Maude Mitchell News

The Provincetown Tennessee Williams Theater Festival is pleased to announce Felicia Hardison Londre, professor of theater at the University of Missouri-Kansas City, as the special guest scholar at the sixth annual Tennessee Williams Institute (TWI), an immersive University-level symposium offered during the Festival from Sept. 20-24, 2017.

La MaMa presents COFFEEHOUSE CHRONICLES #138 'PERFORMING ARTS JOURNAL 40TH ANNIVERSARY' today, December 17, 2o16 from 3 to 5 p.m. at La MaMa.

La MaMa presents COFFEEHOUSE CHRONICLES #138 'PERFORMING ARTS JOURNAL 40TH ANNIVERSARY' on Saturday, December 17, 2o16 from 3 to 5 p.m. at La MaMa.

Actor/performer April Matthis is the recipient of the 2016 Ruth Maleczech Award, created last year to honor the memory of the legendary and beloved downtown actress and director who passed away in 2013. The award ceremony takes place tonight, July 26, at 7pm at the Howl! Happening: An Arturo Vega Project gallery in the East Village.

Provincetown Tennessee Williams Theater Festival is excited to announce that Brian Dennehy, one of America's foremost actors, acclaimed for interpreting complex characters on stage and screen, will be sharing his expertise in a Master Acting Class during this year's festival:  Beyond Success:  Tennessee Williams and Eugene O'Neill.

Actor/performer April Matthis is the recipient of the 2016 Ruth Maleczech Award, created last year to honor the memory of the legendary and beloved downtown actress and director who passed away in 2013. The award ceremony takes place on July 26 at 7pm at the Howl! Happening: An Arturo Vega Project gallery in the East Village.

A classic Mabou Mines feat is to take a theatrical classic, reimagine it from top to bottom, then turn it inside out; the result is a production so spanking new that the original gleams with fresh and unexpected relevance. The tradition continues in a collaboration with Trick Saddle and the 45-year old company. The two companies combine forces in the world premiere of 'Imagining the Imaginary Invalid,' inspired by 'The Imaginary Invalid,' Moliere's piercing satiric take on the pretension, gullibility and vulnerability of we poor mortals. Presented by La MaMa, a production of Mabou Mines and Trick Saddle, the play runs January 21-February 7 at La MaMa's Ellen Stewart Theatre.

A classic Mabou Mines feat is to take a theatrical classic, reimagine it from top to bottom, then turn it inside out; the result is a production so spanking new that the original gleams with fresh and unexpected relevance. The tradition continues in a collaboration with Trick Saddle and the 45-year old company. The two companies combine forces in the world premiere of 'Imagining the Imaginary Invalid,' inspired by 'The Imaginary Invalid,' Moliere's piercing satiric take on the pretension, gullibility and vulnerability of we poor mortals. Presented by La MaMa, a production of Mabou Mines and Trick Saddle, the play runs January 21-February 7 at La MaMa's Ellen Stewart Theatre.

In October, the UW World Series will present the world premiere of Antigona, a new work by Soledad Barrio & Noche Flamenca. Hailed by critics everywhere for its transcendent and deeply emotional performances, Noche Flamenca is one of the most authentic flamenco companies in the world today, and Soledad Barrio is its star. Now, in a unique creative partnership, this remarkable company joins with acclaimed American theater director Lee Breuer to create a new work, Antigona, based on Sophocles' ancient Greek heroine. Combining live music, song, and dance, Noche Flamenca's Antigona will bring the fiery, expressive nature of flamenco to one of the world's great tragedies in an evening-length work that promises to be both gripping and intensely moving. The work is conceived and directed by Martin Santangelo with choreography by Soledad Barrio, consulting direction by Lee Breuer, and visual and mask design by Mary Frank.

In October, the UW World Series will present the world premiere of Antigona, a new work by Soledad Barrio & Noche Flamenca. Hailed by critics everywhere for its transcendent and deeply emotional performances, Noche Flamenca is one of the most authentic flamenco companies in the world today, and Soledad Barrio is its star. Now, in a unique creative partnership, this remarkable company joins with acclaimed American theater director Lee Breuer to create a new work, Antigona, based on Sophocles' ancient Greek heroine. Combining live music, song, and dance, Noche Flamenca's Antigona will bring the fiery, expressive nature of flamenco to one of the world's great tragedies in an evening-length work that promises to be both gripping and intensely moving. The work is conceived and directed by Martin Santangelo with choreography by Soledad Barrio, consulting direction by Lee Breuer, and visual and mask design by Mary Frank.

On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow.

Presenters La MaMa and St. Ann's Warehouse, and producers piece by piece productions, Mabou Mines and Dovetail Productions-all ardent and longtime supporters of the 'bad boy of avant-garde theater' (Village Voice) Lee Breuer-unite for the World Premiere of Breuer's epic magnum opus, La Divina Caricatura. Breuer wrote and directs the work, a mixed-media pop-opera with Bunraku puppets, a cast of singers and live music composed by Lincoln Schleifer that ranges from Motown to Broadway and reggae to raga. La Divina Caricatura, a metaphorical send-up of Dante's classic, concerns Rose the Dog, who makes a pilgrimage through love to Paradiso. Rose thinks she's a woman and fantasizes a mad love affair with her master John, an East Village independent filmmaker. The show, Part 1 of a trilogy, draws on material that stretches all the way back to Breuer's doo-wop opera Sister Suzie Cinema (1975).

Presenters La MaMa and St. Ann's Warehouse, and producers piece by piece productions, Mabou Mines and Dovetail Productions-all ardent and longtime supporters of the "bad boy of avant-garde theater" (Village Voice) Lee Breuer-unite for the World Premiere of Breuer's epic magnum opus, La Divina Caricatura. Breuer wrote and directs the work, a mixed-media pop-opera with Bunraku puppets, a cast of singers and live music composed by Lincoln Schleifer that ranges from Motown to Broadway and reggae to raga. La Divina Caricatura, a metaphorical send-up of Dante's classic, concerns Rose the Dog, who makes a pilgrimage through love to Paradiso. Rose thinks she's a woman and fantasizes a mad love affair with her master John, an East Village independent filmmaker. The show, Part 1 of a trilogy, draws on material that stretches all the way back to Breuer's doo-wop opera Sister Suzie Cinema (1975).

Two years into its second half-century, La MaMa, under the artistic direction of Mia Yoo, continues the omnivorous work of its founder, the late Ellen Stewart. The institution's fall 2013 season is a mixture of established artists and forms La MaMa has long supported (Lee Breuer, Dario D'Ambrosi, puppetry) and celebrated artists and programs new to La MaMa (Irina Brook, Chiori Miyagawa and Alice Reagan, Pascal Rambert, Maureen Fleming, Dan Fishback and Max Steele, and many others). Show-by-show descriptions are below.

St. Ann's Warehouse has announced programming highlights of its 2013-14 season, which will kick off in October with the American Premiere of the Donmar Warehouse's tremendously acclaimed all-female production of Julius Caesar.

The Sundance Institute Theatre Program announced the acting company and collaborators for the three projects being developed at its Fall Lab, which begins today at the Massachusetts Museum of Contemporary Art (MASS MoCA). Under the supervision of Philip Himberg, Artistic Director of the Theatre Program, and Producing Director Christopher Hibma, the two-week Lab provides creative support and direction for innovative musical theatre and ensemble-generated projects.

The Sundance Institute Theatre Program previously announced that it would return to the Massachusetts Museum of Contemporary Art (MASS MoCA) for its Fall Lab, which provides creative support and direction for innovative musical theatre and ensemble-generated projects.

The Sundance Institute Theatre Program today announced that it will return to the Massachusetts Museum of Contemporary Art (MASS MoCA) for its Fall Lab, which provides creative support and direction for innovative musical theatre and ensemble-generated projects. Also announced today were the three projects that have been selected to participate.