Outside the March, the creative force behind last year's Mr. Marmalade, is teaming up with Dora Award-winning performer David Ferry and Theatre Passe Muraille to present the Canadian Premiere of Mike Daisey's The Agony and the Ecstasy of Steve Jobs. The production will premiere in Toronto in May 2012, directed by OtM Co-Artistic Director Mitchell Cushman.
Monologist Mike Daisey will make his critically acclaimed one man show THE AGONY AND THE ECSTASY OF STEVE JOBS available free of charge, without royalty, under an open license to anyone who wishes to perform or adapt the work in any way around the world. Beginning Tuesday, February 21st a transcript of the monologue will be available for download on Daisey's website, http://mikedaisey.com.
Monologist Mike Daisey will make his critically acclaimed one man show THE AGONY AND THE ECSTASY OF STEVE JOBS available free of charge, without royalty, under an open license to anyone who wishes to perform or adapt the work in any way around the world. Beginning Tuesday, February 21st a transcript of the monologue will be available for download on Daisey's website, http://mikedaisey.com.
Due to extraordinary demand, The Public Theater (Artistic Director Oskar Eustis; Executive Director Patrick Willingham) announced today that it will extend the critically acclaimed THE AGONY AND THE ECSTASY OF STEVE JOBS a final two weeks through Sunday, March 18.
Woolly Mammoth Theatre Company will remount the mega-hit monologue from the critically acclaimed team of Mike Daisey (creator and performer) and Jean-Michele Gregory (director), The Agony and the Ecstasy of Steve Jobs from July 17-August 5, 2012.
Artistic Director Steven Atkinson today announces eighteen World and European premiere productions for the sixth annual HighTide Festival in Halesworth, Suffolk, from May 3 to13 2012.
The Public Theater welcome back Mike Daisey's critically acclaimed THE AGONY AND THE ECSTASY OF STEVE JOBS on Tuesday, January 31 for an extended run in the Martinson Theater. Created and performed by Mike Daisey and directed by Jean-Michele Gregory, the return engagement of THE AGONY AND THE ECSTASY OF STEVE JOBS will run an additional five weeks to March 4. Tickets, priced at $75-$85, are on sale now. Tickets can be purchased at (212) 967-7555 or www.publictheater.org.
Mike Daisey describes himself as an 'actor, commentator, playwright, and general layabout' on his official website. He may be all of these things, but the word that best describes him is 'storyteller'. Daisey performed his solo act, THE AGONY AND THE ECSTASY OF STEVE JOBS, this week to a sold out crowd at the Byham Theater. Perched behind a single wooden desk, with no set to speak of and no amplification, Daisey had no trouble keeping the tech-savvy audience mesmerized throughout his 120+ minute dialogue.
Solo performer Martin Dockery -- a seven-time finalist in The Moth's bi-annual Grandslam Storytelling Championship - presents a one-night-only performance of his solo play, "The Bike Trip."
The Pittsburgh Cultural Trust, in association with The Andy Warhol Museum's 2012 performance series, Off the Wall, presents Mike Daisey's The Agony and the Ecstasy of Steve Jobs at the Byham Theater on January 21, 2012, at 8 p.m., as part of the Cohen & Grigsby Trust Presents series.
The Public Theater welcome back Mike Daisey's critically acclaimed THE AGONY AND THE ECSTASY OF STEVE JOBS on Tuesday, January 31 for an extended run in the Martinson Theater. Created and performed by Mike Daisey and directed by Jean-Michele Gregory, the return engagement of THE AGONY AND THE ECSTASY OF STEVE JOBS will run an additional five weeks to March 4. Tickets, priced at $75-$85, are on sale now. Tickets can be purchased at (212) 967-7555 or www.publictheater.org.
Solo performer Martin Dockery -- a seven-time finalist in The Moth's bi-annual Grandslam Storytelling Championship - presents a one-night-only performance of his solo play, "The Bike Trip."
By my count, Outside People is the third theatre piece about a white American in contemporary China to hit town this season. On the tails of Mike Daisey's The Agony and the Ecstasy of Steve Jobs and David Henry Hwang's Chinglish, Zayd Dohrn's dark comedy deals with Yankee naiveté regarding cultural differences when it comes to sex and business overseas.
If the Occupy Wall Street movement had an official musical, it would likely be The Cradle Will Rock, Marc Blitzstein's allegorical tale of a union leader who leads a fight against a wealthy businessman who controls his town's police, press, church, elected officials and even some artists.
Playwrights' Theatre at Boston University and Dominic D'Andrea of The One-Minute Play Festival are pleased to present the very first Boston One-Minute Play Festival featuring more than 70 hot-off-the-presses, new one-minute plays.
The Pittsburgh Cultural Trust, in association with The Andy Warhol Museum's 2012 performance series, Off the Wall, presents Mike Daisey's The Agony and the Ecstasy of Steve Jobs at the Byham Theater on January 21, 2012, at 8 p.m., as part of the Cohen & Grigsby Trust Presents series.
The Seattle Times has officially announced the winners of their 2011 Footlight Awards. Featured amoungst this year's winners are such favorites as Mike Daisey, Carolee Carmello, and many more! The full list of 2011 winners is as follows:
The Pittsburgh Cultural Trust, in association with The Andy Warhol Museum's 2012 performance series, Off the Wall, presents Mike Daisey's The Agony and the Ecstasy of Steve Jobs at the Byham Theater on January 21, 2012, at 8 p.m., as part of the Cohen & Grigsby Trust Presents series.
Playwrights' Theatre at Boston University and Dominic D'Andrea of The One-Minute Play Festival are pleased to present the very first Boston One-Minute Play Festival featuring more than 70 hot-off-the-presses, new one-minute plays.
On December 2, 2011 New York artists introduced tourists and New Yorkers going to Broadway shows or shopping themselves into debt to the idea of occupation as creative resistance with non-stop free performances. Occupy Broadway set up in a privately owned public space (POPS) near Times Square, turning once blandified space into a space for cultural production.