When director Paul Cook held auditions for Circle Players' production of Stephen Sondheim's Company, he had no trouble finding a devoted and enthusiastic cast for the show, which opens January 6 at the Keeton Theatre.
When director Paul Cook held auditions for Circle Players' production of Stephen Sondheim's Company, he had no trouble finding a devoted and enthusiastic cast for the show, which opens January 6 at the Keeton Theatre.
Myth, an original musical by Blackbird Theater co-founders Wes Driver and Greg Greene and composer Michael Slayton, will be presented in front of an audience for the first time on Saturday, November 12, at Lipscomb University's Shamblin Theater.
Myth, an original musical by Blackbird Theater co-founders Wes Driver and Greg Greene and composer Michael Slayton, will be presented in front of an audience for the first time on Saturday, November 12, at Lipscomb University's Shamblin Theater.
With spirited campiness in abundance - and the sumptuous physical trappings provided by designers Anthony Popolo and Billy Ditty - The Rocky Horror Show takes over the Boiler Room Theatre for the month of October, giving audiences a rose-tinted view of a fantastical world full of transsexuals, transvestites and other-worldly aliens. In short, it's just another night over at the Frankenstein place.
The Boiler Room Theatre (at The Factory at Franklin, 230 Franklin Rd, Bldg 6) brings the cult favorite stage show to Franklin for the first time.
The Boiler Room Theatre (at The Factory at Franklin, 230 Franklin Rd, Bldg 6) brings the cult favorite stage show to Franklin for the first time.
Since his arrival in Nashville, talented Jeffrey Williams has made quite the name for himself on local stages, winning over directors, producers, other actors, audience members and critics alike with his charm, dedication and remarkable talent. Seriously, he's got the goods and Nashville theater has claimed its fair share (most recently, he's been seen in Street Theatre Company's acclaimed staging of Chess in Concert, in which he sang the role of the spoiled American chess champion, and in Tennessee Repertory Theatre's hit revival of Pump Boys and Dinettes, in which he tap-danced, played an accordion and sang his heart out, surrounded by a cast of Tennessee Rep veterans), it would seem, and now young Mr. Williams is heading northeastward to check things out in New York City.
Nashville's Blackbird Theater, fresh off its successful, critically lauded premiere season, is offering two rarely produced shows for audiences in the company's eagerly anticipated second season - G.K. Chesterton's Magic (running August 12-27) and Stephen Sondheim's Tony Award-winning Pacific Overtures (February 9-19, 2012) - creating a buzz that other theater companies can only envy and hope to create for their own season announcments.
Since his arrival in Nashville, talented Jeffrey Williams has made quite the name for himself on local stages, winning over directors, producers, other actors, audience members and critics alike with his charm, dedication and remarkable talent. Seriously, he's got the goods and Nashville theater has claimed its fair share (most recently, he's been seen in Street Theatre Company's acclaimed staging of Chess in Concert, in which he sang the role of the spoiled American chess champion, and in Tennessee Repertory Theatre's hit revival of Pump Boys and Dinettes, in which he tap-danced, played an accordion and sang his heart out, surrounded by a cast of Tennessee Rep veterans), it would seem, and now young Mr. Williams is heading northeastward to check things out in New York City.
Street Theatre Company is presenting a free public performance of the play, No More Secrets, on Monday, May 23 at 6 p.m. at the Martha O'Bryan Center in East Nashville. No More Secrets is being presented through the partnerships of the Metro Nashville Arts Commission and the Martha O'Bryan Center.
Street Theatre Company is presenting a free public performance of the play, No More Secrets, on Monday, May 23 at 6 p.m. at the Martha O'Bryan Center in East Nashville. No More Secrets is being presented through the partnerships of the Metro Nashville Arts Commission and the Martha O'Bryan Center.
Murder, music and fun? Sounds like the perfect spring recipe for Street Theatre Company's newest murder mystery musical event - Murder: It's No Day at the Beach - set for Friday and Saturday, May 13 and 14 at Nashville's Tulip Street Methodist Church, 522 Russell Street.
Murder, music and fun? Sounds like the perfect spring recipe for Street Theatre Company's newest murder mystery musical event - Murder: It's No Day at the Beach - set for Friday and Saturday, May 13 and 14 at Nashville's Tulip Street Methodist Church, 522 Russell Street.
Murder, music and fun? Sounds like the perfect spring recipe for Street Theatre Company's newest murder mystery musical event - Murder: It's No Day at the Beach - set for Friday and Saturday, May 13 and 14 at Nashville's Tulip Street Methodist Church, 522 Russell Street.
There is so much energy, enthusiasm and heart found in Street Theatre Company's Hairspray that it's certain to keep your spirits buoyed for a long time after leaving the theater. Brought to the stage by a competent creative team and a huge cast of committed performers, the Scott Wittman-Marc Shaiman musical - featuring a book by Mark O'Donnell and Thomas Meehan based on John Waters' wholly original film - Hairspray is great big fun, featuring some lovable characters and one of the most infectious musical theatre scores around.
In what could well be the most talked-about theatrical event of the new year, Street Theatre Company presents Chess in Concert February 24-27, featuring some of Nashville's best known stage talents and including a chorus of more than 40 voices. And it seems, in talking to some of the artists most intimately involved in the creative process that will culminate in this weekend's five performances, that it is a process they'd definitely sign-up for again - and it's clear that Nashville audiences will be talking about it for a long time after the curtain rings down Sunday night.
Make no mistake about it: Street Theatre Company's Chess in Concert is filled to overflowing with an embarrassment of riches. If for no other reason, you should see the concert (onstage through Sunday, February 27) for Laura Matula's bravura performance as Florence Vassy - the American chess champion's second who falls into a torrid affair with his Russian counterpart - which is as stunning as any star turn you will see by any woman in musical theater anywhere. (There. I've said it and I mean it with all my heart: Laura Matula has a spectacularly expressive voice and her dramatic performance in this role is richly shaded and nuanced. In short, she should be a very big star!)
In what could well be the most talked-about theatrical event of the new year, Street Theatre Company presents Chess in Concert February 24-27, featuring some of Nashville's best known stage talents and including a chorus of more than 40 voices. And it seems, in talking to some of the artists most intimately involved in the creative process that will culminate in this weekend's five performances, that it is a process they'd definitely sign-up for again - and it's clear that Nashville audiences will be talking about it for a long time after the curtain rings down Sunday night.
In what could well be the most talked-about theatrical event of the new year, Street Theatre Company presents Chess in Concert February 24-27, featuring some of Nashville's best known stage talents and including a chorus of more than 40 voices. And it seems, in talking to some of the artists most intimately involved in the creative process that will culminate in this weekend's five performances, that it is a process they'd definitely sign-up for again - and it's clear that Nashville audiences will be talking about it for a long time after the curtain rings down Sunday night.
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