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Steven Sharpe to Depart as General Director of Opera Santa Barbara 

Steven Sharpe, who charted an ambitious course for Opera Santa Barbara over 11 years, spearheading the company's first world premiere and otherwise elevating its stature through a series of new and expanded programmatic initiatives, is stepping down as general director. The company will immediately conduct a nationwide search for his successor.

Photo Coverage: Allyson Briggs & Fleur Seule Band Play The Penthouse

When you're marketing a spectacular SoHo Penthouse that has a Steinway B piano and you come from the world of cabaret what do you do?  Super Real Estate impresarios Tom Postilio and Mickey Conlon filled it with the music of songstress Allyson Briggs with her band Fleur Seule, (a favorite of The Rainbow Room) and have a party for your eclectic group of friends.

Court Theatre Announces Casting for Season Opener FIVE GUYS NAMED MOE

Court Theatre, under the continuing leadership of Charles Newell, Marilyn F. Vitale Artistic Director, and Stephen J. Albert, Executive Director, opens its 2017-2018 season with Five Guys Named Moe by Clarke Peters, directed by Resident Artist Ron OJ Parson and Associate Director Felicia P. Fields with music direction by Abdul Hamid Royal. Five Guys Named Moe, which features Louis Jordan's greatest hits, runs September 7 - October 8, 2017 at Court Theatre, 5535 S. Ellis Ave. The press opening is September 16, 2017 at 8:00 p.m.

Cast Announced for Lookingglass Theatre's HARD TIMES This Fall

Lookingglass Theatre Company announces complete casting for the return of the award-winning, circus-infused Hard Times, adapted and directed by Artistic Director and Ensemble Member Heidi Stillman from the book by Charles Dickens and in association with The Actors Gymnasium.

BWW Review: SUGAR at Lola Membrives

The story happens in Chicago in 1929 where the musicians Jerry (Nicolas Cabré) and Joe (Federico D'Elia) must escape from the city, forced by threats from the gangsters, and dare to embark on an unusual adventure to Miami with an Orchestra of young ladies where they meet the gorgeous Sugar Kane (Griselda Siciliani).

FIAF Announces 2017 Crossing the Line Festival Lineup

The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, has announced the Crossing the Line Festival 2017, the eleventh annual edition of its path-breaking fall arts festival.

BWW Review: PUT THE BLAME ON MAME Puts Willow Sizer's Name in the Game at Chapel Off Chapel

Willow Sizer takes you right back into the presence of scintillating forties diva songstresses, all the way down to the shivers along your upper arms. Sitting spellbound in the Loft at Chapel of Chapel, an uncontainable crowd were transported back to the times of undulating figures and captivating stylings. Sizer's cabaret show, Put the Blame on Mame is a genuine and charming education on her upbringing discovering her legitimately impressive talents under the guiding hand of blueprints set down my masterminds like Eartha Kitt, Jane Russell, Marilyn Monroe and Rita Hayworth. The show was so good, this reviewer questioned whether they had lost their wits completely, the kind of platitudes it was engineering in his ordinarily critical mind, completely disarmed by Sizer's singing and sensuality evocative of everything those incredible women brought into our collective consciousness.

Documentary Event THE DEFIANT ONES Debuts 7/9 on HBO

THE DEFIANT ONES, a four-part documentary event, debuts SUNDAY, JULY 9 (9:00-10:00 p.m. ET/PT) on HBO, with parts 2, 3 and 4 debuting on successive nights, JULY 10, 11 and 12, at the same time. Director Allen Hughes (“Menace II Society”) has made an unquestionably bold film about the unlikely but ultimately unbreakable bond of trust and friendship between Dr. Dre and Jimmy Iovine, two street-smart men from different worlds who have shaped many of the most exciting and extreme moments in recent pop culture.

Marilyn Maye Adds Two June Shows to MARILYN BY REQUEST at The Metropolitan Room

The great Marilyn Maye is adding two performances to the sold-out springtime encore of "Marilyn by Request," her wildly popular show format in which she takes audience song suggestions.  In addition to the three shows she just performed at the Metropolitan Room this month, the party continues today and Wednesday June 27 & 28, both at 9pm.

THE MAN ON THE STREET Opens the 2017 Baltimore Playwrights Festival

The 36th Season of the Baltimore Playwrights Festival summer original play productions begin this week. This year the participating theaters will be offering everything from full productions, to book-in-hand productions and developmental staged readings.

Marilyn Maye Adds Two June Shows to MARILYN BY REQUEST at The Metropolitan Room

The great Marilyn Maye is adding two performances to the sold-out springtime encore of "Marilyn by Request," her wildly popular show format in which she takes audience song suggestions.  In addition to the three shows she just performed at the Metropolitan Room this month, the party continues on Tuesday and Wednesday June 27 & 28, both at 9pm.

Paul Taylor Dance Company and the U.S. Debut of Roy Assaf Dance at Jacob's Pillow

Based in Israel, Roy Assaf Dance makes its U.S. debut with a program of clever and heartfelt works in the Doris Duke Theatre July 12-16. A rising choreographic star, Assaf has been commissioned by companies across the globe including Batsheva Dance Company, The Royal Swedish Ballet, National Dance Company Wales, and LA Dance Project. The program opens with Assaf's embracing duet Six Years Later which is praised for its "beauty, nuances, and intricate, astute movements" (Ora Brafman, Jerusalem Post), and closes with his powerful all-male trio The Hill, inspired by veterans' experiences and based on the Hebrew song "Givat Hatachmoshet".

Review Roundup: Big Brother Has Its Eyes on Opening Night of 1984

Adapted and directed by Icke and Macmillan, 1984 officially arrives in New York this evening on the heels of four wildly successful U.K. runs. The strictly limited engagement began performances on May 18, 2017, and tonight is opening night on Broadway at the new Hudson Theatre.

BWW Review: Gentlemen Prefer Booty in Kirsten Childs' BELLA: AN AMERICAN TALL TALE

The recent Signature Theatre revival of Suzan Lori-Parks' VENUS, based on the true story of Saartjie Baartman, depicted a 19th Century African woman who was subjected to exploitation because of white people's fascination with her prominent posterior.  But the mood is considerably lighter over at Playwrights Horizons these days, where the title character of Kirsten Childs' joyfully old-fashioned, but sneakily subversive new musical, BELLA: AN AMERICAN TALL TALE, is a 19th Century African-American woman who celebrates the attention her queenly derriere receives and uses it as a source of empowerment.

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