?Metropolitan Ballet Academy & Company (MBA/MBC), recognized by Pointe magazine as one of “seven local studios in America cultivating top talent” (Oct/Nov 2011), will celebrate its 20th Anniversary year with a Gala Performance on Saturday, June 4, 2016 at 4:00 pm. Alumni from Metropolitan's two decades of training will return from their professional engagements with dance companies across America to perform in the Gala, which also features pre-professional Metropolitan Ballet Company dancers in classical and contemporary works. The Gala Performance will be held at the Josephine Muller Auditorium of Abington Friends School, 575 Washington Lane, Jenkintown, PA 19046. Tickets are $50 each and available at 215-663-1665 or online at www.metropolitanballetcompany.org.
The School Of American Ballet (SAB) is one of the most famous classical ballet schools in the world and is the school of George Balanchine's New York City Ballet, a leading international ballet company based at the Lincoln Center for the Performing Arts in New York City. The school trains students from the age of six, with professional vocational ballet training for students aged 11-18.
Von Heidecke's Dance Center School of the Chicago Festival Ballet has announced The Von Heidecke Spring Performance featuring a refined compilation of the romantic ballet classic "Paquita," the Chinese Tongain Dance Troupe and the breathtaking "Swan Lake" Act II choreographed by Kenneth von Heidecke who is the protege of legendary Prima Ballerina Assoluta Maria Tallchief and founder and chief choreographer of Von Heidecke's Dance Center School of the Chicago Festival Ballet. Von Heidecke's Spring Performance will take place at the Bolingbrook High School Auditorium (365 Raider Way, Bolingbrook) on Sunday, May 22, 2016 at 3 p.m. Tickets are on-sale now to the public.
Calling all balletomanes, historians, Ph.D. candidates, sociologists, audience members, and just about everyone else interested in dance. Do you want to see Diana Adams, Allegra Kent, Violette Verdy, Jillana, Maria Tallchief, Tanaquil LeClercq, Andre Eglevsky, Suki Schorer, Patricia Neary, Carol Sumner, Todd Bolender, Arthur Mitchell, Francisco Moncion, Nicholas Magallanes and Jacques d'Amboise again in the intimate surrounding of your living room? No, this not a joke, but the first of many VAI DVD releases from Montreal's Radio-Canada archive, encompassing a televised history of Balanchine's many works from 1954 well into the 1970s.
Words on Dance in association with Symphony Space, is proud to present an evening with CHRISTOPHER WHEELDON, featuring the internationally acclaimed choreographer and director in rarely seen television and film clips and a live conversation conducted by the Academy, Tony, Emmy, and Grammy Award-winning actress/singer/dancer RITA MORENO, April 27, 7:00 PM at Symphony Space, 95th Street and Broadway.
Gloria McLean, a New York-based dancer, choreographer and teacher, is the founder and artistic director of LIFEDANCE/Gloria McLean and Dancers. From 1982-1993, Ms. McLean was a member of the Erick Hawkins Dance Company, performing in New York, the U.S., and internationally. She is considered one of the leading exponents of this American Modern Dance tradition.
Scarsdale Ballet Studio, Westchester's premier destination for classical and contemporary ballet training presents Coppelia this weekend, March 29 and 30 at the Dance Lab at SUNY Purchase College.
The world knows George Balanchine as the genius choreographer who transformed classical ballet, but what was he like as a friend? As a life coach? As a teacher? Very few knew him in these roles, but New York City Ballet soloist of twenty-two years, Frank Ohman, did. In his just-published memoir, Balanchine's Dancing Cowboy, Ohman reveals new, previously unexplored aspects of Mr. Balanchine's brilliance: as a master teacher, as a caring friend, and as a deeply philosophical man.
Scarsdale Ballet Studio, Westchester's premier destination for classical and contemporary ballet training presents Coppelia on March 29 and 30 at the Dance Lab at SUNY Purchase College.
As we approach the end of 2013, Broadwayworld Dance pays tribute to the many artists who enriched, inspired, and captivated us as dancers, teachers, musicians, painters, producers, photographers, writers, historians, and philanthropists.
New York City's dance luminaries, rising stars, and fans were out in full force at the fabled Apollo Theater in Harlem on the evening of Monday, October 7th 2013 to attend the 29th annual Bessies Awards. The ceremony, named for contemporary dance legend Bessie Schonberg and produced in partnership with Dance/NYC, recognizes established as well as upcoming artists who have made outstanding contributions to the many disciplines of the liveliest art in the Dance Mecca of the World.
The Joffrey Ballet kicks off its 2013-14 'Masters of Dance' season with a special addition to its home engagement line-up, a one-weekend-only program titled 'Russian Masters' celebrating the centennial of Vaslav Nijinsky's ground-breaking 1913 ballet Le Sacre du Printemps (The Rite of Spring), alongside George Balanchine's Allegro Brillante and two works byYuri Possokhov, the Chicago Premiere of Adagio and the return of his 2011 Joffrey commission, Bells. These four powerful works by Russian choreographers and composers are presented in four performances only in the Joffrey's home venue, the historic Auditorium Theatre of Roosevelt University in downtown Chicago at 50 E. Congress Parkway, today, September 19 - 22.
The Joffrey Ballet kicks off its 2013-14 "Masters of Dance" season with a special addition to its home engagement line-up, a one-weekend-only program titled "Russian Masters" celebrating the centennial of Vaslav Nijinsky's ground-breaking 1913 ballet Le Sacre du Printemps (The Rite of Spring), alongside George Balanchine's Allegro Brillante and two works byYuri Possokhov, the Chicago Premiere of Adagio and the return of his 2011 Joffrey commission, Bells. These four powerful works by Russian choreographers and composers are presented in four performances only in the Joffrey's home venue, the historic Auditorium Theatre of Roosevelt University in downtown Chicago at 50 E. Congress Parkway, September 19 - 22.
The Joffrey Ballet kicks off its 2013-14 "Masters of Dance" season with a special addition to its home engagement line-up, a one-weekend-only program titled "Russian Masters" celebrating the centennial of Vaslav Nijinsky's ground-breaking 1913 ballet Le Sacre du Printemps (The Rite of Spring), alongside George Balanchine's Allegro Brillante and two works by Yuri Possokhov, the Chicago Premiere of Adagio and the return of his 2011 Joffrey commission, Bells. These four powerful works by Russian choreographers and composers are presented in four performances only in the Joffrey's home venue, the historic Auditorium Theatre of Roosevelt University in downtown Chicago at 50 E. Congress Parkway, September 19 - 22.
Jacob's Pillow. Everyone in the professional dance world knows its name, and every professional company wants to perform there. The history of Jacob's Pillow is a reflection of the development of dance in America. It presents the highest quality of dance currently being performed around the world.
One Chekhovian country house exits the Mitzi E. Newhouse Theater and a new Chekhovian country house enters. But Richard Nelson's Nikolai and the Others, enjoying an elegant staging by director David Cromer, is a more sober-minded effort than the venue's last tenant, Christopher Durang's Vanya and Sonya and Masha and Spike.
Maria Tallchief, the first Native American to win acclaim as a prima ballerina, passed away on April 11, 2013. While she worked with many companies and choreographers, she is most renowned for her collaboration with George Balanchine, first at The Ballet Russe de Monte Carlo and then, most importantly and famously, at the New York City Ballet. She was married to Balanchine from 1946 until 1952 when the marriage was annulled. Despite this interruption in their private lives they continued their professional association.
It wasn't until Frederick Ashton undertook a new creation of the ballet that it finally became an international hit. He referred to it as his 'poor man's Pastorale,' a lovely reference to Beethoven's symphony where things go from simplicity to thunderstorms and back to normalcy and contentment with the world. He commissioned The Royal Opera House conductor, John Lanchberry, to orchestrate a new score that, while recalling French culture and manners (it did begin as a French ballet after all), is firmly rooted in an English sensibility
Maria Tallchief, the first Native American to win acclaim as a prima ballerina, was born on January 24, 1925. While she worked with many companies and choreographers, she is most renowned for her collaboration with George Balanchine, first at the Ballet Russe de Monte Carlo and then, most importantly and famously, at the New York City Ballet. She was married to Balanchine from 1946 until 1952, when the marriage was annulled. Despite this interruption in their private lives they continued their professional association.
For many dance enthusiasts the question persists: do we need another book unearthing more about George Balanchine or Jerome Robbins?
Barbara Bocher answers that question in her memoir The Cage, named after one of Robbins' most noted ballets. If any ballet could serve as a metaphor for her brief career, The Cage would certainly be it.
