Abingdon Theatre Company - which has produced more than 78 new American plays in its 20-year history - continues its 2012-2013 Season with the world premiere of BODEGA BAY by Elisabeth Karlin (THE MOONCALF), set to begin previews Friday, January 25, prior to its official press opening February 3, at Abingdon Theatre Company's Dorothy Strelsin Theatre (312 West 36th Street). Sturgis Warner, who recently helmed Najla Said's PALESTINE, directs. Performances run through February 17.
Abingdon Theatre Company - which has produced more than 78 new American plays in its 20-year history - continues its 2012-2013 Season with the world premiere of BODEGA BAY by Elisabeth Karlin (THE MOONCALF), set to begin previews tonight, January 25, prior to its official press opening February 3, at the Abingdon Theatre Company's Dorothy Strelsin Theatre (312 West 36th Street). Sturgis Warner, who recently helmed Najla Said's PALESTINE, directs. Performances run through February 17.
Heather Henderson recently accepted the position of Managing Director with Abingdon Theatre Company, now in its 20th Season of developing and producing new plays by American playwrights, announces Artistic Director Jan Buttram. For the past 18 months, Ms. Henderson served as Abingdon's Director of Development. She replaces Samuel J. Bellinger who recently became Director of Finance at Second Stage Theatre. Mr. Bellinger served as Abingdon's Managing Director for 19 years and will continue to serve on Abingdon's Board of Directors. Prior to joining Abingdon's staff, Ms. Henderson had a multi-faceted career in the financial sector, spending the bulk of her time sitting on a foreign exchange trading floor as a representative of the Private Banking Group for Citibank, working predominantly with Latin American clientele. She also served as a team member of UBS Financial Services, managing assets that ran the gamut from retail to ultra high net worth individuals. She also worked with high net worth families creating customized tax efficient wealth management strategies to meet their special needs, utilizing long-term focus and advising clients in proper estate and tax planning. Prior to joining UBS, she was a Financial Advisor for Merrill Lynch.
Abingdon Theatre Company - which has produced more than 78 new American plays in its 20-year history - continues its 2012-2013 Season with the world premiere of BODEGA BAY by Elisabeth Karlin (THE MOONCALF), set to begin previews January 25, prior to its official press opening February 3, at the Abingdon Theatre Company's Dorothy Strelsin Theatre (312 West 36th Street). Sturgis Warner, who recently helmed Najla Said's PALESTINE, directs. Performances run through February 17.
The Public Theater and Miller Theatre at Columbia University (Executive Director Melissa Smey) will present the Brighton Festival 2012 production of A WORLD I LOVED: The Story of an Arab Woman, for two nights only, tonight, November 28 and tomorrow, November 29, at Columbia University's Miller Theatre (2960 Broadway).
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) and Miller Theatre at Columbia University (Executive Director Melissa Smey) will present the 2012 Brighton Festival production of A WORLD I LOVED: The Story of an Arab Woman, for two nights only, November 28 and 29, at Columbia University's Miller Theatre (2960 Broadway). Written by Mariam C. Said and Vanessa Redgrave, and directed and narrated by Redgrave, A WORLD I LOVED is a one-of-a-kind theatrical event based on the memoir of Said's mother, Wadad Makdisi Cortas, an Arab woman who lived through and chronicled one of the most tumultuous periods in recent history, interweaving her personal experiences as a student, teacher and then principal in a girls' school in Beirut with the wider political and historical narrative of Lebanon throughout the 20th century.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Patrick Willingham) and Miller Theatre at Columbia University (Executive Director Melissa Smey) will present the Brighton Festival 2012 production of A WORLD I LOVED: The Story of an Arab Woman, for two nights only, November 28 and 29, at Columbia University's Miller Theatre (2960 Broadway). Written by Mariam C. Said and Vanessa Redgrave, and directed and narrated by Redgrave, A WORLD I LOVED is a one-of-a-kind theatrical event based on the memoir of Said's mother, Wadad Makdisi Cortas, an Arab woman who lived through and chronicled one of the most tumultuous periods in recent history, interweaving her personal experiences as a student, teacher and then principal in a girls' school in Beirut with the wider political and historical narrative of Lebanon throughout the 20th century.
Rattlestick Playwrights Theater's Artistic Director David Van Asselt and Managing Director Brian Long have announced that Jesse Eisenberg and Vanessa Redgrave will star in the world premiere of Eisenberg's The Revisionist, directed by Kip Fagan, which begins its limited run on Wednesday, February 6 and opens Thursday, February 21 at the Cherry Lane Theatre, 38 Commerce Street. The Revisionist is scheduled to run through March 31, 2013.
Abingdon Theatre Company-which has produced more than 77 new American plays in its 20-year history-launches its 2012-2013 Season, beginning this fall with the world premiere of MARCH MADNESS by Mike Vogel, set to begin previews October 26, prior to its official press opening November 4, at the Abingdon Theatre Company's Dorothy Strelsin Theatre (312 West 36th Street), directed by Donald Brenner.
Award-winning Egyptian playwright Ibrahim El-Husseini visits the Segal Center on April 2 to present a free reading of his Commedia Al-Ahzaan (Comedy of Sorrows) in its English translation by Mohammed Albakry and Rebekah Maggor.
The Martin E. Segal Theatre Center (Frank Hentschker, Executive Director) has announced the rest of its Spring 2012 season, featuring 11 free events at the Graduate Center, including rarely-seen performances, premiere readings of international playwrights, and day-long symposia on everything from ecologically inspired performance (for Earth Day!) to the Group Theatre to innovative American women producers.
Award-winning Egyptian playwright Ibrahim El-Husseini visits the Segal Center on April 2 to present a free reading of his Commedia Al-Ahzaan (Comedy of Sorrows) in its English translation by Mohammed Albakry and Rebekah Maggor.
A staged reading of Jean Genet's THE SCREENS will be held on Monday March 26, 7:30pm at the Red Bull Theater. Directed by Tracy Cameron Francis and translated by Paul Schmidt, it is an epic exploration of the Algerian Arab revolt against their French colonizers which exalts the individual and relishes the theatrical.
A staged reading of Jean Genet's THE SCREENS will be held on Monday March 26, 7:30pm at the Red Bull Theater. Directed by Tracy Cameron Francis and translated by Paul Schmidt, it is an epic exploration of the Algerian Arab revolt against their French colonizers which exalts the individual and relishes the theatrical.
Noor Theatre and the Center for Architecture present Building ANew: An Evening of Short Plays. This one-night only concert-style reading will feature Noor's first commissioned plays from award-winning writers including Jacob Kader, Ismail Khalidi, Mona Mansour, Tala Manassah, Sam Neave, Daria Polatin, Heather Raffo, and Najla Said. The event will be presented in conjunction with the Center for Architecture's current Middle Eastern exhibitions onFriday, March 16th at 7:00 pm.
Untitled Theater Company No. 61 presents PANGS OF THE MESSIAH by Motti Lerner. The year is 2014, and Israel is on the verge of signing a peace accord; in the West Bank settlements that Israel may soon abandon, no one is celebrating. Lerner's tense drama focuses on the Head of the Council of Settlements and his family as they struggle to retain the life they have built in anticipation of the coming of the Messiah. The play provides a rare window into the lives and psyches of the settlers from an insider's perspective. It is a family drama with broad political implications.
Untitled Theater Company No. 61 presents PANGS OF THE MESSIAH by Motti Lerner. The year is 2014, and Israel is on the verge of signing a peace accord; in the West Bank settlements that Israel may soon abandon, no one is celebrating. Lerner's tense drama focuses on the Head of the Council of Settlements and his family as they struggle to retain the life they have built in anticipation of the coming of the Messiah. The play provides a rare window into the lives and psyches of the settlers from an insider's perspective. It is a family drama with broad political implications.
Untitled Theater Company No. 61 presents PANGS OF THE MESSIAH by Motti Lerner. The year is 2014, and Israel is on the verge of signing a peace accord; in the West Bank settlements that Israel may soon abandon, no one is celebrating. Lerner's tense drama focuses on the Head of the Council of Settlements and his family as they struggle to retain the life they have built in anticipation of the coming of the Messiah. The play provides a rare window into the lives and psyches of the settlers from an insider's perspective. It is a family drama with broad political implications.
