Liudmyla Monastyrska News

Beginning tonight, October 16, Puccini's Tosca returns to the Met for thirteen performances starring four sopranos as the tempestuous title character.

Plácido Domingo, currently at the Met to conduct TOSCA, was admitted to the hospital yesterday, suffering from cholecystitis, or inflammation of the gallbladder. He is scheduled to undergo a laparoscopic cholecystectomy (gallbladder removal) early next week, and it is expected that this minimally invasive procedure will allow him to resume his activities after a brief hospital stay.

Beginning October 16, Puccini's Tosca returns to the Met for thirteen performances starring four sopranos as the tempestuous title character.

Houston, October  6, 2015— Houston Grand Opera (HGO) opens its 2015–16 season October 23 with Puccini's heart-wrenching tale of love and tragedy, Tosca, featuring the reprise of HGO's “gripping” 2010 production and a stellar cast of returning and debut artists. Performances run through November 14. 

Roberto Aronica will sing Cavaradossi in the first five performances of Puccini's Tosca at the Met this season—October 16, 21, 24 matinee, 29, and November 2—replacing Massimo Giordano, who is ill. As originally scheduled, Aronica will also sing the role on November 25, 28 matinee, and December 1.

Houston, August 17, 2015—Houston Grand Opera's (HGO) 2015–16 season showcases the vibrant and diverse artistic mix that marks HGO as a leading 21st-century American opera company: Wagner's Siegfried, the third installment of La Fura dels Baus's imaginative Ring cycle featuring a new generation of Wagnerians; the world premiere of Prince of Players by eminent American composer Carlisle Floyd, the Lynn Wyatt Great Artist for 2015–16; Dvoák's fairy tale rarity Rusalka; a holiday revival of family favorite The Little Prince from the award-winning composer Rachel Portman and librettist Nicholas Wright; a new production of The Marriage of Figaro; a new-to-Houston Eugene Onegin; a beloved core production, Tosca; and the Houston debut of Broadway sensation Rob Ashford's take on the classic musical Carousel. Through its community collaboration program HGOco, the company will present two additional world premieres: O Columbia, a chamber opera by composer Gregory Spears and librettist Royce Vavrek that examines the past, present, and future of the American spirit of exploration; and The Root of the Wind is Water, a chamber opera by composer David Hanlon and librettist Stephanie Fleischmann about the impact of hurricanes on the Texas Gulf coast.

Following a successful season presenting The Met Opera Live in HD, three extraordinary productions return to the big screen at The Ridgefield Playhouse as part of their Summer Encore Series, including the blockbuster hit The Merry Widow tonight, July 31 at 7:00 p.m.

Following a successful season presenting The Met Opera Live in HD, three extraordinary productions return to the big screen at The Ridgefield Playhouse as part of their Summer Encore Series, including the blockbuster hit The Merry Widow on Friday, July 31 at 7:00 p.m.

Following a successful season presenting The Met Opera Live in HD, three extraordinary productions return to the big screen at The Ridgefield Playhouse as part of their Summer Encore Series, including the blockbuster hit The Merry Widow.

    Following a successful season presenting The Met Opera Live in HD, three extraordinary productions return to the big screen at The Ridgefield Playhouse as part of their Summer Encore Series, including the blockbuster hit The Merry Widow.  On Friday, July 24, at 7:00 p.m. it's Willy Decker's stunning production of Verdi's La Traviata, starring the riveting singing actress Natalie Dessay as Violetta.  Matthew Polenzani is Alfredo Germont, the young man from a good family who risks everything for Violetta. Dmitri Hvorostovsky sings Giorgio Germont, Alfredo's father. Met Principal Conductor Fabio Luisi is on the podium.  On Friday,

The Metropolitan Opera's annual Summer HD Festival, which presents free outdoor screenings of operas on Lincoln Center Plaza each summer, will return with 10 screenings of performances featuring the company's leading artists in a varied selection of operas by Bartók, Bizet, Gounod, Mozart, Offenbach, Puccini, Tchaikovsky, and Verdi, running on consecutive nights from August 29 through September 7.

The Metropolitan Opera and Fathom Events partner to present "The Met: Live in HD' 2015 Summer Encores," a series of four encore performances from the 2014-2015 Live in HD series in more than 480 U.S. cinemas nationwide through Fathom's Digital Broadcast Network.

Houston, January 29, 2015-Houston Grand Opera's (HGO) 2015-16 season showcases the vibrant and diverse artistic mix that marks HGO as a leading 21st-century American opera company: Wagner's Siegfried, the third installment of La Fura dels Baus's imaginative Ring cycle featuring a new generation of Wagnerians; the world premiere of Carlisle Floyd's Prince of Players; Dvo?ak's fairy tale rarity Rusalka; a holiday revival of family favorite The Little Prince from the award-winning composer Rachel Portman and librettist Nicholas Wright; a new production of The Marriage of Figaro and a new-to-Houston Eugene Onegin; a beloved core production, Tosca; and the Houston debut of Broadway sensation Rob Ashford's take on the classic musical Carousel. Through its community collaboration program HGOco, the company will present two additional world premieres: O Columbia, a chamber opera by composer Gregory Spears and librettist Royce Vavrek that examines the past, present, and future of the American spirit of exploration; and another chamber opera, by composer David Hanlon and librettist Stephanie Fleischmann, about the impact of hurricanes on the Texas Gulf coast.

On Wednesday 14 January 2015, at HUSH in Mayfair, the finalists of the International Opera Awards 2015 were announced. These were selected by the jury chaired by John Allison, editor of Opera magazine and classical music critic with The Daily Telegraph.

Verdi's Egyptian tragedy Aida, returned to the Met stage October 30 for a 16-performance revival with rotating casts of acclaimed artists and rising stars. The initial performances will star Ukrainian soprano Liudmyla Monastyrska, who made a notable Met debut in the role in 2012, as Aida; Olga Borodina in one of her best-known portrayals as the jealous princess Amneris; Marcello Giordani as the war hero Radamès, a role he first sang at the Met in 2012; Željko Lu?i? in his first-ever Met performances as Amonasro, Aida's father; Ukrainian bass Dmitri Belosselskiy in his Met role debut as the high priest Ramfis; and American bass Soloman Howard in his Met debut as the King. Italian tenor Antonello Palombi will make his Met debut as Radamès on November 22.

Verdi's Egyptian tragedy Aida, one of the most-performed operas in company history, will return to the Met stage October 30 for a 16-performance revival with rotating casts of acclaimed artists and rising stars. The initial performances will star Ukrainian soprano Liudmyla Monastyrska, who made a notable Met debut in the role in 2012, as Aida; Olga Borodina in one of her best-known portrayals as the jealous princess Amneris; Marcello Giordani as the war hero Radamès, a role he first sang at the Met in 2012; Željko Lu?i? in his first-ever Met performances as Amonasro, Aida's father; Ukrainian bass Dmitri Belosselskiy in his Met role debut as the high priest Ramfis; and American bass Soloman Howard in his Met debut as the King. Italian tenor Antonello Palombi will make his Met debut as Radamès on November 22.

The Metropolitan Opera's 2014-15 season will feature 26 operas, three of them company premieres, in six new productions and 18 revivals showcasing the talents of the world's leading singers, conductors, and theater artists. The three operas that will have their first-ever Met performances, each staged by a director making his Met debut, are John Adams's The Death of Klinghoffer, conducted by David Robertson and directed by Tom Morris, opening October 20; Rossini's La Donna del Lago, conducted by Michele Mariotti and directed by Paul Curran, opening February 16, 2015; and Tchaikovsky's one-act opera Iolanta, conducted by Valery Gergiev and directed by Mariusz Treli?ski. Iolanta will be presented in a double bill with a new staging of Bartok's one-act Duke Bluebeard's Castle, also conducted by Gergiev and directed by Treli?ski.

Giuseppe Verdi's 1871 opera AIDA is a worldwide phenomenon. It has been adapted into several films, Elton John and Tim Rice adapted it into a Broadway musical with the same title, and, as of 2007, New York City's Metropolitan Opera has given over 1,100 performances of the opera, making it their second most frequently produced work. Oozing with spectacle and pageantry, Houston Grand Opera's (HGO) current production of the beloved opera is a spellbinding and sumptuous beginning to their new season.

Houston Grand Opera (HGO) opens its 2013-14 season tonight with a revival of its classic production of Verdi's Aida. The production, which runs through November 9, is conducted by Italian maestro Antonino Fogliani and stars the National Opera of Ukraine's Liudmyla Monastyrska as Aida, the role that garnered her critical acclaim at the Metropolitan Opera last year. The New York Times described Monastyrska in her U.S. debut in the title role as "gifted with a luscious round soprano that maintains its glow even in the softest notes." Mezzo Dolora Zajick returns to one of her signature roles, Amneris; Italian tenor Riccardo Massi sings Radames; and Texas baritone and HGO Studio alumnus Scott Hendricks sings Aida's father, Amonasro. The production is designed by British designer Zandra Rhodes, directed by Jose Maria Condemi, and choreographed by Dominic Walsh in the inaugural collaboration between HGO and Walsh's Houston-based Dominic Walsh Dance Theater.