Lindsay Mendez News

If you have ever attended a classical voice recital, you probably saw an elegantly dressed performer situated near the crook of a grand piano for the duration of the performance.  Traditionally, recitalists remain standing with "noble" posture throughout their program, and only gesture with their hands and body for extreme emphasis. 

Ghostlight Records releases the world premiere recording of the acclaimed musical JASPER IN DEADLAND online and in stores today, May 20.

On Monday, May 16 the Theater People podcast welcomes BRIGHT STAR's Tony nominated leading lady, Carmen Cusack.

If you want to see a group of voice teachers and voice scientists turn from a generally gregarious and collegial group into an angry mob, ask them to strictly define vocal registers, or the "gears" of the voice that are responsible for different types of sounds.  

Second Stage Theatre, in association with Stacey MindichProductions, just last night opened the new musical, Dear Evan Hansen, featuring Ben Platt as the title character. Also reprising their performances from the 'splendid (Marks, Washington Post) DC cast are Laura Dreyfuss as Zoe, Mike Faist as Connor, Rachel Bay Jones as Heidi, Will Roland as Jared, Jennifer Laura Thompson as Cynthia. New cast members John Dossett (Larry) and Kristolyn Lloyd (Alana) complete the company.

rtistic Director Mandy Greenfield has announced additional casting for the upcoming Williamstown Theatre Festival 2016 Summer Season kicking off June 28 and running through August 21, 2016.

Broadway's 40 theatres aren't the only places to catch performances from your favorite stars! Well after Broadway orchestras begin their overtures, ensemble members take their dance breaks, and performers belt out their eleven o'clock numbers, the party continues at various cabaret venues throughout New York City. Below, BroadwayWorld brings you some cabaret highlights for this week as picked by our theatre editors, including: Something Really Rotten: Cut Songs From the Show with the Original Cast; Jay Armstrong Johnson at 54 Below; The Skivvies; The Tyler Mount Vlog Live! with Matt Doyle, Lesli Margherita & Kara Lindsay; and Broadway Acts for Women, with Jesse Tyler Ferguson, Lena Hall, and more. 

Next week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.

AMERICAN PSYCHO, which began previews on March 24th, just celebrated its Opening Night on Broadway last night, April 21, 2016, at the Gerald SchoenfeldTheatre (236 West 45th Street). The American premiere of a new musical based on the iconic novel by Bret Easton Ellis, which recently celebrated the 25th anniversary of its publication, stars Benjamin Walker (Bloody Bloody Andrew Jackson) as Patrick Bateman. BroadwayWorld was on hand for the special night and you can check out photos from the red carpet theatre arrivals below!

How many of these great songs do you know from underappreciated musicals?

Anything Goes. Oklahoma. Follies. La Cage Aux Folles. Those four musicals, plus many others, all got their start at Boston's important Colonial Theatre. Now, as the Colonial is in danger of shutting it doors, Feinstein's/54 Below celebrated the famed venue with an evening of songs and stories last night and BroadwayWorld was there.

Jay Armstrong Johnson has wowed Broadway audiences inOn The Town (Chip), Hands on a Hardbody (Greg), Hair (Claude), and Catch Me If You Can. The New York Timescalled his performance as Anthony Hope in the New York Philharmonic's Sweeney Todd 'affecting and ardent,' and his performance as Herman in Encores' Most Happy Fella 'a standout.'

On Monday, April 18, the Theater People podcast welcomes Five-time Tony Award-nominee, Danny Burstein. Burstein, currently staring as Tevye in the Broadway revival of FIDDLER ON THE ROOF, began his career on Broadway in the early 1990s working mostly as an ensemble member and understudy. After making the decision to turn down work that didn't challenge him artistically, Burstein would go on to become one of the most celebrated leading men of his generation, earning Tony nominations for his work in THE DROWSY CHAPERONE, SOUTH PACIFIC, FOLLIES, GOLDEN BOY, and CABARET.

Broadway's 40 theatres aren't the only places to catch performances from your favorite stars! Well after Broadway orchestras begin their overtures, ensemble members take their dance breaks, and performers belt out their eleven o'clock numbers, the party continues at various cabaret venues throughout New York City. Below, BroadwayWorld brings you some cabaret highlights for this week as picked by our theatre editors, including: Bright Star Sings Jeff Blumenkrantz; The Legend of New York By Salzman & Cunningham Featuring Santino Fontana & Laura Osnes; Donna McKechnie: A Visit with Kander & Ebb; 54 Celebrates The Colonial Theatre; and The Girls in White: Songs from the Show.

Symphony Space pays exuberant homage to the Great White Way with Project B-way/95, a two-week celebration comprising 14 events, now through April 20. A particular highlight is this year's installment of Symphony Space's signature event, WALL TO WALL STEPHEN SCHWARTZ (tonight, April 16).

Next week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.

Ghostlight Records will release the world premiere recording of the acclaimed musical JASPER IN DEADLAND online and in stores on Friday, May 20.

When you consider how many hundreds of small muscular contractions are involved, the fact that most people can instinctively use their breathing muscles, vocal folds, and filters for speaking is pretty remarkable. This is in large part thanks to our brain, which takes care of a lot of bodily functions so we don't need to be consciously aware of them. Unfortunately, our voices' ability to run on autopilot may leave us thinking that our voice is operated by some sort of magical element, leaving us unaware of harmful habits. Because most people never get a chance to see how their voice operates in an MRI or through a stroboscopy, it is very easy for us to accept misinformation about how the voice works. This is understandable - if you'd never seen under the hood of a car, you'd probably have difficulty picturing how that works, too!

After a sold-out concert in 2013, Jonathan Larson and Mary Rodgers/Lorenz Hart Award winners Charlie Sohne & Tim Rosser came back to the Feinstein's/54 Below stage for the first time in over 2 years. Audiences heard selections from some of their latest projects including Run Away Home, Talk To Me, The Boy Who Danced on Air, and their new slash fiction boy band pilot Truth Slash Fiction.

Legendary director Hal Prince, writers Lynn Ahrens and Stephen Flaherty, and others have contributed anecdotes and memories to be read during  Feinstein's/54 Below star studded tribute to Boston's Colonial Theatre, which will take place on April 19th & 20th, 2016, at 9:30pm.