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BONNIE & CLYDE, LA BETE, DEATHTRAP et al. Set for Asolo Rep's New Season

Michael Donald Edwards, Asolo Repertory Theatre's producing artistic director, announced today his selections for the 2010-2011 season. A major highlight of Asolo Rep's 52nd season is the pre-Broadway try-out production of Bonnie & Clyde opening on November 19, 2010.

Goodman Theatre Celebrate's 10th Season In New Complex

When the curtain rises on this evening's opening night performance of Candide, Goodman Theatre launches its 10th season in the heart of Chicago's Theatre District established by Mayor Richard M. Daley. More than two million patrons have experienced 127 productions and presentations from an aesthetic and culturally diverse group of artists and companies-including nearly 30 world premieres, of which 25 were new-work commissions-and programs over the past decade.

Diane Claussen Departs Philadelphia Theatre Co. for Northwestern Univ.

Philadelphia Theatre Company (PTC) announced today that Diane Claussen, Managing Director of the Company, will leave the organization next month to assume the role of Managing Director at Northwestern University's Theatre and Interpretation Center. She will also teach Arts Management in Northwestern's Department of Theatre.

Photo Flash: Nottage, Eno Awarded Horton Foote Prizes

Playwrights Lynn Nottage and Will Eno were joined by Edward Albee, Elizabeth Ashley, André Bishop, Arthur French, Carlin Glynn, Tony Kushner, Jim Houghton, Peter Masterson, David Margulies, Charles Mee, Christopher Shinn, Lois Smith and Diane Foote, Hallie Foote and Horton Foote, Jr., among others to receive Horton Foote Prizes for Outstanding New American Play and Promising New American Play respectively.

Nottage's RUINED Picked Up by HBO and Harpo Productions

According to the LA Times, Lynn Nottage is set to create a teleplay of Ruined, which will be produced by HBO Films and Oprah Winfrey's Harpo Productions. The project is still in its early phases and a timeline has not yet been announced.

Geffen Playhouse Spotlights Lynn Nottage's Pulitzer Prize Winner Ruined

With our world's current preoccupation with war, its shadowy aftermaths and so much being written in the press about it, a war play could very well be an unwelcome addition to the fall lineup. So what about Lynn Nottage's Pulitzer Prize-winning Ruined about Africa's World War in the Congo? It is far superior to others of its kind because it takes a very personal approach and relays joy as well as sorrow, making it a real unexpected surprise. Now at the Geffen, the play which originated at the Goodman in Chicago and the Manhattan Theatre Club in New York, has a marvelous cast, is splendidly directed and relates a truly optimistic perspective on

Nottage and Eno Presented With Their Horton Foote Prizes 9/20

Playwrights Lynn Nottage and Will Eno will be joined by Edward Albee, Elizabeth Ashley, André Bishop, Arthur French, Carlin Glynn, Tony Kushner, Jim Houghton, Peter Masterson, David Margulies, Charles Mee, Christopher Shinn, Lois Smith and Diane Foote, Hallie Foote and Horton Foote, Jr., among others.

Unicorn Theatre Announces the 37th Season of BOLDNEWPLAYS, Opens 9/18

Unicorn Theatre, under the artistic leadership of Producing Artistic Director Cynthia Levin, announces the 37th season of bold new plays. The new season will open September 18, 2010 and include six regular season shows and one exciting season extra. Subscriptions for the new season go on sale May 3, 2010.

Scott Zigler To Direct PTC's RACE 1/21-2/13/2011

Philadelphia Theatre Company is pleased to announce that SCOTT ZIGLER will direct their production of David Mamet's hit Broadway play Race, running January 21-February13 at the Suzanne Roberts Theatre (Broad and Lombard Streets).

Nottage and Eno Presented With Their Horton Foote Prizes 9/20

Playwrights Lynn Nottage and Will Eno will be joined by Edward Albee, Elizabeth Ashley, André Bishop, Arthur French, Carlin Glynn, Tony Kushner, Jim Houghton, Peter Masterson, David Margulies, Charles Mee, Christopher Shinn, Lois Smith and Diane Foote, Hallie Foote and Horton Foote, Jr., among others.

Geffen Playhouse Presents Nottage's RUINED, 9/15

Lynn Nottage's Pulitzer Prize winning play Ruined, a powerful portrayal of the triumph of the human spirit in the war-torn Democratic Republic of Congo, opens at the Geffen Playhouse on September 15. Ruined, a co-production with Seattle's Intiman Theatre, is the most acclaimed play of 2009 garnering best play honors with a Lucille Lortel Award, Obie Award, New York Drama Critics' Circle Award, Drama Desk Award, Outer Critics Circle Awards, and the inaugural Horton Foote Prize for Outstanding New American Play, in addition to the Pulitzer Prize for drama. Directed by Intiman Theatre Artistic Director Kate Whoriskey, who helmed the acclaimed original production, the company includes Quincy Tyler Bernstine (Salima), Cherise Boothe (Josephine), Russell G. Jones (Christian) and Condola Rashad (Sophie), all of whom originated their roles in the Goodman Theatre/Manhattan Theatre Club world-premiere production, and Portia, who took over the leading role of Mama Nadi during the extended run in New York.

ANNIE, ASSASSINS, et al. Set for Santa Rosa's 6th Street Playhouse 2010-2011 Season

Santa Rosa's 6th Street Playhouse announces its 2010-2011 'All-American' season featuring four musicals and eight plays. The twelve-show season offers a wide variety of theater productions, from Aug. 13, 2010 through June 26, 2011, including family musicals, comedies, American classics and two world premieres.

BWW Reviews: Mustard Seed Theatre's Production of CRUMBS FROM THE TABLE OF JOY

Playwright Lynn Nottage's CRUMBS FROM THE TABLE OF JOY, which is set in the 1950's, initially gives us more than enough plot for one play, presenting us with a grief-stricken widower who decides to pack up his two teenage daughters and haul them off to New York. But, Nottage isn't content to play out this scenario on its own, and opts to pile on contrivance upon contrivance in an attempt to create a sort of surreal slice of life comedy-drama. When it works, it's actually quite magical in execution, but when it doesn't, it just seems to be meandering aimlessly toward another predictably unpredictable twist that only serves to further muddy the heart of the story. Thankfully, Mustard Seed Theatre has put together an engaging production of this convoluted work that features solid acting and direction.

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