BWW Review: PROJECT POLUNIN, Sadler's Wells
by Vikki Broad
- Mar 15, 2017
One will rarely see Sadler's Wells brimming with more anticipation than at the premiere of a Sergei Polunin triple bill. Fans will always flock to see the Ukrainian star alongside his real-life partner, Royal Ballet Principal Natalia Osipova. However, Project Polunin feels sadly like the vanity project some feared it would be.
Photo Exclusive: 2017 RUSSIAN BALLET ICONS Gala
by Molly Tracy
- Mar 14, 2017
London's annual 'Russian Ballet Icons' Gala, first held in 2006, is now firmly established as a highlight of the international ballet calendar. BWW got an exclusive look!
Photo Coverage: IN THE STEPS OF THE BALLETS RUSSES Gala Returns for One Night Only
by Roy Tan
- Mar 14, 2017
London's annual 'Russian Ballet Icons' Gala, first held in 2006, is now firmly established as a highlight of the international ballet calendar. Every year a dazzling programme pays tribute to the wonderful traditions of the Russian ballet school and its legendary soloists who have been inspiring dancers and ballet lovers since the early nineteenth century.
Arthur Pita's STEPMOTHER/STEPFATHER London Premiere at The Place
by BWW News Desk
- Feb 16, 2017
Award-winning Director and Choreographer, Arthur Pita in collaboration with HeadSpaceDance returns to London to present his latest production STEPMOTHER/STEPFATHER - a wickedly gruesome double bill of dark dance. STEPMOTHER/STEPFATHER will tour to Birmingham and Bournemouth before its London premiere at The Place from 2nd to 11th March, followed by visits to Canterbury, Salford Quays and Newcastle. Tickets are on sale at all venues.
BWW Review: OSIPOVA & ARTISTS Crush It with a Captivating Contemporary Triple Bill
by Sondra Forsyth
- Nov 14, 2016
Celebrated Russian ballerina Natalia Osipova crossed over to contemporary along with her real-life partner Sergei Polunin, the 'bad boy of ballet', in a triple bill of U.S. premieres at New York City Center from November 10th to 12th 2016. Watching these two consummate classical dancers believably embody a 21st century movement aesthetic was both astonishing and heartening. I have long told my own students that because dance is ephemeral and cannot be hung on a museum wall for posterity, each new generation of artists must be capable of dancing not only what was then but also what is now. Osipova and Polunin, as well as Jason Kittleberger and James O'Hara who shared the stage for this run, proved unequivocally that this goal is achievable.
BWW Review: ANASTASIA, Royal Opera House, 26 October 2016
by Jenny Gilbert
- Oct 27, 2016
If Kenneth MacMillan had left well alone, the taut little chamber piece he made in 1967 - stark, inventive and affecting - would be hailed a modernist masterpiece by now. Instead, swayed by the demands of becoming director of the Royal Ballet in 1971, he lumbered Anastasia with two long preceding acts to fit the traditional full-evening format.
Edinburgh International Festival Opens Today
by Nora Dominick
- Aug 5, 2016
The 2016 Edinburgh International Festival opens today with an acclaimed production of Bellini's Norma starring world-renowned mezzo soprano Cecilia Bartoli in the title role. Norma leads a packed first weekend of International Festival performances with productions opening across the city.
Sergei Polunin & Natalia Osipova to Perform in SYMPHONY TO A LOST GENERATION at LSO St Luke's
by Tyler Peterson
- Apr 15, 2016
Royal Ballet Principal Natalia Osipova and 'bad boy of ballet' Sergei Polunin will dance the principal roles in the first movement of virtuoso young composer Adam Donen's epic Symphony to a Lost Generation , the world's first feature-length fully holographic dramatic production, a moving depiction of the human tragedy of the First World War. The production premieres at LSO St Luke's from the 28-31 May. Polunin and Osipova will be dancing together at Sadler's Wells in June.
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