In his directorial debut at Studio Theatre, Associate Artistic Director Reginald L. Douglas has reimagined Pulitzer Prize finalist Dael Orlandersmith’s Until the Flood as an ensemble piece for a multigenerational cast of Black women that captures how tragedy in one community became a flashpoint for racial justice across the United States.
Season of Concern, the emergency fund for Chicago theater artists, is thrilled to announce it will co-produce a virtual production of Fefu and Her Friends, Cuban-American playwright María Irene Fornés' feminist masterwork, in partnership with much-admired Chicago theater artist Mary Beth Fisher.
The Cape Cod Theatre Project presents the second play of its four play benefit season with The Hystericals by veteran playwright's Edith Freni (Total Power Exchange, Buena Vista), directed by Jessica Holt (Magic Theatre, Yale School of Drama).
Steppenwolf's artistic team and ensemble have announced three new virtual projects that the company will be sharing exclusively with Members.
Peninsula Players Theatre, America's oldest professional resident summer theater and Door County's theatrical icon, begins its autumn season with the Midwest première of a?oeGeorge Washington's Teeth,a?? a new comedy by Mark St. Germaine.
Lucy Kirkwood's aptly titled THE CHILDREN, now in its Chicago premiere at Steppenwolf Theatre Company, poses thought-provoking questions about the responsibilities that humankind has to future generations. Kirkwood's intentionally crafted play filters these broad themes through the specific narrative of her three characters, all nuclear scientists. The larger repercussions of the characters' careerss means that Kirkwood can dive into the meaty content of the play with both a particular emotional arc and also with a universality that should resonate with all audience members. Because of this, THE CHILDREN comes across as rather pointed in certain moments, but the weight of the issues that Kirkwood presents allows it to resonate deeply.
Steppenwolf Theatre Company presents the Chicago premiere ofThe Children written by acclaimed British playwright Lucy Kirkwood and helmed by celebrated Chicago director Jonathan Berry.
Steppenwolf Theatre Company presents the Chicago premiere of The Children written by acclaimed British playwright Lucy Kirkwood and helmed by celebrated Chicago director Jonathan Berry
Steppenwolf Theatre Company presents the Chicago premiere of The Children written by acclaimed British playwright Lucy Kirkwood and helmed by celebrated Chicago director Jonathan Berry. Filled with dark humor, this thought-provoking and haunting play features three of Chicago's top actors tackling complex roles: ensemble members Ora Jones (Rose) and Yasen Peyankov (Robin) with Janet Ulrich Brooks (Hazel). Following sold-out runs in London and New York, Steppenwolf proudly presents this brave and profound work that confronts the responsibility each generation must face for the way it leaves the world.
Steppenwolf Theatre Company announced the 2019/20 Season today. With seven Steppenwolf main series productions and two Steppenwolf for Young Adults (SYA) productions, the 44th season brings together the talents of revered Steppenwolf legends and captivating new ensemble members in a powerful lineup that celebrates a dynamic range of exciting voices.
Steppenwolf Theatre Company presents the Chicago premiere of The Children written by Lucy Kirkwood and helmed by celebrated Chicago director Jonathan Berry. The cast includes previously announced ensemble members Ora Jones (Rose) and Yasen Peyankov (Robin), with acclaimed actress Janet Ulrich Brooks (Hazel) rounding out the cast. Following sold out runs in London and New York, Steppenwolf is proud to present this brave, humane and beautifully written play that confronts the responsibility each generation must face for the way it leaves the world.
Danai Gurira's FAMILIAR, now in its Chicago premiere at Steppenwolf, offers up a lighthearted and laugh-out-loud funny family comedy, even as the play probes questions of identity and assimilation into American culture. Director Danya Taymor's dynamite ensemble builds on the richness of the characters inherent in Gurira's script.
Now playing in Steppenwolf's Downstairs Theatre is the widely acclaimed comedy, Familiar written by Danai Gurira, star of "The Walking Dead", Marvel Studios' Black Panther and playwright of Eclipsed and The Convert. This Chicago premiere production is directed by Danya Taymor, who helmed Steppenwolf's powerful 2017 production of Pass Over.
Now playing in Steppenwolf's Downstairs Theatre is the widely acclaimed comedy, Familiar written by Danai Gurira, star of "The Walking Dead", Marvel Studios' Black Panther and playwright of Eclipsed and The Convert
Steppenwolf Theatre Company presents the Chicago premiere production of Familiar written by Danai Gurira (The Walking Dead, Black Panther, Broadway's Eclipsed) and directed by Danya Taymor, who helmed Steppenwolf's powerful 2017 production of Pass Over. As previously announced, this fiercely funny production features ensemble members Celeste M. Cooper (Nyasha) and Ora Jones (Marvelous Chinyaramwira), who appeared together in Steppenwolf's The Doppelganger (an international farce) last season. Rounding out the cast are Cheryl Lynn Bruce (Anne), Erik Hellman (Chris), Lanise Antoine Shelley, (Tendikayi), Luigi Sottile (Brad), Jacqueline Williams (Margaret Munyewa) and Cedric Young (Donald Chinyaramwira).
Steppenwolf Theatre Company Artistic Director Anna D. Shapiro announced today the addition of Rajiv Joseph and Karen Rodriguez to the world-renowned Steppenwolf ensemble. An Obie Award-wining and Pulitzer Prize finalist playwright, Rajiv Joseph's Guards at the Taj was produced at Steppenwolf this past May to great acclaim. Karen Rodriguez, a celebrated Chicago-based actor, recently performed at Steppenwolf in The Doppelganger (an international farce) and The Rembrandt, and will be featured in this season's world premiere of Isaac Gomez's La Ruta, in a role written specifically for her.
Now playing, Steppenwolf Theatre Company presents the Chicago premiere production of The Roommate by Jen Silverman, directed by Tony Award Winner Phylicia Rashad. Ensemble members Ora Jones and Sandra Marquez star in this celebration of female friendship and midlife renaissance.
Jen Silverman's THE ROOMMATE, now playing in Steppenwolf's Downstairs Theatre, offers audiences a veritable master class in acting via Sandra Marquez and Ora Jones. Under the direction of Phylicia Rashad, Marquez and Jones have a touching and natural onstage rapport. The material of Silverman's play itself, however, does not exactly match the high bar of the performers. In fact, THE ROOMMATE feels rather uneven; the play dangles loose threads in front of the audience, introducing some major themes but never quite bringing any of them to fruition.
Steppenwolf Theatre Company presents the Chicago premiere production of The Roommate by Jen Silverman, directed by Tony Award Winner Phylicia Rashad. A unique story that expresses how early-life choices can lead to mid-life challenges and the humorous, touching and unexpected rewards of bridging the divide, the Steppenwolf production will feature ensemble members Ora Jones as Robyn and Sandra Marquez as Sharon. Get a first look below!
Steppenwolf Theatre Company presents the Chicago premiere production of The Roommate by Jen Silverman, directed by Tony Award Winner Phylicia Rashad. A unique story that expresses how early-life choices can lead to mid-life challenges and the humorous, touching and unexpected rewards of bridging the divide, the Steppenwolf production will feature ensemble members Ora Jones as Robyn and Sandra Marquez as Sharon.
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