TV: Casts of BAD JEWS, THE WINSLOW BOY & More Kick Off Roundabout's Season
by Nicole Rosky
- Sep 14, 2013
Earlier this week, the casts and creative teams of Roundabout Theatre Company's fall shows (The Winslow Boy, Bad Jews, and Too Much, Too Much) gathered to kick off the upcoming season. BroadwayWorld was there for the festivities and you can check out interviews with the casts below!
Something's Coming: Broadway Fall Season Preview- The Plays!
by BWW Special Coverage
- Sep 1, 2013
Fall is quickly approaching, which means that Broadway will soon be blowing up with brand new productions. Ten plays will be eligible for Tony nominations next year, including: Romeo and Juliet, The Glass Menagerie, The Winslow Boy, A Time to Kill, Betrayal, The Snow Geese, Twelfth Night/Richard III, Macbeth, Waiting for Godot/No Man's Land, and 700 Sundays.
Get the scoop on all ten incoming plays below!
Charlotte Parry Joins Cast of Roundabout's THE WINSLOW BOY
by Nicole Rosky
- Aug 20, 2013
Roundabout Theatre Company (Todd Haimes, Artistic Director) has just announced that Charlotte Parry will join previously announced Tony nominee Michael Cumpsty as 'Desmond Curry', Academy & Tony Award nominee Mary Elizabeth Mastrantonio as 'Grace Winslow', Alessandro Nivola as 'Sir Robert Morton' and Tony Award winner Roger Rees as 'Arthur Winslow' in THE WINSLOW BOY on Broadway.
Full Cast Announced for THE WINSLOW BOY
by Roundabout Theatre Company
- Jul 31, 2013
It is my pleasure to share some casting news regarding The Winslow Boy, directed by Lindsay Posner: Michael Cumpsty (Desmond Curry) and Alessandro Nivola (Sir Robert Morton) will join the previously announcedRoger Rees and Mary Elizabeth Mastrantonio in this Terence Rattigan classic.Zachary Booth, Spencer Davis Milford,Chandler Williams, Meredith Forlenza,Stephen Pilkington, and Henny Russell will round out the cast.
2 More Productions Announced
by Roundabout Theatre Company
- May 15, 2013
I am thrilled to announce two more productions for our 2013-2014 Season. The first production at the American Airlines Theatre will be a revival of The Winslow Boy by Terence Rattigan, directed by Lindsay Posner and starring Roger Rees and Mary Elizabeth Mastrantonio. We will also produce the World Premiere of Cutie and Bear, a Roundabout Commission by Bekah Brunstetter that will be directed by Evan Cabnet at the Laura Pels Theatre.
VIDEO: Sneak Peek - 'Endangered' Episode of NBC's GRIMM
by Caryn Robbins
- Apr 29, 2013
On the next episode of NBC's GRIMM titled 'Endangered,' mysterious cow mutilations and reports of glowing creatures put Nick (David Giuntoli) on a case that forces him to question the existence of aliens within the Wesen world. Get a sneak peek below!
VIDEO: Sneak Peek - Tonight's Episode of CBS's BLUE BLOODS
by
- Feb 1, 2013
On tonight's episode of the CBS drama BLUE BLOODS entitled 'Inside Jobs,' when a man with multiple rat bites is thrown from a moving car, Danny works the case to find out why and who was trying to send a message. Get a sneak peek below!
STAGE TUBE: Sneak Peek - GRIMM'S 'Quill' Episode
by Caryn Robbins
- Aug 30, 2012
In the upcoming episode of NBC's GRIMM entitled 'Quill, while investigating an accident site, Nick (David Giuntoli) comes upon a bizarre and gruesome Wesen disease that is spreading quickly. Check out the sneak peek below!
Photo Coverage: Kerry Butler, Andrew Rannells & More Honor Douglas Carter Bean and Lewis Flinn at Transport Group's GIMME A BREAK! Benefit
by Jennifer Broski
- Dec 6, 2011
Transport Group,'s 2011 Gimme A Break! benefit honored playwright Douglas Carter Beane and composer/lyricist Lewis Flinn last night, December 5 at the Asia Society and Museum. Gimme A Break! began with a cocktail reception followed by a performance featuring Broadway stars sharing their 'big break' experiences through stories and songs. Beane and Flinn received the Transporting American Theatre Award for their outstanding contributions to American theatre.
BroadwayWorld was on hand and brings you photo coverage of the event below!
SOUND OFF: SCARFACE Onscreen & On Blu-ray
by Pat Cerasaro
- Sep 5, 2011
Never more apparent than at this very moment in history, the operatic emotions, over-the-top theatrics and outrageous outspokenness of the 1983 SCARFACE, new on Blu-ray this week, burst forth from screens both large and small, depending on your preferred venue. And, with the fiery, ferocious fearlessness that Brian DePalma so astutely and assuredly weaves his web of debauchery and demons of the soul, heart and mind with - its apotheosis residing in Al Pacino's legendary essaying of the title role - the world finally seems ready to see SCARFACE for what it really is: a classic American film. No, there are not many modern day classics and there certainly have not been over the last thirty years since its release, but SCARFACE is unquestionably now part of the great pantheon of American films - just as much as CITIZEN KANE, CABSABLANCA and THE GODFATHER before it - and with Fathom's re-release of the film in movie theaters for one night only last week, the impact of the film as felt in its true artistic home was something akin to transcendental. Indeed, I was lucky enough to check out the HD print in a showing in Ithaca, NY, last week, which was also accompanied by an ultra-informative and revealing behind-the-scenes look at the production and subsequent legacy of the near-thirty-year-old film which is also available in an even more expanded form on the new Blu-ray - including new interviews with Brian DePalma, Al Pacino, Steven Bauer, Robert Loggia, Martin Bregman, as well as comments from fellow filmmakers and fans like Eli Roth (who shares a particularly hilarious anecdote about reciting Lopez's monologue for classmates in sixth grade). The new Blu-ray is packed to the brim with Special Features - including this brand new hour-long making-of documentary to go along with the hours of bonuses ported over from many of the prior DVD releases. Yet, above all of these other virtues, the reason you must own SCARFACE on Blu-ray is not just because the HD remastering of the image is pristine, the 7.1 sound is perfect and the Special Features are overwhelmingly enjoyable, but - most of all - it is because SCARFACE is American movie-making at its finest - and most emotionally, visually and outwardly operatic. It sings. And stings. And zings. And, bring it - all.
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