Marcus Doshi News

Steppenwolf Theatre Company launches its 41st season, the first curated by Artistic Director Anna D. Shapiro, with the moving and enthralling world premiere of Visiting Edna by renowned American playwright David Rabe (Streamers, Good for Otto).

Previews are underway for Theatre for a New Audience's production of August Strindberg's THE FATHER in a new version by Scottish author David Greig commissioned by Theatre for a New Audience and performances start tonight, May 10, at 7:30pm for A DOLL'S HOUSE in an adaptation by Thornton Wilder not seen in New York since its Broadway premiere in 1937.

The Father and A Doll's House, Theatre for a New Audience's two plays in rotating repertory directed by Arin Arbus featuring Maggie Lacey and John Douglas Thompson at Polonsky Shakespeare Center, 262 Ashland Place, have new opening dates: The Father, now in previews, will open Wednesday, May 25, at 7:30pm and A Doll's House will begin previews Tuesday, May 10, at 7:30pm for an opening Tuesday, May 24, at 7:30pm.

Previews begin Sunday, May 1, at 7:30pm for Theatre for a New Audience's production of August Strindberg's The Father in a new version by Scottish author David Greig commissioned by Theatre for a New Audience and Tuesday, May 10, at 7:30pm for A Doll's House in an adaptation by Thornton Wilder not seen in New York since its Broadway premiere in 1937.  The plays, both directed by Arin Arbus, Associate Artistic Director of Theatre for a New Audience, feature Maggie Lacey as Nora in A Doll's House and as Laura in The Father and John Douglas Thompson as Thorwald in A Doll's House and the Captain in The Father.

Steppenwolf Theatre Company announced today the complete casting for two upcoming productions. Celebrated actress Jessie Fisher (Chicago Shakespeare Theatre's Othello, Once on Broadway) joins ensemble member Jon Michael Hill (CBS's Elementary, Steppenwolf's Superior Donuts) in the Chicago premiere production of Constellations, the moving two-character drama by Nick Payne, directed by artistic producer Jonathan Berry to take place this summer in the Upstairs Theatre (May 26 - July 3, 2016; Press/Opening is June 1 at 7:30pm).

Grand opera--lavish in scale, setting and voices--certainly has its place, but, oh, the joys of hearing Cavalli and Faustini's bawdy, early baroque charmer LA CALISTO in a theatre with fewer than 100 seats! The Juilliard Opera production not only proved a great showcase for the singers, dancers and instrumentalists involved but for the opera itself, which is still infrequently heard and should be better known.

Toronto – The Canadian Opera Company opens its 2015/2016 season with a work of dazzling beauty, Giuseppe Verdi's La Traviata.  This operatic classic returns to the COC stage in a lush new production for 11 performances at the Four Seasons Centre for the Performing Arts tonight, October 8, and Octoer 13, 16, 17, 21, 24, 29, 30, November 1, 4, 6, 2015.

Toronto – The Canadian Opera Company opens its 2015/2016 season with a work of dazzling beauty, Giuseppe Verdi's La Traviata.  This operatic classic returns to the COC stage in a lush new production for 11 performances at the Four Seasons Centre for the Performing Arts on October 8, 13, 16, 17, 21, 24, 29, 30, November 1, 4, 6, 2015.

Court Theatre Artistic Director Charles Newell and Executive Director Stephen J. Albert present The Secret Garden, directed by Artistic Director Charles Newell with musical direction by Doug Peck. Based on the beloved novel by Frances Hodgson Burnett, The Secret Garden features musical book and lyrics by Marsha Norman and music by Lucy Simon. The Secret Garden runs May 21 - June 21, 2015 at Court Theatre, 5535 S. Ellis Avenue.

Berkeley Repertory Theatre proudly announces the Bay Area premiere of Party People, a high-wattage fusion of story and song about the legacy of the Black Panthers and Young Lords. In the 1960s these revolutionaries fought injustice, provided free food and medical care for their communities - and struggled against a government determined to suppress them.

Michael Pennington, two-time Olivier Award nominee, an artist of international stature and one of England's greatest classical actors, will play the title role in William Shakespeare's tragedy King Lear directed by Arin Arbus. For the second production in Theatre for a New Audience's inaugural season at its first permanent home, the new Polonsky Shakespeare Center, 262 Ashland Place in Brooklyn, Mr. Pennington leads a company of 22 actors. King Lear began previews on March 14 and will open tomorrow, Thursday, March 27, running through May 4. BroadwayWorld has a first look at the cast in action below!

KING LEARMichael Pennington, two-time Olivier Award nominee, an artist of international stature and one of England's greatest classical actors, will play the title role in William Shakespeare's tragedy King Lear directed by Arin Arbus. For the second production in Theatre for a New Audience's inaugural season at its first permanent home, the new Polonsky Shakespeare Center, 262 Ashland Place in Brooklyn, Mr. Pennington leads a company of 22 actors. King Lear begins previews tomorrow, March 14 for an opening March 27 and a run through May 4. Click below for two interviews with Pennington!

Michael Pennington, two-time Olivier Award nominee, an artist of international stature and one of England's greatest classical actors, will play the title role in William Shakespeare's tragedy King Lear directed by Arin Arbus. For the second production in Theatre for a New Audience's inaugural season at its first permanent home, the new Polonsky Shakespeare Center, 262 Ashland Place in Brooklyn, Mr. Pennington leads a company of 22 actors. King Lear begins previews tomorrow, March 14 for an opening March 27 and a run through May 4. BroadwayWorld has a look at the cast in rehearsal below!

The Tony Award-winning Oregon Shakespeare Festival's 2014 preview performances begin tonight, February 14, and the season will open Friday night, February 21 in the Angus Bowmer Theatre with Shakespeare's The Tempest (director, Tony Taccone). On Saturday, Lorraine Hansberry's The Sign in Sidney Brustein's Window (Juliette Carrillo) takes the stage, as does the classic Marx Brothers musical The Cocoanuts (David Ivers), and Sunday afternoon Shakespeare's The Comedy of Errors (Kent Gash) opens in the Thomas Theatre.

Michael Pennington, two-time Olivier Award nominee, an artist of international stature and one of England's greatest classical actors, will play the title role in William Shakespeare's tragedy King Lear directed by Arin Arbus. For the second production in Theatre for a New Audience's inaugural season at its first permanent home, the new Polonsky Shakespeare Center, 262 Ashland Place in Brooklyn, Mr. Pennington leads a company of 22 actors. King Lear begins previews March 14 for an opening March 27 and a run through May 4.

The Tony Award-winning Oregon Shakespeare Festival's 2014 preview performances begin February 14, and the season will open Friday night, February 21 in the Angus Bowmer Theatre with Shakespeare's The Tempest (director, Tony Taccone). On Saturday, Lorraine Hansberry's The Sign in Sidney Brustein's Window (Juliette Carrillo) takes the stage, as does the classic Marx Brothers musical The Cocoanuts (David Ivers), and Sunday afternoon Shakespeare's The Comedy of Errors (Kent Gash) opens in the Thomas Theatre.

What's it like to be the most beautiful, most desired young woman who throws the wildest parties in all of Paris - and to be losing your life just as true love finally finds you? Welcome to the glittering, dark, hope-filled, doomed world of the Parisian demimonde, where the romantic tragedy of Verdi's La Traviata takes place.

What's it like to be the most beautiful, most desired young woman who throws the wildest parties in all of Paris - and to be losing your life just as true love finally finds you? Welcome to the glittering, dark, hope-filled, doomed world of the Parisian demimonde, where the romantic tragedy of Verdi's La Traviata takes place.

Single tickets go on sale to the general public today, Aug. 1, for Lyric Opera of Chicago's 59th season.

'Should a woman sleep with a man she finds repellent if by doing so she serves a greater good?' (New York Times) is among the questions of William Shakespeare's Measure for Measure, at Goodman Theatre in a new production directed by Artistic Director Robert Falls. Falls sets his production of Shakespeare's dark comedy against the backdrop of New York City circa 1970s-an era in which economic challenges, urban flight and the sexual revolution transformed one of the greatest cities in the world into one of the most troubled.