There is a great deal to like about the dramatization of Jane Austen’s novel Persuasion, just opened at the Chesapeake Shakespeare Company. There’s Kristina Lambdin’s stunning military dress uniforms and high-waisted Regency dresses.
The heart of Persuasion lies in Anne Elliot (Marissa Chaffee), who finds herself unexpectedly reunited with Captain Wentworth (Joe Carlson) almost a decade after being persuaded to abandon their engagement.
One does not have to be a fan of Shakespeare (or iambic pentameter) to know the tragic tale of JULIUS CAESAR – how this would-be-Emperor was felled by members of the Roman Senate, Caesar’s failure to beware the Ides of March, the famed line, “Et tu, Brute?”, before falling in a pool of blood and history.
Chesapeake Shakespeare Company (CSC) will present A Midsummer Night's Dream in four Baltimore parks this summer. The production is part of the company's new state-wide touring initiative, Shakespeare Beyond.
A multi-talented cast in a unique, romantic setting makes for a lovely summer evening. Shakespeare's MUCH ADO ABOUT NOTHING is the progenitor of the modern rom-com. Maybe this is why it has been placed in so many different eras of civilization from its original Renaissance setting to Edwardian England to the Roaring Twenties to its present incarnation in Post-World War II France. No matter where it travels, audiences will recognize the bickering protagonists, gossipy friends, meddling family, village buffoons, and broad comedy with a touch of tragedy.
Given all the slapstick in this staging (jousting with pool noodles, silly sound effects, outrageous costumes, sending a coffin to a sea burial down a playground slide, tossing a babe-in-arms around like a fumbled football), the endless choruses of What Shall We Do with the Drunken Sailor in which the audience is encouraged to participate, the deliberately absurd doubling, it might almost seem at times that children are the target demographic here. But grownups will not be bored.
The company will present The Adventures of Pericles, a family-friendly, 90-minute version of William Shakespeare's Pericles, Prince of Tyre, directed by CSC Resident Director Matthew R. Wilson.
Though it's not billed as a musical, there's quite a bit of singing in Chesapeake Shakespeare's A CHRISTMAS CAROL. Anchored by strong character work, the production diverges from the format of 'straight play' by featuring wonderful harmonies and active, authentic-looking dances. Visual interest is high with action on three levels of staging, brisk pacing, brilliant costuming and dramatic special effects. Charles Dickens' effervescent dialogue and narrative paired with writer Ian Gallanar's adjustments create a classic rendition with a special Christmas In Baltimore flourish, a successful adaptation full of little surprises.
Voting is now underway for Baltimore! We have a record number of votes in already, but if you haven't voted yet, click here to vote! If you have voted already, tell your friends.
Voting is now underway for Baltimore! We have a record number of votes in already, but if you haven't voted yet, click here to vote! If you have voted already, tell your friends.
Voting is now underway for Baltimore! We have a record number of votes in already, but if you haven't voted yet, click here to vote! If you have voted already, tell your friends.
Voting is now underway for Baltimore! We have a record number of votes in already, but if you haven't voted yet, click here to vote! If you have voted already, tell your friends.
Voting is now underway for Baltimore! We have a record number of votes in already, but if you haven't voted yet, click here to vote! If you have voted already, tell your friends.
Now celebrating its tenth year at the Ruins in Ellicott City, Chesapeake Shakespeare Company presents its most romantic summer season yet thanks to star-crossed lovers and a sparkling comic romance. Returning to the picturesque PFI Historic Park, Chesapeake Shakespeare Company will present two of the most timeless of love stories:Romeo and Juliet and Pride and Prejudice.
In a play in which morally acceptable and unacceptable stances are hopelessly intertwined and might turn an audience off, there are two things that will draw us to the play anyway: Portia and Shylock. If they are right, the play will succeed, despite all its difficulties. They are right as can be in this staging.
Chesapeake Shakespeare Company, Maryland's premier classical theatre company will present William Shakespeare's The Merchant of Venice at Oliver's Carriage House in Columbia, MD, February 17 to March 24, 2012.
Chesapeake Shakespeare Company, Maryland's premier classical theatre company will present William Shakespeare's The Merchant of Venice at Oliver's Carriage House in Columbia, MD, February 17 to March 24, 2012.
It's almost over! There's just FOUR days of voting remaining for the 2011 Baltimore Awards and here is the latest update! Have you voted yet, and helped to spread the word to support your favorites in the hopes that they will be the recipients of a 2011 BroadwayWorld Baltimore Award? There is no time to waste, click on the voting link and make your opinion count! Below are the stats so far as of Monday December 26, 2011. Voting ends at midnight on 12/31 so time is running out.