Was it natural disaster or man-made greed that led to the loss of 2,200 lives in 1889? Playwright Rebecca Gilman teams up with Tony Award-winning Director Robert Falls for the world premiere of A True History of the Johnstown Flood, an epic theatrical event set against the backdrop of the 1889 flood
Last Month, Arena Stage announced six productions and two major festivals that will inaugurate the company's new venue the Mead Center for American Theater next year.
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway.
The Wilma Theater continues its 2009 - 2010 season with the World Premiere production of Language Rooms, a black comedy that exposes the divided loyalties among today's immigrants, discovering the rising cost of the American Dream.
Signature Theatre presents Doug Wright's I Am My Own Wife, winner of the 2004 Pulitzer Prize and Tony Award®, starring Helen Hayes Award-winner Andrew Long and directed by Alan Paul, January 12 through March 7, 2010 in the company's intimate ARK Theatre.
Chicago -Artistic Director Bonnie Metzgar has announced the Midwestern premiere of Ann Marie Healy's new play WHAT ONCE WE FELT directed by Krissy Vanderwarker.
Was it natural disaster or man-made greed that led to the loss of 2,200 lives in 1889? Playwright Rebecca Gilman teams up with Tony Award-winning Director Robert Falls for the world premiere of A True History of the Johnstown Flood, an epic theatrical event set against the backdrop of the 1889 flood
Casting is complete for Goodman Theatre's Chicago-premiere production of Tracey Scott Wilson's The Good Negro, directed by Resident Director Chuck Smith.
The Wilma Theater continues its 2009 - 2010 season with the World Premiere production of Language Rooms, a black comedy that exposes the divided loyalties among today's immigrants, discovering the rising cost of the American Dream.
Dmitri Shostakovich's The Nose has its Metropolitan Opera premiere on March 5 at 8:00 pm, conducted by Valery Gergiev, in a visually arresting new production by artist William Kentridge that features original collage, film, sculpture, and massive projections of the artist's drawings and prints.
American Theater Company (ATC) celebrates its 25th Anniversary with The Silver Project, a year-long festival of 30 world premiere short plays penned by some of the country's leading playwrights.
The Metropolitan Opera's new production of Offenbach's Les Contes d'Hoffmann, conducted by Met Music Director James Levine and directed by Tony Award winner Bartlett Sher, premieres on THIRTEEN'S Great Performances at the Met series.
Seven new productions, including two company premieres and the first two parts of a new Ring cycle, featuring many of the world's greatest singers and conductors, will highlight the Metropolitan Opera's 2010-11 season.
Franco Vassallo will sing the role of Ezio in Verdi's Attila on March 19, 22, and 27, replacing Carlos Alvarez, who is ill.
Diana Damrau and Juan Diego Flórez star in La Fille du Régiment, Donizetti's comedy about the tough-hearted young woman who was rescued and raised by the 21st regiment of the French army, and her romance with a hapless soldier-suitor.
Tony Award winners John Lithgow and Jennifer Ehle star as MR.
Aaron Louis (Producing Director, 3LD Art & Technology Center) in association with New Georges and The Essentials, will present the world premiere of THE DIARY OF A TEENAGE GIRL, written by Marielle Heller, adapted from the hit graphic novel of the same name by Phoebe Gloeckner, and directed by Sarah
Puccini's love story La Bohème returns to the Metropolitan Opera on Saturday, February 20, with Russian soprano Anna Netrebko and Polish tenor Piotr Becza?a as Puccini's star-crossed lovers, Mimì and Rodolfo.
The Wilma Theater continues its 2009 - 2010 season with the World Premiere production of Language Rooms, a black comedy that exposes the divided loyalties among today's immigrants, discovering the rising cost of the American Dream.
Shakespeare Theatre Company Artistic Director Michael Kahn, praised by The Baltimore Sun for turning the Shakespeare Theatre Company 'into the closest thing this country has to Britain's Royal Shakespeare Company,' announces the Company's 2010-2011 season.
