American soprano Emily Pogorelc makes her Washington National Opera (WNO) debut as Candide's forlorn love interest, Cunegonde, in Leonard Bernstein's effervescent social critique that blurs the lines between opera and musical theater. Candide runs from May 5-26, 2018 at the Kennedy Center Opera House.
Washington National Opera concludes its 2017-2018 season with the company premiere of Leonard Bernstein's biting satire Candide, May 5-26, 2018, in the Kennedy Center Opera House. Candide is one of Bernstein's most popular and enduring works, blurring the lines between opera and musical theater. Heading the all-American cast are three powerhouses from the world of opera: tenor Alek Shrader in his WNO debut in the title role, soprano Kathryn Lewek as his forlorn love interest Cunegonde, and WNO audience favorite and local legend Denyce Graves as the Old Lady. This new-to-Washington production, the centerpiece of the Kennedy Center's season-long Leonard Bernstein at 100 celebration, is directed by WNO Artistic Director Francesca Zambello and conducted by Nicole Paiement.
The Dallas Opera is proud to present one of the most talked about Mozart productions of the decade: DON GIOVANNI in a critically acclaimed production created by Goodman Theatre Artistic Director Robert Falls for Lyric Opera of Chicago and conducted by Dallas Opera Music Director Emmanuel Villaume.
This may be the first time in the U.S. that 3-D glasses will be handed out to patrons as they enter an opera house. The fourth production of The Dallas Opera's decidedly adventurous 61st Season is SUNKEN GARDEN, an opera by Dutch composer/director Michel van der Aa with a libretto by acclaimed Science Fiction novelist David Mitchell.
Washington National Opera (WNO), led by Artistic Director Francesca Zambello, announces its 2018-2019 season, one that continues its focus on bold productions of classic operas, fascinating contemporary perspectives, and the best in American artistry. The season includes a new WNO production of Verdi's classic romantic drama La traviata, the company premiere of Kevin Puts's and Mark Campbell's Pulitzer Prize-winning Silent Night, Tchaikovsky's epic Eugene Onegin, Gounod's devilishly entertaining Faust, and Puccini's towering masterpiece Tosca. The season also features a weekend of four world premieres during the American Opera Initiative Festival; a revival of WNO's hit world-premiere holiday family opera The Lion, the Unicorn, and Me; a special Domingo-Cafritz Young Artist performance of La traviata; and other exciting vocal events, including the annual Mars, lnc.'s Opera in the Outfield.
The Dallas Opera is proud to announce its spectacular 2018-2019 Season, "Swept Away," consisting of five captivating mainstage productions, including a passionate Puccini pairing during the month of March, designed to melt the last blast of winter, followed by the company's first-ever Falstaff.
Seattle Opera's 2018/19 season offers something new for everyone. Every production is new to Seattle, and the offerings span the entire repertoire from the standard European classics Il trovatore and Carmen to the twentieth- century masterpieces The Gershwins' Porgy And BessSM and The Turn of the Screw. The season also reaches into the twenty-first century with The (R)evolution of Steve Jobs, which comes to Seattle after its world premiere and rave reviews in Santa Fe where it was hailed as the best-selling new production in the company's history.
After seven-and-a-half years with The Dallas Opera, Keith Cerny, The Kern Wildenthal General Director and CEO, has tendered his resignation. He has been appointed General Director and CEO of Calgary Opera, where he will assume his duties in January.
OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce that it has awarded grants to 11 opera companies through the Repertoire Development Grants program, supported by The Opera Fund. These grants provide vital financial support to opera companies developing new American opera and music-theater works.
OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce that it has awarded grants to 11 opera companies through the Repertoire Development Grants program, supported by The Opera Fund. These grants provide vital financial support to opera companies developing new American opera and music-theater works.
The Dallas Opera is proud to present the six distinguished professionals selected to participate in the third annual residency of the Linda and Mitch Hart Institute for Women Conductors at The Dallas Opera in two public concerts:
The Dallas Opera is proud to announce the four distinguished professionals selected for the inaugural class of women opera administrators in the newly-expanded Linda and Mitch Hart Institute for Women Conductors and Administrators at The Dallas Opera:
The Dallas Opera announces its magnificent kick-off event of the 2017-2018 Season FIRST NIGHT. Dedicated philanthropists Dianne and Mark H. LaRoe chair the festivities and Nancy A. Nasher and David J. Haemisegger are Honorary Chairs. The Presenting Sponsor is Deutsche Bank Wealth Management.
Former Opera Philadelphia Composer in Residence Lembit Beecher debuts his latest work, Sophia's Forest, this September. This inventive chamber opera scored for five voices, custom-built sound sculptures, string quartet and percussion will premiere September 8 and 9 at 8 p.m. in the Black Box Theater at the URBN Center Annex at Drexel University, 3401 Filbert Street. Canadian playwright Hannah Moscovitch wrote the libretto. Tickets cost $25 for General Admission and $15 for Students and Seniors. Tickets and more information are available at: lembitbeecher.com/treeofsound/.
The Dallas Opera will open single ticket sales for the five outstanding productions of the 2017-2018 “Motives Unmasked!” Season on Monday, July 10, 2017 at 9:00 a.m. (Central).
The Glimmerglass Festival has released the details of its 2018 schedule. For a second year, the Festival's programming will explore themes of home and country.
Who needs an excuse to leave NYC in the blistering days of summer? It's especially true if you head north to some of the bucolic opera and vocal venues within driving distance.