The New Group presents New Group Now: Where Art Meets Our Present Culture, an ongoing series of public discussions locating New Group productions within the larger context of American and/or global society, continuing on Monday, December 11 with a conversation on 'Confronting Racial Bias in Our Communities.'
The 2017 grant season for the National Association of Latino Arts and Cultures (NALAC) comes with new investments from the Andrew Mellon Foundation towards the NALAC Fund for the Arts (NFA), the launch of new award for emerging filmmakers and status updates to the Transnational Cultural Remittances (TCR) and Diverse Arts Spaces (DAS) grant programs.
Known for its “powerfully engaging” (New York Arts) choreography, Ariel Rivka Dance reflects on 10 seasons of provocative modern dance with a pair of career-spanning programs to be performed at New York Live Arts from September 6-9, 2017.
This is a friendly note to save the date and register for the 31st NALAC Regional Arts Training Workshop next month in Charlotte-- a key opportunity for artists, cultural workers, organizers, educators, activists, and allies from across the region to network, learn, and build together.
JACK presents: Naughty Daughtyr by Bailey Nolan, May 16 - 18, 2017.
On Sunday, April 23, 2017, a true 'ARTifact' will be presented in New York City for the first time by the Arnold Unger Foundation for Remembrance, Inc. in association with the Sheen Center for Thought and Culture and Jewish Broadcasting Service (JBS).
The Bench, written and performed by Robert Galinsky, directed by Mia Cohen will get a special Valentine's Day presentation at Dixon Place (161a Christie Street) on Tuesday February 14, 2017 at 7:30pm.
The 11th Annual Martin Luther King Day Celebration, featuring keynote speaker Professor Tricia Rose of Brown University, was held on Sunday, January 15, at Westport Country Playhouse. Her topic was 'WWMD - 'What Would Martin Do in the Era of Post-Race Racism?' Free-of-charge and open to the public, the celebration was presented in partnership with TEAM Westport, Westport Country Playhouse, and the Westport/Weston Interfaith Council. BroadwayWorld has photos from the event below!
Brooklyn Gypsies presents the second-annual One Catches Light Festival, celebrating new solo work of five writers associated with the company, with stand-up comic Olander 'Big O' Wilson presiding over the evenings. Icarus in the L.E.S. is a kaleidoscopic performance-poem by Nic Adams, with the wax-winged hero chasing his destiny and scouting out the divide between artistic achievement and personal happiness. I Have No Room for the Broken, written by Angela Abreu, is a play about a cascade towards romantic ruin.
In this monumental week in Cuban and Cuban-American history, singer/performer Jadele McPherson creates a musical and theatrical bridge connecting the Cuban-American experience of today with black liberation figures, conjurers and spiritual leaders from two hundred years ago. Scenes of a young Cuban-American woman discovering her own rebellious ancestry are swallowed by music, dance and ritual featuring some of the great dance and music artists this city has to offer, many coming out of Cuban and Haitian traditions, including Osvaldo "Bembesito" Lora, Val Jeanty, Maxine Montilus, Yomaira Gonzalez, Caridad Paisan Garbey, Daniel Gil, Hansel Vaillant, Miguelo Valdes, Charles Hart and Diosvany Valladares. Themes of black resistance - both historical and contemporary - swell in this colorful and immersive spectacle.
New Orleans-based collaborative theater company Goat in the Road brings their award-winning play Numb to New York audiences.
In the year of the thaw between Cuba and the U.S., singer/performer Jadele McPherson creates a musical and theatrical bridge connecting the Cuban-American experience of today with black liberation figures, conjurers and spiritual leaders from two hundred years ago.
Gender/Power Composition IV is an in-process collaborative project led by video artist Maya Ciarrocchi and performance artist Kris Grey in which performers and co-creators Keke Brown, Shawn Escarciga, Ray Ferreira, Massima Lei, Elena Rose Light, Marissa Pereland Pamela Sneed share personal feminist, trans and queer narratives within a framework that blurs authorship.
Commissioned by Harlem Stage through its Water Works program and supported by The National Endowment for the Arts, Time Warner, Barnard College, the Nathan Cummings Foundation, with the support and encouragement of Jane Saks, the Schomburg Center for Research in Black Culture and in collaboration with Columbia University School of the Arts Office of Public Programs and Engagement.
Gender/Power Composition IV is an in-process collaborative project led by video artist Maya Ciarrocchi and performance artist Kris Grey in which performers and co-creators Keke Brown, Shawn Escarciga, Ray Ferreira, Massima Lei, Elena Rose Light, Marissa Pereland Pamela Sneed share personal feminist, trans and queer narratives within a framework that blurs authorship.
OBIE-winning theater company Hoi Polloi (Three Pianos, Shadows) presents Quiet, Comfort, a newly-commissioned text by Japanese phenomenon playwright Toshiki Okada.
OBIE-winning theater company Hoi Polloi (Three Pianos, Shadows) presents Quiet, Comfort, a newly-commissioned text by Japanese phenomenon playwright Toshiki Okada. For the piece, director Alec Duffy fashions a dream world in which the audience joins the actors on a giant bed that fills the entire stage of JACK for a piece about travel, first-world privilege and the danger of a life lived alone. With choreography by Stacy Grossfield, Hoi Polloi offers a mysterious experience that aims for the subconscious.
OBIE-winning theater company Hoi Polloi (Three Pianos, Shadows) presents Quiet, Comfort, a newly-commissioned text by Japanese phenomenon playwright Toshiki Okada.
Anaheim's official resident theater company, Chance Theater is pleased to present a fresh and intimate production of the Broadway musical classic ... A Chorus Line. Book by James Kirkwood and Nicholas Dante, music by Marvin Hamlisch, lyrics by Edward Kleban, directed by Chance's Artistic Director Oanh Nguyen, choreographed by Hazel Clarke, with music direction by Ryan O'Connell. A Chorus Line will preview from July 1 through July 8, regular performances will begin July 9 and continue through July 31 on the Cripe Stage at Chance Theater @ Bette Aitken theater arts Center.
This summer, JACK presents the premiere of Toshiki Okada's Quiet, Comfort, commissioned by Hoi Polloi and directed by Alec Duffy, a duo of singer/performer Helga Davis and choreographer/dancer Ji?i Bartovanec (of the Sasha Waltz Dance Company), the premiere of the play The Animals, by Amina Henry, a new piece by choreographer Biba Bell, the second annual Brooklyn Experimental Song Carnival, curated by Valerie Kuehne, plus several concerts throughout the season.
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