On Sunday evening, April 5, at 8:30 PM, E.D.T., a simple toll-free call will admit anyone in the country to a lively examination of the history, significance and controversy surrounding Native Son, the 1941 stage adaptation of Richard Wright's classic novel that sparked a debate about civil rights, social policy and racism that still burns hotly today.
On Sunday evening, April 5, at 8:30 PM, E.D.T., a simple toll-free call will admit anyone in the country to a lively examination of the history, significance and controversy surrounding Native Son, the 1941 stage adaptation of Richard Wright's classic novel that sparked a debate about civil rights, social policy and racism that still burns hotly today.
The producers of Blithe Spirit are pleased to announce the show will play The Shubert Theatre (225 West 44th Street). Rehearsals are scheduled to begin Monday, January 26, 2009 with the first performance on Thursday, February 26, 2009.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
What happens when an evil little girl starts offing anyone who gets in her way? Find out when Who Wants Cake? presents their campy and newfangled version of the Maxwell Anderson classic thriller, The Bad Seed.
The Bad Seed will play for an exclusive four-week run at Ferndale's The Ringwald Theatre from Friday, February 20 th through Monday, March 16 th.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
The producers of the upcoming Broadway revival of Noel Coward's Blithe Spirit are pleased to welcome Tony-nominated actress Deborah Rush in the role of Mrs. Bradman, reuniting her with her Noises Off! director, two-time Tony Award winner Michael Blakemore.
Scott Siegel turned off the microphones for the fifth time this week to celebrate the raw power of the human voice at the annual Broadway by the Year concert.
Variety reports that Jayne Atkinson has joined the cast of the upcoming Broadway revival of 'Blithe Spirit,' Atkinson will play the bride of Everett's character, who is plagued by the ghost of his deceased first wife (Ebersole). Atkinson was last on Broadway in 'Enchanted April' in 2003.
The producers of Blithe Spirit are pleased to announce the show will play The Shubert Theatre (225 West 44th Street). Rehearsals are scheduled to begin Monday, January 26, 2009 with the first performance on Thursday, February 26, 2009.
A Fall Foliage Celebration in Stockbridge on October 12th featured a train ride on the BTF Foliage Express and a gala concert with stars of Broadway in honor of the 80th anniversary season
Ghostlight Records, a division of Sh-K-Boom Records, will release the world premiere recording of the Manhattan Theatre Club's new Broadway musical LoveMusik, which was nominated for four Tony Awards. The production starred Tony Award winners Michael Cerveris and Donna Murphy and featuring the songs of Kurt Weill. The recording, produced by Joel Moss with Kurt Deutsch serving as Executive Producer, will be available in stores and online on November 27.
Manhattan Theatre Club's world premiere production of LoveMusik will begin its final week of performances Tuesday, June 19. The limited engagement will end on Sunday, June 24 at the Biltmore Theatre (261 West 47th Street). The production will have played 24 previews and 61 regular performances.
LoveMusik's Tony nominated stars Michael Cerveris and Donna Murphy will be guests on the WNYC's 'The Leonard Lopate Show' live from 1:00 PM - 1:20 PM tomorrow, Thursday, June 7.
Legendary director Harold Prince announced at a recent performance of the acclaimed Manhattan Theatre Club musical LoveMusik that Donna Murphy, who plays Lotte Lenya, and Judy Blazer, who plays Tilly Losch and one of Brecht's Women, will be out of the show until Tuesday evening.
Tony Award winner Michael Cerveris, currently starring in MTC's world premiere of the new musical LoveMusik, is featured on the Associated Press' 'On Broadway' Podcast.
Manhattan Theatre Club has announced that its 'After Words: LoveMusik' discussion series will begin Saturday, May 12 following the matinee performance at the Biltmore Theatre
Manhattan Theatre Club's LoveMusik, starring Michael Cerveris as Kurt Weill and Donna Murphy as Lotte Lenya, opened at the Biltmore Theatre on May 3rd, and BroadwayWorld was there for the glittering after-party!