New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening on Thursday, May 17 at 7:00pm.
The York Theatre Company in association with Documentary Arts presents the world premiere of the new musical Lonesome Blues, based on the true story of legendary bluesman Blind Lemon Jefferson, created by Alan Govenar (Texas in Paris) and Akin Babatunde (Blind Lemon Blues), directed by Katherine Owens (How Is It That We Live or Shakey Jake + Alice), performed by Akin Babatunde with David Weiss on guitar.
New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening on Thursday, May 17 at 7:00pm.
Picture Pending Productions present the World Premiere of TRANSPARENT FALSEHOOD: AN AMERICAN TRAVESTY by Gil Kofman. Directed by Richard Caliban (Obie and Outer Critics Circle award-winning production of Mac Wellman's Crowbar),performances run through May 19 at Theater 511.
"Into the Breeches," a play written by George Brant and directed by Nancy Bell, will be the main stage production of Shakespeare Festival St. Louis' new fourth pillar of programming, In the Works. The month-long, ticketed event, scheduled for late fall at the Grandel Theatre, will culminate the 2018 season that includes the Education Tour, SHAKE 38, the main stage production of "Romeo & Juliet" (June 1-24) and the Shakespeare in the Streets' production of "Blow, Winds," (June 15-16).
The Playwrights' Center today announced the recipients of the 2018-19 McKnight National Residency and Commission and 2018-19 McKnight Fellowships in Playwriting.
Garry Marshall Theatre presents the Inaugural New Works Festival featuring readings of eight new plays over four days, May 22, 23, 29 and 30, with readings at 4pm and 8pm.
The Tank (Meghan Finn and Rosalind Grush, Artistic Directors) will present the World Premiere of Lizzie Stern's Let's get ready together, directed by Lily Riopelle at The Tank (312 West 36th Streetbetween 8th and 9th Avenues), May 30-June 10. Performances will be Wednesday, May 30, Thursday, May 31, Friday, June 1, Saturday, June 2, Sunday, June 3, Monday, June 4, Wednesday, June 6, Thursday, June 7, Friday, June 8, Saturday, June 9, and Sunday, June 10 at 7 pm. Tickets ($15) are available for advance purchase at www.thetanknyc.org. The performance will run approximately 90 minutes, with no intermission.
The Tank (Meghan Finn and Rosalind Grush, Artistic Directors) will present the New York Premiere of Pedro Reyes' Manufacturing Mischief, written by Paul Hufker and directed by Meghan Finn (Doomocracy with Creative Time at the Brooklyn Army Terminal) at The Tank (312 West 36th Street between 8th and 9th Avenues), June 5-24.
En Garde Arts presents Asiimwe Deborah Kawe and Sean Christopher Lewis's Red Hills, returning the company to its trailblazing site-specific origins with a work that speaks "precisely to its time" (Pittsburgh Post-Gazette). This haunting two-person play follows an American and a Rwandan who, as teens during the 1994 Genocide against the Tutsi in Rwanda, shared a chance encounter that changed them forever. En Garde, with director Katie Pearl, has adapted Red Hills to a New York-specific space: an empty floor in a downtown office building one block from Wall Street, where it will run from June 6-July 1.
The Tank (Meghan Finn and Rosalind Grush, Artistic Directors) will hold their 15th Anniversary Gala on Tuesday, May 22 at their home, 312 West 36th Street (between 8th and 9th Avenues). The event will honor Randi Berry of IndieSpace, an organization that creates 'permanent real estate solutions for the independent theater community'. IndieSpace was instrumental in finding The Tank's new home, and we'll be celebrating The Tank's home, history, and future with this exciting event. Tickets ($75-$1200) may be purchased in advance at www.thetankgala.com.
Red Hen Press is thrilled to announce, as an encore to last year's triumphant Red Hen produced sold-out LA premiere at the Broad Stage in Santa Monica, that Imagination Dead Imagine, a music/theatre piece for string quartet, recorded voices, and laptop, will come to Pasadena for an exclusive two-day event, the first musical presentation in the new Red Hen performance space, the Hen House!
New York City staple Roundabout Theatre Company has just announced that Tony & Emmy Award winner Stockard Channing will return to the New York stage in the Off-Broadway premiere of APOLOGIA, by Alexi Kaye Campbell (The Pride). APOLOGIA will be directed by three-time Obie Award winner Daniel Aukin (Bad Jews, Skintight). Channing returns to the role of "Kristin" in Apologia following an acclaimed run in London's West End in 2017.
Abrons Arts Center is pleased to present the world premiere of Aloha, Aloha, or When I Was a Queen (April 4-21), a solo play written and performed by Eliza Bent and directed by Knud Adams. In 1996, a young Eliza Bent, along with a friend, created, directed and starred in an amateur historical film for a school project. In it, Bent portrayed Hawaii's last reigning monarch, Queen Liliuokalani. 22 years later, Bent uses her home movie as a jumping off point to lead audiences on a journey that grapples with personal history, legacy, and cultural appropriation. In the tradition of Spalding Gray, Fran Lebowitz, and David Sedaris, Bent's humorous cringe-inducing stories chart a young Bostonian's education in race and appropriation.
Lincoln Center Theater (under the direction of Andre Bishop) has extended the run of its critically acclaimed production of ADMISSIONS, a new play by Joshua Harmon, directed by Daniel Aukin, through Sunday, May 6 at the Mitzi E. Newhouse Theater (150 West 65 Street).
The Flea Theater continues its partnership with Brown University's Writing for Performance program for the second annual playwriting Project Residency, taking place from March 31 - April 3, 2018.
The Tank (Meghan Finn and Rosalind Grush, Artistic Directors) will present The Arctic Group's ECHO, written and audio designed by Ran Xia and directed by Nicholas Orvis at The Tank (312 West 36th Street between 8th and 9th Avenues) April 12-21. Performances will be Thursday through Saturday at 7pm. Tickets ($15) are available for advance purchase at www.thetanknyc.org.
SipFest, a new festival showcasing some of the coolest women theatremakers, has announced a lineup of multimedia works at different levels of development for an impromptu Wild Project takeover running March 7-14th.
The Tank (Meghan Finn and Rosalind Grush, Artistic Directors) will present the New York Premiere of LEISURE, LABOR, LUST, written and directed by Sara Farrington at The Tank (312 West 36th Street between 8th and 9th Avenues), March 28-April 22.
After lengthy deliberation, the American Theatre Critics Association has selected six finalists for the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award, recognizing playwrights for the best scripts that premiered professionally outside New York City during 2017.
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