Formerly a project of the Ontological-Hysteric Theater, the Incubator Arts Project supports independent, experimental performing artists through a series of programs aimed at offering production opportunities and guidance with long-term growth and artistic sustainability.
Title:Point Productions will present FIELD 309, running September 23 - October 2.
Brandywine Distillery Fire began as an attempt to destroy storytelling or an attempt to tell story in the way that Jackson Pollack paints landscapes. Playmakers Michael Gardner and Matthew Freeman (creators of When is A Clock and Notes from Underground) conjectured that to develop a theater work in the 'wrongest' way possible might be a liberating experience for artists and audiences alike. They proceeded with a series of workshops. In the workshops, they led a process of improvising a play from scratch. And failing. Deliberately. And writing it down. And failing further.
Three desperate souls adrift at sea await a maddeningly cruel fate bestowed on them by an angry God-a comedy which may or may not have absolutely nothing to do with race. (oh my god I am so) THIRST(y) is a slight adaptation of one of Eugene O'Neill's earliest plays, THIRST (1914), written while the playwright was confined to a sanatorium in rural Connecticut. THIRST had a single production in 1916 with the Provincetown Players, in which O'Neill himself originated the role of the Negro Sailor. The play subsequently sank into obscurity. Despite its rough edges, THIRST hints at O'Neill's later experiments with expressionism and American myth, as well as his forays into the dark underbelly of modernity. Creating a new work based on this public domain text, Little Lord exploits O'Neill's wildly imaginative assault on the very nature of performance and the possibilities of the theater. (oh my god I am so) THIRST(y) is at once grotesque melodrama, gothic horror, campy musical theater, and engrossing telenovela- a fantastical mix of No Exit, Waiting for Godot, The Count of Monte Cristo, 'Amos and Andy,' and Open Water.
WaterTower Theatre Producing Artistic Director Terry Martin today announced casting details for Circle Mirror Transformation which will be performed in the Studio Theatre, November 4 - 21, 2010. The cast features Lynn Blackburn as Theresa, Kayla Carlyle as Lauren, Lisa Hassler as Marty, Bill Jenkins as James and Ted Wold as Schultz.
Brandywine Distillery Fire began as an attempt to destroy storytelling or an attempt to tell story in the way that Jackson Pollack paints landscapes. Playmakers Michael Gardner and Matthew Freeman (creators of When is A Clock and Notes from Underground) conjectured that to develop a theater work in the 'wrongest' way possible might be a liberating experience for artists and audiences alike. They proceeded with a series of workshops. In the workshops, they led a process of improvising a play from scratch. And failing. Deliberately. And writing it down. And failing further.
Classic Stage Company presents the New York premiere of Sarah Ruhl's ORLANDO, adapted from the work of Virgina Woolf and directed by Rebecca Taichman. Performances begin September 8, 2010.
Classic Stage Company presents the New York premiere of Sarah Ruhl's ORLANDO, adapted from the work of Virgina Woolf and directed by Rebecca Taichman. Performances begin September 8, 2010.
In 1821, the Romantic poet John Keats died at the age of 25 in Rome. In 2000, the conceptual artist Jonathon Keats made his debut in San Francisco. Split into two parts, Aw Keats, Keats Motherf**ker! imagines John's fever dreams and Jonathon's thoughts.
In 1821, the Romantic poet John Keats died at the age of 25 in Rome. In 2000, the conceptual artist Jonathon Keats made his debut in San Francisco. Split into two parts, Aw Keats, Keats Motherf**ker! imagines John's fever dreams and Jonathon's thoughts.
Title:Point Productions will present FIELD 309, running September 23 - October 2.
Formerly a project of the Ontological-Hysteric Theater, the Incubator Arts Project supports independent, experimental performing artists through a series of programs aimed at offering production opportunities and guidance with long-term growth and artistic sustainability. This month, it will feature Ben Forster's 'Edibles Incorporated'.
Formerly a project of the Ontological-Hysteric Theater, the Incubator Arts Project supports independent, experimental performing artists through a series of programs aimed at offering production opportunities and guidance with long-term growth and artistic sustainability. (More info at the end of this announcement.)
Formerly a project of the Ontological-Hysteric Theater, the Incubator Arts Project supports independent, experimental performing artists through a series of programs aimed at offering production opportunities and guidance with long-term growth and artistic sustainability. (More info at the end of this announcement.)
Formerly a project of the Ontological-Hysteric Theater, the Incubator Arts Project supports independent, experimental performing artists through a series of programs aimed at offering production opportunities and guidance with long-term growth and artistic sustainability. This month, it will feature Ben Forster's 'Edibles Incorporated'.
Brandywine Distillery Fire began as an attempt to destroy storytelling or an attempt to tell story in the way that Jackson Pollack paints landscapes. Playmakers Michael Gardner and Matthew Freeman (creators of When is A Clock and Notes from Underground) conjectured that to develop a theater work in the 'wrongest' way possible might be a liberating experience for artists and audiences alike. They proceeded with a series of workshops. In the workshops, they led a process of improvising a play from scratch. And failing. Deliberately. And writing it down. And failing further.
Everywhere Theatre Group attempts to stage the World Wide Web in The Internet. Fusing dance, movement, video, music, original and found texts, ETG examines what lies beneath the cool, sleek surface of the information super highway. By asking what propels people into the shadowy underworld of the Web, where one desires to objectify bodies and see people fail, ETG aims to find the root of human connection at its newest form.
Classic Stage Company presents the New York premiere of Sarah Ruhl's ORLANDO, adapted from the work of Virgina Woolf and directed by Rebecca Taichman. Performances begin September 8, 2010.
MICHAEL CYRIL CREIGHTON'S online sitcom about a down on his luck theatre Box Office Manager, 'JACK IN A BOX', premieres Episode 15: The Buzz. In this episode, Jack is bombarded with phone calls, goes to a terrible audition and then has a 'physical' altercation with his agent, Gloria (played by Lusia Strus of Enron, The NY Neo-Futurists, Gus Van Sant's Restless). There are too many women in his life. The episode also features Hannah Bos (Founding Member of The Debate Society), Desiree Burch (The NY Neo-Futurists/The Soup Show), Livia Scott ('Live & Let Livia') and Mary Testa (Xanadu, Guys and Dolls, 42nd Street, On The Town). The episode is shot & edited by Jim Turner.
In 1821, the Romantic poet John Keats died at the age of 25 in Rome. In 2000, the conceptual artist Jonathon Keats made his debut in San Francisco. Split into two parts, Aw Keats, Keats Motherf**ker! imagines John's fever dreams and Jonathon's thoughts.
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