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New York Musical Theatre Festival News

Danielle Brooks, John Tartaglia, and More Join Vineyard Theatre's 10th Anniversary Celebration of [title of show]

Vineyard Theatre's Artistic Directors Douglas Aibel and Sarah Stern announce that Joanna Gleason and Chris Sarandon are set to host the 2017 Gala Fundraiser celebrating the 10th anniversary of Vineyard Theatre's hit musical [title of show] with Hunter Bell, Jeff Bowen, Susan Blackwell, Heidi Blickenstaff, and a toast to Broadway producer Kevin McCollum.  Michael Berresse will direct the gala show.  Larry Pressgrove will be the music director. The annual Gala Fundraiser will take place on Monday, March 13, 2017, beginning at 6:30pm, at Edison Ballroom (240 West 47th Street between Broadway and Eighth Avenue).

11th Hour Theatre Company Brings Road Show to Next Step Concert Series

11th Hour Theatre Company continues its 12th season with its third Next Step Concert Series performance. This time the series features a rarely produced Stephen Sondheim and John Weidman musical, Road Show. Road Show comes to the Next Step Concert Series March 31-April 2. Sondheim wrote the music and lyrics and Weidman wrote the book to this musical about two brothers chasing the American Dream. Kate Galvin, 11th Hour's Associate Producer, directs. The concert will be at Christ Church Neighborhood House, 20 N American St.  Tickets cost $19-34 and are available online at www.11thhourtheatrecompany.org or by phone 267-987-9865.

Steppenwolf's Lookout Series and Mark Cortale present AUDRA McDONALD IN CONCERT

Record-breaking six-time Tony Award winner Audra McDonald will perform at Steppenwolf as a part of the LookOut Series on Monday, May 22 for one night only. McDonald will be joined on stage by host and pianist Seth Rudetsky, who this past November starred in the five-star London premiere of his Broadway musical, Disaster!  

BWW Interview: Michael Innocenti & Eleanor J. Todd of PARADE at Keegan Theatre

When PARADE opened on Broadway in 1998, it was a historical musical drama based on a true story about anti-semitism and racism in the post Civil-War South. Nearly 20 years later, it has become a stark reminder of times we may not want to return to, but our front pages seem to be repeating.

MIDNIGHT AT THE NEVER GET to Return to Don't Tell Mama for One Night Only

Following critically acclaimed, sold-out runs at Don't Tell Mama and the 2016 New York Musical Festival (NYMF), Midnight at The Never Get, conceived by and starring Sam Bolen and Mark Sonnenblick, with book, music and lyrics by Mr. Sonnenblick, directed by Max Friedman (Ruby Manger Live!, Charlie Rosen's Broadway Big Band), and produced by Michael Chase Gosselin (POPE! An Epic Musical, The Most Miserable Christmas Tree), will return home to Don't Tell Mama (342 West 46th Street) on Tuesday, March 14 at 8pm for a special one-night-only concert to celebrate receiving a 2017 Bistro Award for 'Book Musical,' and a 2017 MAC Award nomination for 'Show Of The Year.'

FANCY Musical, Inspired by Reba McEntire, Gets NYC Lab

Margot Astrachan and The Peccadillo Theater Company will present a developmental lab presentation of FANCY, a new musical, on Thursday, March 16 at 4PM and Friday March 17 at 11AM and 3PM at The Westside Theatre, downstairs (407 West 43rd Street).

Porchlight Music Theatre's 2016-2017 Season Concludes With Stephen Sondheim's MARRY ME A LITTLE

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the final mainstage production it its 2016 - 2017 season Marry Me a Little starring Austin Cook and Bethany Thomas, music and lyrics by Stephen Sondheim and originally conceived by Craig Lucas and Norman Rene, with direction by Jess McLeod and music direction by Porchlight Artistic Associate Cook. 

Austin Cook and Bethany Thomas to Lead MARRY ME A LITTLE at Porchlight Music Theatre

Porchlight Music Theatre and Artistic Director Michael Weber have announced the final mainstage production it its 2016 - 2017 season Marry Me a Little, starring Austin Cook and Bethany Thomas, music and lyrics by Stephen Sondheim and originally conceived by Craig Lucas and Norman Rene, with direction by Jess McLeod and music direction by Porchlight Artistic Associate Cook.

BWW Review: Chance Theater Amuses with New Video Game-Inspired Musical CLAUDIO QUEST

Video games get the musical comedy treatment in CLAUDIO QUEST, a clever new musical now having its West Coast Premiere performances at Orange County's Chance Theater through February 26 in Anaheim. Those familiar with the 8-bit characters of games like Super Mario Bros. will be amused by the adventures of a pair of heroic brothers whose mission is to save the kidnapped princess from the clutches of a fire-breathing platypus terrorizing the kingdom. When the game suddenly changes players, the heroes are thrown for a loop and must figure out how to navigate and triumph this glitch-filled new world.

RING TWICE FOR MIRANDA to Open This Sunday Off-Broadway

A friendly reminder that Ring Twice for Miranda, a new play written by Alan Hruska (Laugh It Up, Stare It Down; The Man on Her Mind; New House under Construction) and directed by Rick Lombardo (San Jose Rep Artistic Director from 2008-2014, The Snow Queen, Bill W. and Dr. Bob) will officially open this Sunday, February 12th at 6:30pm at New York City Center Stage II.

BWW Review: TITLE OF SHOW A Charming Winner

TITLE OF SHOW is a one-act musical, with music and lyrics by Jeff Bowen and a book by Hunter Bell. The show is pretty much the Urban Dictionary definition of "meta". It not only chronicles its own creation as an entry in the New York Musical Theatre Festival, it also chronicles the struggles of the author and composer/lyricist as they create a musical about creating a musical. It's sort of like those endlessly reflective fun house mirrors. TITLE OF SHOW was chosen for production by the Musical Theatre Festival and premiered there, in September 2004. It later transferred to Off-Broadway in 2006, picking up three Obie Awards, and finally made it to Broadway later that same year, where it was nominated for Best Book of a Musical. In this production by Austin Theatre Project, the show has been reconfigured as two acts with no noticeable difference for the audience.

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