krav (Pr. 'crave') follows a dinner host and her guests through an underground supper club, featuring delicious four-course tasting menu with beverage pairings prepared by Executive Chef, Rick Martinez (Bon Appetit, Food Network).
krav (Pr. 'crave') follows a dinner host and her guests through an underground supper club, featuring delicious four-course tasting menu with beverage pairings prepared by Executive Chef, Rick Martinez (Bon Appetit, Food Network).
Annex Theatre has long considered itself the research and development wing of the Seattle theater scene. Last Winter, Annex partnered with Rain City Projects (a playwright service organization founded in 1991) to present a theatrical experiment called Second Date, in which writers and directors had a chance to stage short pieces of work they were developing. One of those pairings was playwright Rachel Atkins (TPS Gregory Nominee for Outstanding Playwright, 2010) and director Tyrone Brown (Artistic Director, Brownbox Theatre). For Second Date, they revived a ten-minute 'Quickie' Rachel originally wrote for Live Girls! Theater (theme: 'exploration and discoveries') and expanded it to a twenty minute short. An hour-long version received a reading in the Live Girls! Cupcake Series later that year, directed by Jose Amador. Now Annex Theatre, in partnership with Brownbox, is proud to present the full-length, world-premiere production of Black Like Us, with Jose Amador returning as director.
Most playwrights want two things: money to allow them to just sit in their rooms and write, and connections with directors and others who can help them get their plays out of their rooms and onto a stage.
Most playwrights want two things: money to allow them to just sit in their rooms and write, and connections with directors and others who can help them get their plays out of their rooms and onto a stage.
ACT Theatre joins The Beebo Brinker Chronicles Festival, a 1950's lesbian pulp festival spanning seven months, involving the work of over 50 of Seattle's most talented actors, musicians, designers and neo-burlesque performers, produced by Cherry Manhattan Presents.
ACT Theatre joins The Beebo Brinker Chronicles Festival, a 1950's lesbian pulp festival spanning seven months, involving the work of over 50 of Seattle's most talented actors, musicians, designers and neo-burlesque performers, produced by Cherry Manhattan Presents.
Annex Theatre pops a cap in its 2010 Season with the true crime play Money Changes Everything written by Rachel Atkins and directed by Daniel Morris. Money Changes Everything opens Friday October 22nd and runs Fridays & Saturdays through November 20th, PWYC Oct 29th & 30th and Industry Night Monday November 8th, 8pm at Annex Theatre, corner of 11th & E. Pike St. on Capitol Hill. $15 General, $5 TPS/Student/Senior/Military. Tickets available at www.brownpapertickets.com.
Annex Theatre pops a cap in its 2010 Season with the true crime play Money Changes Everything written by Rachel Atkins and directed by Daniel Morris. Money Changes Everything opens Friday October 22nd and runs Fridays & Saturdays through November 20th, PWYC Oct 29th & 30th and Industry Night Monday November 8th, 8pm at Annex Theatre, corner of 11th & E. Pike St. on Capitol Hill. $15 General, $5 TPS/Student/Senior/Military. Tickets available at www.brownpapertickets.com.
This Weekend at Cornelia Street Cafe (29 Cornelia Street) Tony Malaby Cello Quartet and Michael Attias' Bad Lucid on Friday and Saturday with James Weidman Three Worlds Quintet on Sunday. Tony Malaby Cello Quartet features Tony Malaby, tenor saxophone; Daniel Levin, cello; Eivind Opsvik, bass; Nasheet Waits, drums; Michaëll Attias, alto saxophone; Tony Malaby, tenor & soprano saxophone; Mark Helias, bass; Nasheet Waits, drums and will performan at 9 PM. Michael Attias will go on at 10:30PM. Cover is $10. More information http://www.tonymalaby.com.
In this workshop students will begin the journey of uncovering their personal clowns. This type of clowning uses a red nose and is rooted in the teachings and techniques of Jacques Lecoq, which utilize the actor's habitual mannerisms, walk, gestures and idiosyncrasies as tools to finding his or her unique clown character. No experience necessary-just an open heart and a brave soul!
In this workshop students will begin the journey of uncovering their personal clowns. This type of clowning uses a red nose and is rooted in the teachings and techniques of Jacques Lecoq, which utilize the actor's habitual mannerisms, walk, gestures and idiosyncrasies as tools to finding his or her unique clown character. No experience necessary-just an open heart and a brave soul!
Byrd Productions Presents 'Through The Nose' Theatrical Clowning Workshop 5/10
In May 1977 three artists--Robin Hirsch, a writer and director; Charles McKenna, an actor; and Raphaela Pivetta, a visual artist--stumbled across a tiny storefront on Cornelia Street in the heart of Greenwich Village and thought it the perfect place to open a café.
In May 1977 three artists--Robin Hirsch, a writer and director; Charles McKenna, an actor; and Raphaela Pivetta, a visual artist--stumbled across a tiny storefront on Cornelia Street in the heart of Greenwich Village and thought it the perfect place to open a café.
Cornelia Street Cafe announces their weekend events. On Fri & Sat Feb 12 & 13 9:00PM & 10:30PM the cafe welcomes TONY MALABY QUARTET-BEN GERSTEIN/TONY MALABY QUARTET (Tony Malaby, tenor saxophone; Daniel Levin, cello; Eivind Opsvik, electric bass; Ches Smith, drums; Ben Gerstein, trombone; Tony Malaby, tenor saxophone; Dan Peck, tuba; Ches Smith, drums).
This Week At Cornelia Street Cafe: On Mon Feb 08 at 8:30PM catch COMPOSERS COLLABORATIVE: SERIAL UNDERGROUND
Tonight At Cornelia Street Café- TONY MALABY QUARTET 8:30PM Tony Malaby, tenor saxophone; Ralph Alessi, trumpet; John Hebert, bass; Billy Drummund, drums
CORNELIA STREET CAFÉ 29 Cornelia Street, NYC, New York 212-989-9319
Whether you are landed gentry, a common farmer, or a young lady with no parents or prospects, Miss Emma Woodhouse of Highbury will be sure to put you in your place-matrimonially or otherwise. Jane Austen's Emma plays on Book-It Repertory Theatre's stage at the Center House Theatre October 20- November 22.
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