A king and three friends swear off women to focus on their studies just as a princess and three ladies arrive on a diplomatic mission. This production from Canada's Stratford Festival features Ruby Joy and Mike Shara.
The Stratford Festival has launched a film festival during this period of social isolation. The series continues with Love's Labour's Lost, May 28-June 18. Check out the pre-show!
The Stratford Festival has launched a film festival during this period of social isolation, offering free streaming of 12 Shakespeare productions captured as part of its Stratford Festival On Film series. The series continues with Love's Labour's Lost, May 28-June 18.
Thanks to overwhelming demand, the Stratford Festival's 2020 production of Richard III will be extended for another three weeks, giving theatregoers more opportunities to see Colm Feore bring this iconic role to life in the Festival's brand new Tom Patterson Theatre, which opens this spring after more than two years of construction and fundraising.
After a Members advance sale so busy it prompted the early extension of two productions, tickets for the Stratford Festival's groundbreaking new season go on sale to the public today. The 2020 season is one of the biggest ever and includes the much-anticipated opening of the new Tom Patterson Theatre. With the $100-million fundraising goal a hair's breadth away from completion, the bespoke theatre is one of North America's most significant new arts builds in decades.
With the new Tom Patterson Theatre taking shape on the banks of the Avon River, the Stratford Festival is thrilled to announce key casting as it builds the acting company for its monumental 2020 season.
The Stratford Festival is celebrating the World Premiere of Michael Healey's adaptation of Ben Hecht and Charles MacArthur's THE FRONT PAGE at the Festival Theatre. A beloved American satire set in 1920's Chicago, THE FRONT PAGE tells the story of journalists in a courthouse pressroom doing whatever they need to do to get their story while at the same time being the only potential failsafe against political corruption at a time when the seedy Chicago subculture was in full swing. Directed by Graham Abbey, this adaptation is updated to include more diversity among the characters. It is a knee slapping night at the theatre whilst also providing a seemingly timeless commentary about the flaws and biases of the criminal justice system.
BroadwayHD, the premiere streaming service for theater fans, has announced its roster of shows coming in August.
PRIVATE LIVES is one of Noel Coward's greatest works. It is timeless in its humour and with the right cast, it is a delightfully hilarious exploration of all sides of love and passion. The cast assembled in the Stratford Festival's production does justice to Coward's clever use of words and wit, all but guaranteeing the audience a fun night out at the theatre.
The Stratford Festival kicks off its 67th season on Monday with the gala opening of Shakespeare's Othello, followed by five more openings as the week unfolds: Billy Elliot the Musical, Henry VIII, Private Lives, Little Shop of Horrorsand The Merry Wives of Windsor. Artistic
The wit of Noel Coward is at its cheekiest in his exquisite romantic comedy, Private Lives, now on stage at the Avon Theatre. The production opens on Thursday, May 30.
Artistic Director Antoni Cimolino has announced key casting for the 2019 season, including Michael Blake as Othello and Amelia Sargisson as Desdemona in the season opener, Othello, one of Shakespeare's greatest and best-known tragedies.
The Stratford Festival's latest HD films, Macbeth and Love's Labour's Lost, are airing on CBC TV this month, giving Canadians across the country a chance to see the work of the country's landmark theatre during this special 150th anniversary year.
The River Street Theatre (RST), a project of The Park Theatre, will present the award-winning Stratford Festival's production of William Shakespeare's LOVE'S LABOUR'S LOST on Sunday and Monday, August 6 & 7 with a 1:30 pm matinee each day. The play is presented exactly as it was staged and exquisitely captured in HD video and sound.
LOVE'S LABOUR'S LOST opened at the Stratford Festival's Festival Theatre on Friday night…and it hit a home run with the audience! Director, John Caird takes one of Shakespeare's earlier plays and makes it feel shiny and new. Assisting with this is an exceptional cast, captivating set design, and beautiful music-but what is truly on display is William Shakespeare's utter love of, and talent with the English language. He makes words and sounds fun, and that is particularly true in this play.
HAMLET opened the 63rd season of the Stratford Festival to resounding applause at the Festival Theatre on Monday night. Directed by the Festival's Artistic Director, Antoni Cimolino, this HAMLET is exciting from start to finish. The entire ensemble shines as brightly as the light used to represent King Hamlet's ghost (Note: It is a very bright light).
Swift advance sales have prompted the Stratford Festival to extend the runs of four productions, just as the box office has opened to the public. Performances of Carousel, The Alchemist, The Physicists and The Last Wife have been added to the schedule.
THE BEAUX' STRATAGEM, directed by Stratford Festival Artistic Director Antoni Cimolino opened to raucous laughter and thunderous applause Friday night at the Stratford Festival. With a cast like this, I would not expect anything less. This fun and thoughtful restoration comedy by George Farquhar, presents audiences with many players, harboring many talents... leading to many laughs. Needless to say, I suspect MANY tickets will be sold.
Variety writes that Broadway Near You has picked up the rights to Stratford Festival's 2011 production of Shakespeare's TWELFTH NIGHT, starring Tony winner Brian Dennehy and directed by Des McAnuff. Look for the revamped rock version of the classic comedy in movie theaters later this year!
Director Chris Abraham's production of OTHELLO opened to thunderous applause at Stratford Festival's Avon Theatre. The audience appeared so enthralled by this production that its devastatingly tragic nature seemed to cling to patrons as they exited the theatre. Simultaneously; however, there was a paradoxical sense of excitement and joy about what brilliance had just been witnessed.
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