It's a new era at Seattle Opera. The company today announced its 2015/16 season, the first to be presented by General Director Aidan Lang, and a return to full-year programming with a total of six operas, including new productions and a world premiere. Under Lang's leadership, the company hopes to serve the community through the magic of theater and music in McCaw Hall, and in learning and engagement programs across the Pacific Northwest.
It's a new era at Seattle Opera. The company today announced its 2015/16 season, the first to be presented by General Director Aidan Lang, and a return to full-year programming with a total of six operas, including new productions and a world premiere. Under Lang's leadership, the company hopes to serve the community through the magic of theater and music in McCaw Hall, and in learning and engagement programs across the Pacific Northwest.
Five years ago, box office records were shattered when Carmen became the fastest-selling production in Vancouver Opera history. Vancouverites will be seduced again when the fiery gypsy returns to the Queen Elizabeth Theatre stage this September/October. The passion, the colour, the sensuality and, of course, the unforgettable music of the world's sexiest opera will come alive for 6 performances only.
Five years ago, box office records were shattered when Carmen became the fastest-selling production in Vancouver Opera history. Vancouverites will be seduced again when the fiery gypsy returns to the Queen Elizabeth Theatre stage this September/October. The passion, the colour, the sensuality and, of course, the unforgettable music of the world's sexiest opera will come alive for 6 performances only.
The Houston Grand Opera's brilliant production of Mieczyslaw Weinberg's THE PASSENGER, directed by David Pountney, was a stunning visitor to the Park Avenue Armory last week as a coproduction with the Lincoln Center Festival. It's not an easy experience, but well worth the effort.
Houston Grand Opera's U.S. premiere of Mieczyslaw Weinberg's The Passenger- the long-suppressed Holocaust opera that Shostakovich declared 'a perfect masterpiece'- earned virtually universal acclaim earlier this year. The Chicago Tribune declared The Passenger to be an 'engrossing, thought-provoking experience,' while the Houston Chronicle praised the presentation for 'ingenious storytelling, potent music, commanding performances and vivid, fast-paced staging.' Now HGO brings the David Pountney production of The Passenger for its New York premiere in three performances- today, July 10, 12, 13 -at the Park Avenue Armory as part of the 2014 Lincoln Center Festival.
Houston Grand Opera's U.S. premiere of Mieczyslaw Weinberg's The Passenger— the long-suppressed Holocaust opera that Shostakovich declared “a perfect masterpiece”— earned virtually universal acclaim earlier this year. The Chicago Tribune declared The Passenger to be an “engrossing, thought-provoking experience,” while the Houston Chronicle praised the presentation for “ingenious storytelling, potent music, commanding performances and vivid, fast-paced staging.” Now HGO brings the David Pountney production of The Passenger for its New York premiere in three performances— July 10, 12, 13 —at the Park Avenue Armory as part of the 2014 Lincoln Center Festival. Pountney's staging was inspired, in part, by the soaring space of Park Avenue Armory's massive Wade Thompson Drill Hall, where he produced Zimmerman'sDie Soldaten for Lincoln Center Festival in 2008. HGO artistic and music director Patrick Summers will conduct the HGO Orchestra and Chorus; reviewing the Houston performances, the Wall Street Journal praised Summers for the way he “shaped the evening with enormous care.” The Dallas Morning News commended all the singers – headed by mezzo-soprano Michelle Breedt in the title role – by saying: “Top to bottom, the cast is excellent.”
Houston Grand Opera's U.S. premiere of Mieczyslaw Weinberg's The Passenger-the long-suppressed Holocaust opera that Shostakovich declared "a perfect masterpiece"-earned virtually universal acclaim earlier this year
Now that the San Diego Opera has been saved, they present their 50th Anniversary Season. In the 2015 Season they offer 3-opera subscriptions including La bohème, Don Giovanni and Nixon in China, as well as two very special 50th Anniversary Celebration Concerts. More events are being planned so stay tuned for more exciting offerings. For subscriptions and more information, visit: http://www.sdopera.com/Operas
Tony Award-Winners Adriane Lenox (After Midnight, Doubt),Karen Ziemba (Bullets Over Broadway, Curtains, Contact), Randy Graff (LES MISERABLES, City of Angels) and Andy Blankenbuehler (In The Heights, Bring it On), Tony Award-nominees Liz Callaway (Miss Saigon, Baby, Cats), Sally Mayes (She Loves Me), Christiane Noll (Ragtime, Chaplin, Jekyll & Hyde), Stephen Bogardus (Irving Berlin's White Christmas), Bob Stillman (Dirty Blonde) and Annie Golden(Hair), and Elizabeth Stanley (Million Dollar Quartet, Company), Ann Harada (Cinderella, Avenue Q), Eddie Korbich(A Gentleman's Guide to Love and Murder), Kerry O'Malley (Irving Berlin's White Christmas), Sally Wilfert (Assassins) and Nightlife Award Winners Scott Coulter, Julie Reyburn andSteve Ross appeared in Town Hall's Broadway by the Year Series on Monday night, May 12, THE BROADWAY MUSICALS OF 1965-1989.
The internationally-acclaimed Pacific Chorale in Orange County, CA will be presenting a new work created by American opera composer Jake Heggie, and the versatile librettist Gene Scheer entitled 'THE RADIO HOUR'. The choral opera will be conducted by Pacific Chorale's Artistic Director, John Alexander, and stage-directed by James R. Taulli. The premiere work will be performed by the organization's chamber choir, The John Alexander Singers, accompanied by an 8-member ensemble of musicians who are members of Pacific Symphony. The performance is on Sunday, May 18 at 5:30 p.m. at the Renee and Henry Segerstrom Concert Hall in Costa Mesa, CA. Scroll down to see an interview with composer Jake Heggie and conductor John Alexander!
The Dallas Opera tonight capped a phenomenally successful season with the announcement that the original Leonard Foglia production of composer Jake Heggie and librettist Gene Scheer's powerful twenty-first century masterpiece, MOBY-DICK, will be returning to the site of its triumphant 2010 world premiere. This limited engagement will begin onFriday, November 4, 2016 at 7:30 p.m. in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center.
The internationally-acclaimed Pacific Chorale in Orange County, CA will be presenting a new work created by American opera composer Jake Heggie, and the versatilelibrettist Gene Scheer entitled 'THE RADIO HOUR'. The choral opera will be conducted by Pacific Chorale's Artistic Director, John Alexander, and stage-directed by James R. Taulli.
The Dallas Opera is proud to present the third production of the company's 2013-2014 “By Love Transformed” Season, Erich Wolfgang Korngold's late-Viennese style masterpiece, DIE TOTE STADT (“The Dead City”) which received an unprecedented two-city world premiere in 1920.
The Dallas Opera and Dallas Holocaust Museum are the proud partners of what promises to be an extraordinary panel discussion on the life, the work and the legacy of exiled twentieth-century composer Erich Wolfgang Korngold, who went from Viennese 'wunderkind' to one of the founding fathers of the 'Great American Film Score,' when the Nazi conquest of Europe made it impossible for him to return home.
The Dallas Opera and Dallas Holocaust Museum are the proud partners of what promises to be an extraordinary panel discussion on the life, the work and the legacy of exiled twentieth-century composer Erich Wolfgang Korngold, who went from Viennese "wunderkind" to one of the founding fathers of the "Great American Film Score," when the Nazi conquest of Europe made it impossible for him to return home.
The Dallas Opera and Dallas Holocaust Museum are the proud partners of what promises to be an extraordinary panel discussion on the life, the work and the legacy of exiled twentieth-century composer Erich Wolfgang Korngold, who went from Viennese 'wunderkind' to one of the founding fathers of the 'Great American Film Score,' when the Nazi conquest of Europe made it impossible for him to return home.
Vancouver Opera unveils its bold, new look and feel - the first major rebranding of the company since 1985. The fresh contemporary look is part of the company's new long-term strategy aimed at broadening and deepening its connection with the communities it serves, while building a new generation of operagoers.
Houston Grand Opera is kicking off 2014 with the most harrowing and exhausting evening of opera I have ever experienced, and as an audience member I couldn't be more thrilled. If you're simply looking for entertainment, you'll be better off seeing RIGOLETTO (the other opera being performed in repertory with THE PASSENGER this January at Houston Grand Opera). However, if you're searching for a cerebral, gripping, and altogether emotional experience, then Houston Grand Opera's (HGO) US Premiere of Mieczyslaw Weinberg and Alexander Medvedev's THE PASSENGER delivers everything you're wanting and so much more.
The Dallas Opera has announced that, through the generosity of The Titus Family, a brand-new recital series has been created to showcase well-established singers in programs dedicated to preserving the fine art of “art song.” The series launch will take place tonight, January 4, 2014 in Dallas City Performance Hall (2520 Flora Street, Dallas) at 7:30 p.m.
