Stars in the House continues today (2pm) with Regional Theatre Spotlight On: REDHOUSE ARTS CENTER with Hunter Foster, Jen Cody, Mike DiSalvo, Marc Palmieri, and Temar Underwood.
Many theaters are all finding unique ways to still bring theater, concerts, and the arts to their audiences. Facebook live, Zoom, and other streaming services are certainly getting a work out as schools, theaters, performers, and many workplaces have all shifted online due to the Coronavirus pandemic. Redhouse debuted its first virtual play Waiting for the Host by Marc Palmieri under the visionary direction of Hunter Foster on Thursday, May 28, 2020 and it will be available for purchase and streaming through June 1, 2020.
Redhouse Arts Center's Virtual Redhouse will present the Regional Premier of a play specially written for Zoom entitled Waiting for the Host which was written by playwright Marc Palmieri.
Streaming Passion, possibly the first-ever full ensemble play written for livestreaming, will be presented by The Theater Project at 7:30 PM, Sunday, April 26 as part of The New Jersey Theatre Alliance's Stages Online. The story plays out in a live conference call as the techno-challenged members of a small church struggle to mount their annual Passion Play for an online performance during the Easter season lockdown.
Penn State Centre Stage Virtual will present Marc Palmieri's live new play, 'Streaming Passion'a?"a comedic tale about the Passion Play being rehearsed via Zooma?"on Thursday, April 16, at 7 p.m. EDT.
Penn State Centre Stage Virtual will present Marc Palmieri's live new play, 'Streaming Passion'a?"a comedic tale about the Passion Play being rehearsed via Zooma?"on Thursday, April 16, at 7 p.m. EDT. The live performance can be viewed at theatre.psu.edu/PSCSVIRTUAL.
As the outbreak of the Covid-19 virus shutters productions big and small across the nation, theatrical licensers have responded with a series of measures to accommodate arts institutions affected by the crisis.
Axis Theatre Company presents Washington Square, a contemporary take on Henry James' tragicomic novella. Adapted and directed by Axis Theatre's founder and Artistic Director Randy Sharp, the production features original music by Paul Carbonara, a cast of four, and is performed in the heart of Greenwich Village, a few blocks from the story's 19th-century setting. Previews for Washington Square begin on March 11 at Axis Theatre (1 Sheridan Square, Manhattan), with a press opening set for March 15, for a limited run through April 11, 2020. Tickets are on sale now at axiscompany.org.
'What could be better than a play that asks you to shout? Well, one that asks you to sing. All this fun is part of an updated version of 'The Brave Little Tailor...' My son also thought of another reason that Seven in One Blow is the greatest play ever: the actors pass out candy at the end.'-The New York Times
Axis Company presents a return engagement of Last Man Club, written and directed byAxis Artistic Director Randy Sharp, June 5-28. The "atmospheric, expertly structured one-act drama" (The New York Times), presented first in 2013 and now again as part of Axis's 20th anniversary season, exemplifies the company's work-raw, unblinking theater, staged in Axis's intimate West Village space, that frequently explores dark moments in America's past. As news stories about the acceleration of climate change and its human toll break daily, the production takes audiences to the Dust Bowl, another era of environmental and economic strife catalyzed by unrestrained human greed.
"What could be better than a play that asks you to shout? Well, one that asks you to sing. All this fun is part of an updated version of "The Brave Little Tailor"...My son also thought of another reason that Seven in One Blow is the greatest play ever: the actors pass out candy at the end."-The New York Times
Axis Company today announces the remount of High Noon, their adaptation of the screenplay for the 1952 Western film, devised by an ensemble led by Artistic Director Randy Sharp. The play returns October 3-27, following an acclaimed first run in January of this year.
Axis Company today announces the remount of High Noon, their adaptation of the screenplay for the 1952 Western film, devised by an ensemble led by Artistic Director Randy Sharp. The play returns October 3-27, following an acclaimed first run in January of this year.
Song of Seamus and the Psychedelic Squirrel takes you to Fort Tryon Park, under the shadow of the George Washington Bridge, where the animal gangs of gritty 1970's New York are fighting over our garbage. Battling the forces of pigeons (and other monsters), and the hazards of sex, drugs and rock & roll, one squirrel will give everything he has to save his brother!
Axis Company presents High Noon, an adaptation of the screenplay for the 1952 Western film, devised by an ensemble led by Artistic Director Randy Sharp. In Axis' High Noon, the Wild West is not the place of heroes and rollicking adventure, but a landscape of overbearing nothingness where humans, and their troubled moral compasses, are cast in glaring light. As a town awaits the alleged return, and potential revenge streak, of a released murderer on an incoming train, their just-married, retiring marshal decides to try to rally a crowd to fight him.
This month, on the heels of Edgar Oliver's acclaimed, sold-out New York Trilogy, Axis Theatre Company presents the 16th annual production of its beloved family holiday show, Seven in One Blow, or the Brave Little Kid.
This December, on the heels of Edgar Oliver's acclaimed, sold-out New York Trilogy, Axis Theatre Company will present the 16th annual production of its beloved family holiday show, Seven in One Blow, or the Brave Little Kid.
Axis Theatre served as the incubator and theatrical home for East 10th Street: Self Portrait with Empty House (2009), In the Park (2014), and Attorney Street (2016), the three poignantly peculiar solo plays that make up New York's monologizing cult sensation Edgar Oliver's New York Trilogy.
Axis Theatre served as the incubator and theatrical home for East 10th Street: Self Portrait with Empty House (2009), In the Park (2014), and Attorney Street (2016), the three poignantly peculiar solo plays that make up New York's monologizing cult sensation Edgar Oliver's New York Trilogy.