Multi-award winning Foothill Music Theatre presents the timely musical WORKING. Based on Pulitzer Prize-winning author Studs Terkel's best-selling book of interviews with American workers, WORKING is directed by Milissa Carey with music direction by Mark Hanson and choreography by Michael Ryken.
Multi-award winning Foothill Music Theatre presents the timely musical WORKING.
Multi-award winning Foothill Music Theatre presents the timely musical WORKING. Based on Pulitzer Prize-winning author Studs Terkel's best-selling book of interviews with American workers, WORKING is directed by Milissa Carey with music direction by Mark Hanson and choreography by Michael Ryken.
Broadway In Chicago and the company of WORKING are pleased to announce their 'Local Heroes' program, created to honor and complement the new musical WORKING, which begins previews February 15, 2011, at the Broadway Playhouse at Water Tower Place (175 E. Chestnut). The program is designed to pay tribute to Studs Terkel's vision of showcasing everyday people. WORKING will honor Chicago's own through post-show conversations about who they are, what they do in life and how they make a difference. These conversations will include fascinating professions from doctors to firemen, to waitresses, assistants and sanitation workers and professions from every spectrum of our lives along with cast members of WORKING.
Continuing the 50-year anniversary celebration of Harper Lee's landmark book-turned-legend, ‘TO KILL A MOCKINGBIRD' opens on January 14th, 2011 as THE PRODUCTION COMPANY unveils their new larger space, The Lex Theatre; 6760 Lexington Avenue, in Hollywood's Theatre Row.
Honoring the 50-year anniversary of Harper Lee's landmark book, 'TO KILL A MOCKINGBIRD' inaugurates The Production Company's new The Lex Theatre
Continuing the 50-year anniversary celebration of Harper Lee's landmark book-turned-legend, ‘TO KILL A MOCKINGBIRD' opens on January 14th, 2011 as THE PRODUCTION COMPANY unveils their new larger space, The Lex Theatre; 6760 Lexington Avenue, in Hollywood's Theatre Row.
Multi-award winning Foothill Music Theatre presents the timely musical WORKING.
Honoring the 50-year anniversary of Harper Lee's landmark book, 'TO KILL A MOCKINGBIRD' inaugurates The Production Company's new The Lex Theatre
Broadway In Chicago and the producers of WORKING are pleased to announce that tickets for the upcoming production of the new musical will go on sale on Friday, December 10 at 10:00 a.m. WORKING begins previews on February 15, 2011 at the Broadway Playhouse at Water Tower Place (175 E. Chestnut).
Broadway In Chicago and the producers of WORKING are pleased to announce that tickets for the upcoming production of the new musical will go on sale on Friday, December 10 at 10:00 a.m. WORKING begins previews on February 15, 2011 at the Broadway Playhouse at Water Tower Place (175 E. Chestnut).
THE PRODUCTION COMPANY is now ready to unveil our beautiful, larger space - The Lex Theatre in Hollywood's Theatre Row - and we are thrilled to announce the first three plays of our 2011 Season!
Broadway In Chicago and the producers of WORKING have announced casting for the upcoming production, which begins previews on February 15, 2011 at the Broadway Playhouse at Water Tower Place (175 E. Chestnut). WORKING will star Chicagoans E. Faye Butler, Barbara Robertson and Gene Weygandt. Additional casting will be announced at a later date.
'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice.
'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice. Mozart's music proves it; God had broken their pact. Salieri now makes a terrible new vow: to block God on earth and teach Him a lesson, using Mozart as the means to that end.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
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