The University Musical Society (UMS) announces its 141st season, which runs from September 2019 through April 2020. One of the most acclaimed and innovative performing art presenters in the nation and a 2014 recipient of the National Medal of Arts, UMS will continue to showcase time-honored ensembles and artists alongside a diverse lineup of young performers who push the boundaries of their art forms in new directions. In addition to presenting world-class performances, UMS is also committed to creating unique and engaging ways for audiences to connect with the artists on stage through a robust offering of education and community engagement activities.
The Richard Tucker Music Foundation announced today that Lisette Oropesa has been named as the winner of the 2019 Richard Tucker Award. The soprano already headlines major productions worldwide, and after her recent house debuts in the title role of Lucia di Lammermoor at the Teatro Real Madrid and Royal Opera House, The Guardian declared: "The Cuban American soprano is sensationally good. She makes the stratospheric vocal fireworks … sound easy; indeed, her every note is part of a convincing portrayal of a complex character." Widely referred to as the "Heisman Trophy of Opera," the Tucker Award carries the foundation's most substantial cash prize of $50,000, and is conferred each year by a panel of opera industry professionals on an American singer at the threshold of a significant international career.
The Richard Tucker Music Foundation announced today that Lisette Oropesa has been named as the winner of the 2019 Richard Tucker Award. The soprano already headlines major productions worldwide, and after her recent house debuts in the title role of Lucia di Lammermoor at the Teatro Real Madrid and Royal Opera House, The Guardiandeclared: “The Cuban American soprano is sensationally good. She makes the stratospheric vocal fireworks … sound easy; indeed, her every note is part of a convincing portrayal of a complex character.” Widely referred to as the “Heisman Trophy of Opera,” the Tucker Award carries the foundation's most substantial cash prize of $50,000, and is conferred each year by a panel of opera industry professionals on an American singer at the threshold of a significant international career. Past winners include such luminaries as Stephanie Blythe, Lawrence Brownlee, Joyce DiDonato, Renée Fleming, Christine Goerke, Matthew Polenzani, and Deborah Voigt. Oropesa will be inducted into this who's who of American opera at the foundation's annual gala, a perennial highlight of the opera season, on Sunday, October 27, at Carnegie Hall.
Michigan Opera Theatre will present Alvin Ailey American Dance Theater for three performances March 15-17 at the Detroit Opera House. The event celebrates the company's 60th anniversary with a special, two-act ballet, 'Lazarus,' as well as their signature piece, 'Revelations' and other works. The company, recognized by the U.S. Congress as a vital American 'Cultural Ambassador to the World,' is known for celebrating the African-American cultural experience and the American modern dance tradition.
Jennifer Turner, currently executive vice president and managing director at Southern California's Segerstrom Center for the Arts, has been named as the next president and chief executive officer at Nashville's Tennessee Performing Arts Center starting May 2019.
Rackham Choir, now in its 70th year of singing for Detroit, will present 'Fantaisie Francaise' at 7:30 p.m. on Friday, March 15, at First Presbyterian Church of Royal Oak. Under the direction of Suzanne Mallare Acton, the choir will be joined by percussionist David Taylor and will feature organist Joseph Jackson.
Michigan Opera Theatre (MOT) announced today details of its 2019-20 season. The opera series features beloved classics "Don Giovanni" and "Pagliacci;" works long-absent from the MOT repertoire, "Sweeney Todd" and "Gianni Schicchi," and the highly-anticipated company premiere of "Champion," a contemporary American opera. The dance series features the return of American Ballet Theatre, Joffrey Ballet and Dance Theatre of Harlem, as well as the Detroit Opera House premiere of French contemporary ballet company Malandain Ballet Biarritz. An Oct. 12 gala concert, featuring acclaimed American Tenor Michael Fabiano and principal dancers from American Ballet Theatre, will serve to launch the season.
Vancouver Opera's 2018/2019 season and festival bring us a lush new production of Puccini's La Boheme that is quite literally designed as an enormous vintage postcard of Paris. The curtain rises on a modern-day flea market, with tourists taking selfies, sellers touting their wares and an accordion duo entertaining the crowd. Amid the bustle, a lone visitor puts a record on a vintage gramophone from which plays the opening bars of Giacomo Puccini's famous opera, transporting the audience back in time.
"Dangerous liaisons" is the overarching theme of The Atlanta Opera's landmark 40th anniversary season. From Puccini's Cio-Cio San to Rodriguez's Frida Kahlo, most of the featured protagonists share a propensity for self-destructive relationships that threaten to bring about their downfall.
Falstaff, Verdi's exuberant final opera, returns to the Met for performances February 22-March 16, 2019. Robert Carsen's acclaimed production moves the action from Shakespeare's era to 1950s England. Fresh off his much-lauded performance as Michonnet in the Met's Adriana Lecouvreur, Ambrogio Maestri stars as the notorious glutton Falstaff, reprising his celebrated betrayal in this production's premiere run in the 2013-14 season. The ensemble cast of merry wives and noblemen also includes Ailyn Perez as Alice Ford, Golda Schultz as Nannetta, Marie-Nicole Lemieux as Mistress Quickly, Jennifer Johnson Cano as Meg Page, Francesco Demuro as Fenton, and Juan Jesus Rodriguez as Ford. Conductor Richard Farnes, the former longtime music director of Opera North, makes his Met debut on the podium.
OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce the recipients of its 2019 National Opera Trustee Recognition Awards. Now in their 12th year, these awards honor outstanding trustees of U.S. opera companies for their exemplary leadership, generosity and audience-building efforts on behalf of their respective organizations.
OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce the recipients of its 2019 National Opera Trustee Recognition Awards. Now in their 12th year, these awards honor outstanding trustees of U.S. opera companies for their exemplary leadership, generosity and audience-building efforts on behalf of their respective organizations.
Houston Grand Opera (HGO) announced today the winners of the 31st annual Eleanor McCollum Competition for Young Singers Concert of Arias, which took place in the Cullen Theater of the Wortham Theater Center. This is the third year the Concert of Arias was streamed live on Facebook, and the second for livestreaming on YouTube. The livestream was hosted by HGO Studio alumna Andrea Carroll. She is currently performing in The Pearl Fishers as Le la and placed first in the 2012 Concert of Arias. The winners were announced during the second portion of the program.
Houston Grand Opera (HGO) has selected the finalists for the 31st annual Eleanor McCollum Competition for Young Singers Concert of Arias, to be presented in the Wortham Theater Center on February 1, 2019, at 7 p.m. A limited number of general admission tickets for the performance are available for purchase here. The program will also be streamed live on Facebook and YouTube for all to enjoy, inviting viewers to cast their votes for the Online Viewers' Choice Award.
Michigan Opera Theatre (MOT) announced today it has been awarded a $4 million grant from the William Davidson Foundation. The landmark gift to the company's comprehensive campaign is designated to support continued artistic excellence, community and educational outreach, and an enhanced patron experience through infrastructure and facility improvements to the David DiChiera Center for the Performing Arts and its Detroit Opera House. In addition, it serves as a call to action to inspire individuals and corporations to join in supporting MOT.
General Director and CEO Deborah Sandler today announced the next production of Lyric Opera of Kansas City's Explorations Series, Mack The Knife is The Man I Love: A Weill-Gershwin Cabaret which will feature the songs of George and Ira Gershwin and Kurt Weill. The 2018-2019 Explorations Series performance, with musical direction by Mark Markham and stage direction by Fenlon Lamb, will showcase the Lyric Opera's Resident Artists, including Kaylie Kahlich, Kelly Birch, Joseph Leppek, and James Maverick, plus Apprentice Artists Ruby Dibble, Jonathan Ray, and Armando Contreras. The performance will be held February 9 at 7:30 p.m. at the Lyric Opera's Michael and Ginger Frost Production Arts Building.
John Fischer, managing director of Artist Series Concerts of Sarasota, has announced that he will retire in June following the organization's 2018-19 season. He will have served as the organization's managing director for 17 years
For the 14th consecutive year, the Auditorium Theatre proudly presents Too Hot to Handel: The Jazz-Gospel Messiah over Martin Luther King, Jr. Day weekend. Celebrating Dr. King's vision of "beloved community" - a world without poverty, bigotry, and violence - Too Hot is a true Chicago show that unites people from all across the city as they sing, dance, and clap along with the performers.
San Francisco Opera Center Director Sheri Greenawald today announced the 12 recipients of the 2019 Adler Fellowship. Selected from participants of the Merola Opera Program, the ten singers and two pianist/apprentice coaches begin their fellowships in January 2019. The multi-year performance-oriented residency offers advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Since its inception in 1977, the prestigious fellowship has nurtured the development of more than 180 young artists, introducing many budding stars to the international opera stage and launching active careers throughout the world as performers, production artists, arts professionals and educators.
