Marcus Doshi News

KING LEARMichael Pennington, two-time Olivier Award nominee, an artist of international stature and one of England's greatest classical actors, will play the title role in William Shakespeare's tragedy King Lear directed by Arin Arbus. For the second production in Theatre for a New Audience's inaugural season at its first permanent home, the new Polonsky Shakespeare Center, 262 Ashland Place in Brooklyn, Mr. Pennington leads a company of 22 actors. King Lear begins previews tomorrow, March 14 for an opening March 27 and a run through May 4. Click below for two interviews with Pennington!

Michael Pennington, two-time Olivier Award nominee, an artist of international stature and one of England's greatest classical actors, will play the title role in William Shakespeare's tragedy King Lear directed by Arin Arbus. For the second production in Theatre for a New Audience's inaugural season at its first permanent home, the new Polonsky Shakespeare Center, 262 Ashland Place in Brooklyn, Mr. Pennington leads a company of 22 actors. King Lear begins previews tomorrow, March 14 for an opening March 27 and a run through May 4. BroadwayWorld has a look at the cast in rehearsal below!

The Tony Award-winning Oregon Shakespeare Festival's 2014 preview performances begin tonight, February 14, and the season will open Friday night, February 21 in the Angus Bowmer Theatre with Shakespeare's The Tempest (director, Tony Taccone). On Saturday, Lorraine Hansberry's The Sign in Sidney Brustein's Window (Juliette Carrillo) takes the stage, as does the classic Marx Brothers musical The Cocoanuts (David Ivers), and Sunday afternoon Shakespeare's The Comedy of Errors (Kent Gash) opens in the Thomas Theatre.

Michael Pennington, two-time Olivier Award nominee, an artist of international stature and one of England's greatest classical actors, will play the title role in William Shakespeare's tragedy King Lear directed by Arin Arbus. For the second production in Theatre for a New Audience's inaugural season at its first permanent home, the new Polonsky Shakespeare Center, 262 Ashland Place in Brooklyn, Mr. Pennington leads a company of 22 actors. King Lear begins previews March 14 for an opening March 27 and a run through May 4.

The Tony Award-winning Oregon Shakespeare Festival's 2014 preview performances begin February 14, and the season will open Friday night, February 21 in the Angus Bowmer Theatre with Shakespeare's The Tempest (director, Tony Taccone). On Saturday, Lorraine Hansberry's The Sign in Sidney Brustein's Window (Juliette Carrillo) takes the stage, as does the classic Marx Brothers musical The Cocoanuts (David Ivers), and Sunday afternoon Shakespeare's The Comedy of Errors (Kent Gash) opens in the Thomas Theatre.

What's it like to be the most beautiful, most desired young woman who throws the wildest parties in all of Paris - and to be losing your life just as true love finally finds you? Welcome to the glittering, dark, hope-filled, doomed world of the Parisian demimonde, where the romantic tragedy of Verdi's La Traviata takes place.

What's it like to be the most beautiful, most desired young woman who throws the wildest parties in all of Paris - and to be losing your life just as true love finally finds you? Welcome to the glittering, dark, hope-filled, doomed world of the Parisian demimonde, where the romantic tragedy of Verdi's La Traviata takes place.

Single tickets go on sale to the general public today, Aug. 1, for Lyric Opera of Chicago's 59th season.

'Should a woman sleep with a man she finds repellent if by doing so she serves a greater good?' (New York Times) is among the questions of William Shakespeare's Measure for Measure, at Goodman Theatre in a new production directed by Artistic Director Robert Falls. Falls sets his production of Shakespeare's dark comedy against the backdrop of New York City circa 1970s-an era in which economic challenges, urban flight and the sexual revolution transformed one of the greatest cities in the world into one of the most troubled.

'Should a woman sleep with a man she finds repellent if by doing so she serves a greater good?' (New York Times) is among the questions of William Shakespeare's Measure for Measure, at Goodman Theatre in a new production directed by Artistic Director Robert Falls. Falls sets his production of Shakespeare's dark comedy against the backdrop of New York City circa 1970s-an era in which economic challenges, urban flight and the sexual revolution transformed one of the greatest cities in the world into one of the most troubled.

Lyric Opera of Chicago and its general director, Anthony Freud, announced the lineup for Lyric's 2013-14 season today. Joseph Calleja, Joyce DiDonato, Nathan Gunn, Thomas Hampson, Ana Maria Martinez, Matthew Polenzani, and Patricia Racette are among those headlining the new season's offerings. These comprise 67 performances of eight different operas, beginning October 5, 2013 and concluding March 23, 2014: new productions of Parsifal, La traviata, The Barber of Seville, and Rusalka (Lyric premiere); a revival of Otello; and new-to-Chicago stagings of Madama Butterfly, Die Fledermaus, and La clemenza di Tito. Lyric's music director, Sir Andrew Davis, will lead three operas, and guest conductors Marco Armiliato, Bertrand de Billy and Michele Mariotti will make their house debuts. Additionally, Lyric will present a new production of Rodgers and Hammerstein's The Sound of Music in the spring of 2014, continuing the company's American Musical Theater Initiative, and Davis will conduct a special Subscriber Appreciation Concert in March featuring Lyric's creative consultant - the star soprano Renee Fleming - with tenor Jonas Kaufmann.

Lyric Opera of Chicago and its general director, Anthony Freud, announced the lineup for Lyric's 2013-14 season today. Joseph Calleja, Joyce DiDonato, Nathan Gunn, Thomas Hampson, Ana Maria Martinez, Matthew Polenzani, and Patricia Racette are among those headlining the new season's offerings. These comprise 67 performances of eight different operas, beginning October 5, 2013 and concluding March 23, 2014: new productions of Parsifal, La traviata, The Barber of Seville, and Rusalka (Lyric premiere); a revival of Otello; and new-to-Chicago stagings of Madama Butterfly, Die Fledermaus, and La clemenza di Tito. Lyric's music director, Sir Andrew Davis, will lead three operas, and guest conductors Marco Armiliato, Bertrand de Billy and Michele Mariotti will make their house debuts. Additionally, Lyric will present a new production of Rodgers and Hammerstein's The Sound of Music in the spring of 2014, continuing the company's American Musical Theater Initiative, and Davis will conduct a special Subscriber Appreciation Concert in March featuring Lyric's creative consultant - the star soprano Renee Fleming - with tenor Jonas Kaufmann.

The Oregon Shakespeare Festival will open the world premiere production of Party People at 1:30 p.m. Saturday, July 7 in the New Theatre. Written by UNIVERSES (Mildred Ruiz-Sapp, Steven Sapp, William Ruiz, a.k.a. Ninja), the play is directed by Liesl Tommy, who last directed Ruined (2010) at OSF. Party People will run through November 3.

Signature Theatre Company today announced a one-week extension for MY CHILDREN! MY AFRICA! by Athol Fugard and directed by Ruben Santiago-Hudson. The production will now play through Sunday, June 17 in The Romulus Linney Courtyard Theatre at the Company's new home The Pershing Square Signature Center (480 West 42nd Street between Dyer and 10th Avenues).

Signature Theatre (James Houghton, Founding Artistic Director; Erika Mallin, Executive Director) today announced that performances begin tonight for MY CHILDREN! MY AFRICA! by Athol Fugard and directed by Ruben Santiago-Hudson. The production runs May 1 - June 10, 2012 with a May 24 opening night in The Romulus Linney Courtyard Theatre at the Company's new home The Pershing Square Signature Center (480 West 42nd Street between Dyer and 10th Avenues).

Signature Theatre (James Houghton, Founding Artistic Director; Erika Mallin, Executive Director) is pleased to announce casting for MY CHILDREN! MY AFRICA! by Athol Fugard and directed by Ruben Santiago-Hudson. The production runs May 1 - June 10, 2012 with a May 24 opening night in The Romulus Linney Courtyard Theatre at the Company's new home The Pershing Square Signature Center (480 West 42nd Street between Dyer and 10th Avenues).

The Huntington Theatre Company's production of MA RAINEY'S BLACK BOTTOM completes August Wilson's Century Cycle, ten plays that reflect the African-American experience in America by the decade throughout the 20th century. Yvette Freeman (NBC's ER) is a force of nature in the title role, and local actor Jason Bowen captivates as the hotheaded young trumpeter who personifies the Zeitgeist.

Director Hana Sharif steers Matthew Lopez's terrific drama with an assured hand.

The Broken Heart, a 1629 tragic-comic play written by John Ford (Tis Pity She's a Whore), directed by Selina Cartmell in her American debut is Theatre for a New Audience's fourth production of the 2011 - 2012 theatre season.

Hartford Stage, under the leadership of Artistic Director Darko Tresnjak and Managing Director Mike Stotts, presents the Connecticut premiere of Matthew Lopez's acclaimed drama, THE WHIPPING MAN, from February 23 through March 18, 2012.