It wouldn't be summer without the international sensation Pilobolus Dance Theatre at The Joyce Theater for its annual four-week season, this year from July 13 - August 8. With three distinct programs, including two New York premieres and one world premiere, this engagement is sure to be the hot ticket of the summer.
It wouldn't be summer without the international sensation Pilobolus Dance Theatre at The Joyce Theater for its annual four-week season, this year from July 13 - August 8. With three distinct programs, including two New York premieres and one world premiere, this engagement is sure to be the hot ticket of the summer.
Carrie Fisher set box-office records at Berkeley Repertory Theatre with her hilarious solo show, Wishful Drinking. Then it became a New York Times bestseller and played to sold-out crowds on a six-city national tour. Now Fisher returns to Berkeley Rep's Roda Theatre, her last stop before the show bursts onto Broadway! This limited run - 15 performances only - begins July 9 and ends July 23.
The entertainment trade paper reports 'among the three full productions of plays by Kushner -- the 'Angels in America' scribe whose work is not exactly known for its modesty of scope or running time -- is the world preem of his latest, 'The Intelligent Homosexual's Guide to Capitalism and Socialism With a Key to the Scriptures,' which began perfs May 15th. Also on the roster is an evening of short works, 'Tiny Kushner,' which began May 16th.'
Guthrie Director Joe Dowling today announced directors for the three productions slated to headline the theater's 2009 Tony Kushner celebration, in addition to three speaking events designed to expand and enhance the issues raised in the work of this Pulitzer Prize-winning playwright.
Roundabout Theatre Company (Todd Haimes, Artistic Director), in association with Jonathan Reinis, Jamie Cesa, Eva Price & Berkeley Repertory Theatre, is proud to present the Broadway premiere production of Wishful Drinking, created and performed by Carrie Fisher and directed by Tony Taccone at Studio 54 on Broadway (254 West 54th St).
Atlantic Theater Company announces complete casting for the world premiere of Leslie Ayvazian's new comedy MAKE ME, directed by Atlantic Associate Artistic Director Christian Parker. Broadway veterans Anthony Arkin (I'm Not Rappaport); Candy Buckley (After The Fall); Jessica Hecht (Julius Caesar); J.R. Horne (The Crucible); Richard Masur (Democracy) and Ellen Parker (The Heidi Chronicles) will star in Atlantic's final production of its 2008-2009 season, beginning previews at Atlantic Stage 2 on May 19 and opening May 31. Playwright and screenwriter Ayvazian's hit Off-Broadway play Nine Armenians won the Kennedy Center's Roger L. Stevens Award, the John Gassner Outer Critics Award and the Susan Smith Blackburn Prize.
Academy? Award-winners Geoffrey Rush (Shine) as King Berenger and Susan Sarandon (Dead Men Walking) as Queen Marguerite will star in Eugene Ionesco's EXIT THE KING on Broadway. This production marks Rush's Broadway debut. Translated by Neil Armfield and Geoffrey Rush and directed by Neil Armfield, EXIT THE KING will begin performances Saturday, March 7, 2009 at the Barrymore Theatre (243 West 47th Street) and open on Thursday, March 26, 2009. This limited engagement will run for 14 weeks only, through Sunday, June 14, 2009.
Academy? Award-winners Geoffrey Rush (Shine) as King Berenger and Susan Sarandon (Dead Men Walking) as Queen Marguerite will star in Eugene Ionesco's EXIT THE KING on Broadway. This production marks Rush's Broadway debut. Translated by Neil Armfield and Geoffrey Rush and directed by Neil Armfield, EXIT THE KING will begin performances Saturday, March 7, 2009 at the Barrymore Theatre (243 West 47th Street) and open on Thursday, March 26, 2009. This limited engagement will run for 14 weeks only, through Sunday, June 14, 2009.
Screen Actors Guild Award-winner Lauren Ambrose (Awake and Sing!, 'Six Feet Under') and Tony? Award- winner Andrea Martin (My Favorite Year, Young Frankenstein) will star in Eugene Ionesco's EXIT THE KING, joining the previously announced Geoffrey Rush and Susan Sarandon. Translated by Neil Armfield and Geoffrey Rush and directed by Neil Armfield, EXIT THE KING will begin performances Saturday, March 7, 2009 at the Barrymore Theatre (243 West 47th Street) and open on Thursday, March 26, 2009. This limited engagement will run for 14 weeks only, through Sunday, June 14, 2009.
Additional casting will be announced soon.
EXIT THE KING is a hilarious and poignant comedy about a megalomaniacal ruler, King Berenger (Rush) whose incompetence has left his country in near ruin. Despite the efforts of Queen Marguerite (Sarandon) and the other members of the court to convince the King he has only 90 minutes left to live, he refuses to relinquish any control.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced that TAKING OVER, the first new solo play by OBIE Award winner Danny Hoch in 10 years, has been extended through Sunday, December 21 due to popular demand. Directed by Tony Taccone, TAKING OVER opened on Sunday, November 23 and was originally scheduled to close on Sunday, December 14.
Just in time for the holiday season, The New York Public Library will display Charles Dickens personal prompt copy of his classic tale A Christmas Carol from December 5, 2008 through January 4, 2009 in the free display A Literary Christmas Miscellany which includes a selection of holiday material from the Henry W. and Albert A. Berg Collection of English and American Literature. The display is on view in the Humanities and Social Sciences Library's Rose Main Reading Room located at Fifth Avenue and 42nd Street.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced today that TAKING OVER, the first new solo play by OBIE Award winner Danny Hoch in 10 years, has been extended through Sunday, December 21 due to popular demand. Directed by Tony Taccone, TAKING OVER opened on Sunday, November 23 and was originally scheduled to close on Sunday, December 14.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson)officially opened TAKING OVER, the first new solo play by OBIE Award winner Danny Hoch in 10 years, on Sunday, November 23 at 7 p.m. Directed by Tony Taccone, TAKING OVER will run through Sunday, December 14.
NYU's Tisch School of the Arts has announced a new alumni initiative for emerging playwrights. The inaugural year kicks off with reading of Neena Beber's A WORLD BENEATH at the Cherry Lane Theater on November 10 at 7pm.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present the New York premiere of TAKING OVER, the first new solo play by OBIE Award winner Danny Hoch in 10 years.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews on Friday, November 7 for the New York premiere of TAKING OVER, the first new solo play by OBIE Award winner Danny Hoch in 10 years.
NYU's Tisch School of the Arts has announced a new alumni initiative for emerging playwrights. The inaugural year kicks off with reading of Neena Beber's A WORLD BENEATH at the Cherry Lane Theater on November 10 at 7pm.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present the New York premiere of TAKING OVER, the first new solo play by OBIE Award winner Danny Hoch in 10 years. Prior to its run at The Public in November, the Hip-Hop Theater Festival and The Public will join forces to present free performances of TAKING OVER in neighborhoods most affected by the play's explosive topic of gentrification: the South Bronx, Long Island City, and Williamsburg.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will present the New York premiere of TAKING OVER, the first new solo play by OBIE Award winner Danny Hoch in 10 years. Prior to its run at The Public in November, the Hip-Hop Theater Festival and The Public will join forces to present free performances of TAKING OVER in neighborhoods most affected by the play's explosive topic of gentrification: the South Bronx, Long Island City, and Williamsburg.