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BMOP/sound, Celebrates 60th Album Release, 'Leon Kirchner: Music for Orchestra'

Known as the nation's foremost label launched by an orchestra and devoted exclusively to new music, BMOP/sound today announced the release of its landmark 60th album, Leon Kirchner: Music for Orchestra. Showcasing a broad range of the great, late American composer's career, the album marks the only recording of Kirchner's complete orchestral music. Led by conductor Gil Rose and performed by the intrepid musicians of the Boston Modern Orchestra Project (BMOP), the recording spans over 50 years of Kirchner's life, offering superb insights into the composer and his art.

Composer Robert Sirota's BIRDS OF PARADISE To Be Performed at Manhattan School of Music on Faculty Recital

On Sunday, March 18, 2018 at 2:30pm, composer Robert Sirota's Birds of Paradise – performed by flutist Linda Chesis, clarinetist David Valbuena, and pianist Alexandre Moutouzkine – will be presented on flutist Linda Chesis' Manhattan School of Music Faculty Recital, For the Birds, in the School's Greenfield Hall (120 Claremont Avenue). Birds of Paradise was commissioned and premiered by the Webster Trio in 2008 at the National Flute Association annual convention in Kansas City, MO. This performance will include commissioned videography by Jim Berman. Sirota explains, “In 2014, Linda Chesis programmed Birds of Paradise on the Cooperstown Music Festival. Having discovered the absolutely fantastic video footage of actual birds of paradise taken in New Guinea by the Cornell Birds of Paradise lab, she commissioned a video from Jim Berman to be performed with my piece.”

Naumburg Winners Telegraph Quartet Premiere Robert Sirota's Wave Upon Wave at Carnegie Hall 2/6

On Tuesday, February 6, 2018 at 7:30pm, the Telegraph Quartet, winners of the 2016 Naumburg Competition, will perform the world premiere of composer Robert Sirota's third string quartet, Wave Upon Wave, at Carnegie Hall's Weill Recital Hall (57th Street and Seventh Avenue), presented by The Walter W. Naumburg Foundation. Sirota's new work was commissioned by The Walter W. Naumburg Foundation for the competition winners. The concert will also include Kirchner's String Quartet No. 1 and Schoenberg's String Quartet No. 1 in N*E*R*D Minor, Op. 7.

Open Source Music Festival to Launch Next Month at Abrons Arts Center

The Open Source Music Festival, November 16-18, 2017 at the Abrons Arts Center, takes its inspiration from the collaborations and connections between artists. The groundbreaking event explores the phenomenon of Open Source through a musical lens.

Open Source Music Festival to Launch Next Month at Abrons Arts Center

The Open Source Music Festival, November 16-18, 2017 at the Abrons Arts Center, takes its inspiration from the collaborations and connections between artists. The groundbreaking event explores the phenomenon of Open Source through a musical lens.

Music In The Air! Renowned Cellist YO-YO Ma Returns To The McCallum Theatre Accompanied By Kathryn Stott

Through the generosity of Arlene Schnitzer and Jordan Schnitzer, the McCallum Theatre presents renowned cellist Yo-Yo Ma, with Kathryn Stott accompanying on piano, on Thursday, November 9, at 8:00pm. Recognized for his artistic mastery and inspirational career, cellist Yo-Yo Ma returns to the McCallum Theatre for a captivating recital with long-time collaborator Kathryn Stott, one of Britain's most versatile and imaginative pianists. Yo-Yo Ma's multi-faceted career is testament to his continual search for new ways to communicate with audiences, and his personal desire for artistic growth and renewal. Whether performing new or familiar works from the cello repertoire, coming together with colleagues for chamber music, or exploring cultures and musical forms outside the Western classical tradition, Mr. Ma strives to find connections that stimulate the imagination.

Final BRIDGING THE GAP to feature Robert Sirota, Jonathan Bailey Holland, and Angel Lam

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers. The concerts, all held on Sundays, include performances of works by both younger composers and the teachers who have influenced their development. Each concert is preceded by a discussion with composer mentors, mentees, and performers, led by a distinguished thought leader.

Mannes School To Celebrate Centennial At Carnegie Hall, 4/25

Mannes School of Music will celebrate its centennial with a concert at Carnegie Hall honoring the school's rich history and its vision for the future. The concert will feature live performances by esteemed alumni, past and present faculty, and students.

Composer Robert Sirota Continues 'Bridging the Gap' Series at National Sawdust

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers. The concerts, all held on Sundays, include performances of works by both younger composers and the teachers who have influenced their development. Each concert is preceded by a discussion with composer mentors, mentees, and performers, led by a distinguished thought leader.

Courtney Lewis To Make Debut With Jonathan Biss As Soloist, 4/20-25

Courtney Lewis, former Assistant Conductor, will make his New York Philharmonic subscription debut leading Jonathan Biss as soloist in Timo Andres's Piano Concerto No. 3, The Blind Banister, and Beethoven's Piano Concerto No. 2; the program also includes selections from Berlioz's Romeo and Juliet and Elgar's In the South (Alassio). 

Composer Robert Sirota Continues Bridging the Gap Series at National Sawdust

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers. The concerts, all held on Sundays, include performances of works by both younger composers and the teachers who have influenced their development. Each concert is preceded by a discussion with composer mentors, mentees, and performers, led by a distinguished thought leader.

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