New York Arts Executive Jean Davidson, who has been affiliated with some of the country's most innovative and successful arts organizations, has been named President & CEO of the Los Angeles Master Chorale (LAMC), the nation's largest professional chorus and Walt Disney Concert Hall resident chorus led by Artistic Director Grant Gershon and heralded around the globe for its unparalleled artistry, announces LAMC Chair David Gindler. She assumes the post on August 31, 2015. Davidson has served since 2011 as Executive Director & CEO of New York Live Arts, an internationally acclaimed interdisciplinary performing arts center under the artistic direction of Bill T. Jones. Guiding its phenomenal growth and success since its inception, she was instrumental in leading the Bill T. Jones/Arnie Zane Dance Company through its merger with Dance Theater Workshop to create New York Live Arts, a new model of artist-led, producing and presenting arts organization unique in the United States. Today New York Live Arts, noted for commissioning cutting-edge new works, its vibrant community partnerships and as home base for the Bill T. Jones/Arnie Zane Dance Company, presents more than 100 performances annually in its theater and studios inside its 20,000-square-foot facility in Chelsea, operating with a $5.8 million budget. Davidson is cited for her forward-thinking management style, fostering artistic innovation, developing and expanding creative partnerships with disparate educational and cultural organizations, and overseeing tremendous revenue development and programmatic growth. She previously served as Executive Director of the Bill T. Jones/Arnie Zane Dance Company in New York City for six years prior to the merger, when the company launched two successful initiatives entitled Partners in Creation and Partners in Education; Managing Director of The Silk Road Project, Inc., a non-profit arts and cultural organization founded by cellist Yo-Yo Ma which during her tenure commissioned 25 chamber works, launched a worldwide tour, released three recordings; and Production Administrator for the American Conservatory Theatre in San Francisco. Davidson replaces LAMC President & CEO Terry Knowles, who steps down at the end of the season following a tremendously successful 15-year tenure with the chorus, during which time the Chorale experienced unsurpassed financial and artistic growth, toured around the world to critical acclaim, released six commercial CDs, created a recording partnership with Decca Classics, and twice received the ASCAP/Chorus America Award for Adventurous Programming as well as Chorus America's prestigious Margaret Hillis Award for Choral Excellence, the nation's highest choral music award. Davidson's appointment comes at a critical time in the Chorale's history, as it is poised to launch its 52nd season and a new period of strategic growth. The national executive search for Knowles' successor was led by Arts Consulting Group, the leading provider of executive search and other services for the arts and culture industry.
Orange County, Calif.-May 11, 2015-One of America's most versatile and prolific living composers, Andre Previn, joins Pacific Symphony as the honored guest and focus of the 15th American Composers Festival (ACF). Previn, who has been called one of America's least easily categorized musicians, began his remarkable career as a Hollywood "wunderkind" and a best-selling jazz pianist. Now 86, Previn has received four Academy Awards for his work in film, 10 Grammy Awards for his recordings (plus one more for his Lifetime Achievement), and he is also an honorary Knight Commander of the Order of the British Empire. He's held a series of major conducting posts, including the L.A. Philharmonic and the London Symphony Orchestra, but now exclusively composes. The concert is led by Music Director Carl St.Clair, whose great admiration for the legend shaped this year's ACF to reveal the scope of Previn's prowess as a composer.
Musiqa, winner of the 2013 Chamber Music America/ASCAP Award for Adventurous Programming, presents a free loft concert, Pretty/Dirty, at the Contemporary Arts Museum tonight, May 7 at 7:30 PM. The
Musiqa, winner of the 2013 Chamber Music America/ASCAP Award for Adventurous Programming, presents a free loft concert, Pretty/Dirty, at the Contemporary Arts Museum on May 7 at 7:30 PM. The
The Los Angeles Master Chorale (LAMC) -- heralded around the globe for its unparalleled artistry and wide-ranging repertoire - announces its 2015|16 Season, its 52nd, at Walt Disney Concert Hall. Acclaimed Kiki & David Gindler Artistic Director Grant Gershon, "a first-rate conductor" (Opera News) who marks his 15th season at the choir's helm, conducts 10 programs shaped by his keen creative vision, 5 of which are repeated, for a total of 15 performances at Disney Hall. The innovative season features numerous world, US and West Coast premieres as well as semi-staged and multi-media concerts designed to provide an immersive experience.
Orpheus Chamber Orchestra today announced its 43rd season at Carnegie Hall, opening with a premiere by Wolfgang Rihm performed with soloists Jan Vogler and Mira Wang on October 15 and closing with Pinchas Zukerman on March 19. Additional concerts feature Augustin Hadelich on December 5 and Khatia Buniatishvili on January 30.
Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with 'From Screen to Score: New Concert Music by Famous Film Composers'-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ('Star Wars,' 'Raiders of the Lost Ark,' 'E.T., the Extra Terrestrial'), Howard Shore ('Lord of the Rings,' 'The Hobbit,' 'Hugo'), James Horner ('Titanic,' 'Star Trek,' 'Apollo 13') and Elliot Goldenthal ('Alien 3,' 'Batman Forever' and 'Batman and Robin'). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for 'Titanic' sold 30 million copies), yet their music is the least performed.
Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with "From Screen to Score: New Concert Music by Famous Film Composers"-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ("Star Wars," "Raiders of the Lost Ark," "E.T., the Extra Terrestrial"), Howard Shore ("Lord of the Rings," "The Hobbit," "Hugo"), James Horner ("Titanic," "Star Trek," "Apollo 13") and Elliot Goldenthal ("Alien 3," "Batman Forever" and "Batman and Robin"). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for "Titanic" sold 30 million copies), yet their music is the least performed.
The Manhattan Choral Ensemble (MCE) will present an imaginative program titled Requiem in Stone under the baton of guest conductor Andrew Megill. The concert will include early Baroque masterworks by Heinrich Sch'tz and Johann Hermann Schein and a new piece commissioned by the MCE from Caleb Burhans'works that render the subjects of spirituality, grief and death in exquisite detail.
Musiqa, winner of the 2013 Chamber Music America/American Society of Composers, Authors and Publishers Award for Adventurous Programming of Contemporary Music, presents a free Loft Concert, Strings Outside the Lines, at the Contemporary Arts Museum Houston tonight, February 27, at 6:30 p.m. The concert's program spotlights several evocative works for strings by a group of groundbreaking contemporary composers, including a tribute to the late Elliott Carter, who passed away at 104 in 2012. Held in collaboration with the museum and in coordination with the CAMH's exhibition, Outside the Lines, the concert also celebrates the museum's 65th anniversary with the world premiere of a quartet by Yann Jaffrennou. The concert, part of Musiqa's ongoing partnership with CAMH, is free and open to the public.
The Manhattan Choral Ensemble (MCE) will present an imaginative program titled Requiem in Stone under the baton of guest conductor Andrew Megill. The concert will include early Baroque masterworks by Heinrich Sch'tz and Johann Hermann Schein and a new piece commissioned by the MCE from Caleb Burhans'works that render the subjects of spirituality, grief and death in exquisite detail.
Musiqa, winner of the 2013 Chamber Music America/American Society of Composers, Authors and Publishers Award for Adventurous Programming of Contemporary Music, presents a free Loft Concert, Strings Outside the Lines, at the Contemporary Arts Museum Houston on Thursday, February 27, at 6:30 p.m. The concert's program spotlights several evocative works for strings by a group of groundbreaking contemporary composers, including a tribute to the late Elliott Carter, who passed away at 104 in 2012. Held in collaboration with the museum and in coordination with the CAMH's exhibition, Outside the Lines, the concert also celebrates the museum's 65th anniversary with the world premiere of a quartet by Yann Jaffrennou. The concert, part of Musiqa's ongoing partnership with CAMH, is free and open to the public.
The Los Angeles Master Chorale (LAMC), following on the heels of its wildly successful and critically applauded 50th Anniversary Season opening night concert, has released its first all-digital album featuring 17 of its signature a cappella works conducted by Music Director Grant Gershon and recorded live at that historic concert on September 22, 2013, at Walt Disney Concert Hall. The album, entitled '50th Season Celebration Concert,' celebrates the most beloved, groundbreaking and inspiring a cappella works that have defined the Los Angeles Master Chorale and its music directors over the past 50 years. Priced at $9.99, it is available online-only, at LAMC.org, iTunes and Amazon.com. Featuring 115 singers, it is the Chorale's ninth album and its sixth conducted by Gershon.
Pacific Symphony announces what is perhaps its most significant season to date for the 36-year-old orchestra-the 2014-15 Hal and Jeanette Segerstrom Family Foundation Classical Series and special events, celebrating Music Director Carl St. Clair's 25 years at the helm. Filled with giant stars and giants of the repertoire that have moved listeners for centuries, the season is pure St. Clair-embracing and celebrating all that great music can mean to the human heart.
Seven category-defying new works for symphony orchestra will be unveiled in two days of public readings that take the symphony orchestra in new directions. Featured composers are Jennifer Bellor, Jose Bevia, Courtney Bryan, Ingrid Laubrock, Andy Milne, Richard Sussman, and Sumi Tonooka.
Jazz Composers Orchestra Institute will host new music readings featuring seven new works, presented by the American Composers Orchestra tonight, June 3 at 10am (working rehearsal) and tomorrow, June 4 at 7:30pm (run-through performance).
Conductors Delta David Gier and Oliver Hagen will replace Gil Rose for American Composers Orchestra's Jazz Composers Orchestra Institute (JCOI) Readings on Monday, June 3 at 10am (working rehearsal) and Tuesday, June 4 at 7:30pm(run-through) at Columbia University's Miller Theatre (2960 Broadway). Rose has withdrawn with regrets, due to a family emergency. Both events are free and open to the public, but reservations are suggested. ACO is one of three orchestras participating this year in JCOI Readings - the Buffalo Philharmonic Orchestra (April 23 & 24) and La Jolla Symphony & Chorus (September 19 & 20) are also workshopping, rehearsing, and giving public readings of new works for symphony orchestra by jazz composers.
Jazz Composers Orchestra Institute will host new music readings featuring seven new works, presented by the American Composers Orchestra on Monday, June 3 at 10am (working rehearsal) and Tuesday, June 4 at 7:30pm (run-through performance).
American Composers Orchestra (ACO) and The Center for Jazz Studies at Columbia University (CJS), in cooperation with EarShot, the National Orchestra Composition Discovery Network, will present the second Jazz Composers Orchestra Institute (JCOI) Readings in 2013. Three orchestras - the Buffalo Philharmonic Orchestra (April 23 & 24), ACO (June 3 & 4), and La Jolla Symphony & Chorus (September 19 & 20) - will workshop, rehearse, and give public readings of new works for symphony orchestra written by seventeen jazz composers.
American Composers Orchestra's (ACO) 2012-13 concert season is a banner year for the orchestra, marked by unprecedented opportunities for composers through three initiatives that illustrate ACO's role as a catalyst for the creation of new orchestral music: CoLABoratory: Playing It UNsafe, ACO's groundbreaking composition and performance laboratory; the 22nd annual Underwood New Music Readings, one of the country's most sought-after programs for emerging composers (DiMenna Center, May 30-31, 2013); and the nationwide expansion of the Jazz Composers Orchestra Institute Readings in partnership with The Center for Jazz Studies at Columbia University and The UCLA Herb Alpert School of Music (DiMenna Center, June 1-2, 2013).
