The Theatre School at DePaul University presents Night Runner, a world premiere by Ike Holter and directed by Lisa Portes, with musical direction by Mikel Patrick Avery, choreography by Breon Arzell, and fight choreography by Katherine Coyl. Night Runner is a part of The Theatre School's Chicago Playworks for Families and Young Audiences Series.
Walnut Street Theatre's 2016-2017 Independence Studio on 3 season continues with one of Neil Simon's funniest plays, Last of the Red Hot Lovers. Philadelphia audiences will be the first to see this production before it becomes the seventh national tour of a Walnut Street Theatre production. Directed by Adam Immerwahr, Last of the Red Hot Lovers begins previews in Philadelphia on January 10th, opens January 12th and continues through February 5th. This production is part of a double feature of Simon's work at the Walnut, as Laughter on the 23rd Floor will begin performances the on the Mainstage on January 17th.
The Prototype: Opera/Theater/Now festival and The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, present Silent Voices on Saturday, January 14 and Sunday January 15 at FIAF's Florence Gould Hall.
On Monday, January 23, 2017 at 7:30pm, Works & Process at the Guggenheim will host an interview led by general manager Peter Gelb with Maestro Mark Elder and director Mary Zimmerman.
Classic Stage Company will present the comedy THE LIAR by David Ives, adapted from the play Le Menteur by Pierre Corneille, and directed by Michael Kahn, beginning previews tonight, January 11 at CSC (136 East 13th Street). THE LIAR will have its official press opening Thursday, January 26 and play a limited engagement through Sunday, February 26.
McCarter Theatre Center, The Lewis Center for the Arts Program in Theatre at Princeton University, and Princeton Triangle Club invite any interested persons to meet on January 19 at 5:30 p.m. outside the Matthews Theatre to launch The Ghostlight Project.
Walnut Street Theatre's 2016-2017 Independence Studio on 3 season continues with one of Neil Simon's funniest plays, Last of the Red Hot Lovers. Philadelphia audiences will be the first to see this production before it becomes the seventh national tour of a Walnut Street Theatre production.
LEAH, THE FORSAKEN is a tale of forbidden love, treachery, and redemption from 1862. Leah, a Jewish refugee fleeing persecution in Hungary, is forbidden by law to pass the night in an Austrian town. But there she wins the love of Rudolf, a Christian citizen. But when a particularly zealous persecutor convinces Rudolf she will betray him for gold, he quickly renounces her. Bestowing her curse on him and his progeny, Leah retreats to her exile. Five years later, now bound for a better life in America, she finds Rudolf has prospered with his new family, but also become a devoted champion of justice for Austrian Jews. Reconciled to a degree, the couple find grace in forgiveness and contrition, though equality is an elusive treasure.
The Prototype: Opera/Theater/Now festival and The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, present Silent Voices on Saturday, January 14 and Sunday January 15 at FIAF's Florence Gould Hall.
The Old Globe today announced the complete cast and creative team for its revival of Steve Martin's clever and crowd-pleasing comedy hit Picasso at the Lapin Agile.
Theatre for a New Audience has announced the performance schedule, cast and creative team for director Arin Arbus's new staging of Thornton Wilder's comic masterpiece The Skin of Our Teeth, the first major New York production since 1998.
The Theatre School at DePaul University presents Night Runner, a world premiere by Ike Holter and directed by Lisa Portes, with musical direction by Mikel Patrick Avery, choreography by Breon Arzell, and fight choreography by Katherine Coyl. Night Runner is a part of The Theatre School's Chicago Playworks for Families and Young Audiences Series.
THE GHOSTLIGHT PROJECT (previously announced as 'The Sanctuary Project') will bring the theatre community together from coast to coast on January 19, 2017 at 5:30 p.m. in each time zone to light a light and make a pledge. Inspired by the theatrical tradition of keeping a 'ghost light' on in a darkened theater, we create light for the challenging times ahead.
???????Geva Theatre Center presents The Lake Effect, Rajiv Joseph's play about family, friendship and food. The Lake Effect will be performed in the Fielding Stage from February 2 to February 19.
Milwaukee Repertory Theater presents the Pulitzer Prize-winning play Disgraced, written by one of the most in-demand playwrights of today Rep Associate Artist Ayad Akhtar in the Quadracci Powerhouse beginning January 17 through February 12.
It's not a mystery why Cleveland audiences scramble to the theatre when a Ken Ludwig piece is set to take the stage. Ludwig's witty works are always guaranteed to leave audiences howling with laughter, and this master of madcap's latest work to come to Cleveland Play House is no exception.
Mark St. Germain's solo play about celebrity sex therapist Dr. Ruth Westheimer received it's World Premiere at Barrington Stage Company in June 2012. The production was met with much success and went out to play at TheatreWorks Hartford before moving to New York. In October of 2013, Becoming Dr. Ruth received its Off-Broadway premiere at the Westside Theatre. Actress Debra Jo Rupp, who originated the role Off-Broadway, received both Drama Desk and Outer Critics Circle Award Nominations for her portrayal of Dr. Ruth.
Folger Theatre continues its celebrated 25th anniversary season with As You Like It, one of Shakespeare's most beloved comedies. Directed by Gaye Taylor Upchurch, this classic tale filled with love, laughter, and mistaken identity features original songs composed by Heather Christian and dances by Alexandra Beller. As You Like It is on stage from January 24 through March 5, 2017.
Philadelphia Theatre Company kicks off the new year with the inspiring and warm-hearted Having Our Say, The Delany Sisters' First 100 Years by Emily Mann, adapted from the book by Miss Sarah ("Sadie") L. Delany and Dr. A. Elizabeth ("Bessie") Delany with Amy Hill Hearth. Running January 27-February 19 and directed by Mary B. Robinson, the cast features Perri Gaffney and Cherene Snow as the two Delany sisters.
As a musical theater librettist, lyricist and lifelong connoisseur of Broadway and Hollywood musicals, Frank Evans would have been extremely sad to learn about the passing of screen legend Debbie Reynolds on December 28. But given his sense of humor and ability for self-deprecation, Evans might have also gotten a perverse kick out of knowing he died on the same day as one of his film favorites. Franklin G. Evans, 70, died last Wednesday evening at Methodist Hospital in Park Slope, Brooklyn, due to complications from multiple strokes that ravaged his brain over the last couple of months of 2016. Evans, who also suffered from Parkinson's-related dementia and diabetes, had spent the last year rehabilitating from a serious concussion sustained last December.
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