13 through July 9, 2017.
As active behind the scenes as he is as an actor, Kim stresses that greater diversity depends on actors in underrepresented groups creating work for themselves.
Lincoln Center Theater's Tony-winning production of THE KING AND I plays its final performance on Broadway today, June 26. The production has played for 39 previews and 499 performances. In honor of the show's run, BroadwayWorld brings you a look back at the cast's journey to Siam!
The Broadway favorite in a frank and open discussion of her healing process and the excitement of being back on Broadway.
Alvin Ailey American Dance Center is now presenting their 2016 at Lincoln Center's David H. Koch Theater through June 19th. See the company's stunning displays of modern dance that celebrate the African-American cultural experience.
The afternoon performance on Saturday May 28, 2016 of the New York City Ballet (NYCB) was bubbling with children and balletomanes in anticipation of A Midsummer Night's Dream. This playful ballet, which was based upon the Shakespearean play, was delightfully displayed with the combination of music by Felix Mendelssohn and choreography by the company's co-founder, George Balanchine.
The world renowned Alvin Ailey American Dance Theater returns to Lincoln Center from June 8 - 19, and New Yorkers have a unique opportunity to join in the dance. The Ailey Extension announces the return of 'Ticket to Dance,' which allows audience members to try their first class FREE with a performance ticket (returning students receive a free class with the purchase of a 10-class card).
