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Mabou Mines and Trick Saddle to Stage IMAGINING THE IMAGINARY INVALID at La MaMa This Winter

A classic Mabou Mines feat is to take a theatrical classic, reimagine it from top to bottom, then turn it inside out; the result is a production so spanking new that the original gleams with fresh and unexpected relevance. The tradition continues in a collaboration with Trick Saddle and the 45-year old company. The two companies combine forces in the world premiere of 'Imagining the Imaginary Invalid,' inspired by 'The Imaginary Invalid,' Moliere's piercing satiric take on the pretension, gullibility and vulnerability of we poor mortals. Presented by La MaMa, a production of Mabou Mines and Trick Saddle, the play runs January 21-February 7 at La MaMa's Ellen Stewart Theatre.

Photo Flash: First Look at Edward Gero and More in A CHRISTMAS CAROL at Ford's Theatre

The Ford's Theatre 2015-2016 season continues with A CHRISTMAS CAROL by Charles Dickens and adapted by Michael Wilson, now through December 31, 2015. Celebrated Washington stage actor Edward Gero returns for the seventh year to play Ebenezer Scrooge. BroadwayWorld has a first look at Gero and company onstage below!

Asolo Rep Hosts Inside Asolo Rep: WEST SIDE STORY Panel Today

Asolo Rep will present 'Inside Asolo Rep: WEST SIDE STORY' today, November 4, 2015. Coffee and pastries will be served in the theatre's lobby at 10am, followed by the panel discussion at 11 a.m. in Asolo Rep's mezzanine.

Ford's Theatre Presents Annual A CHRISTMAS CAROL

?The Ford's Theatre 2015-2016 season continues with A Christmas Carol by Charles Dickens and adapted by Michael Wilson, November 19 to December 31, 2015. Celebrated Washington stage actor Edward Gero returns for the seventh year to play Ebenezer Scrooge in the production The Washington Post hailed as "musically high-spirited" and "infectiously jolly."

BWW Review: DISGRACED at Long Wharf Theatre

How do we costume ourselves for public representation?  For friends and lovers?  What's essential to identity and what can be shed?   Can we take on aspects of cultural heritages other than our own without exploitation? DISGRACED, which won the Pulitzer in 2013, takes up the dynamics of cultural appropriation and the problematics of assimilation that are central to our national character.

Photo Flash: First Look at Celeste Rose, Sarah Quinn Taylor and More in Lyric Theatre of Oklahoma's BERNICE BOBS HER HAIR

Lyric Theatre of Oklahoma continues its new works initiative this fall with BERNICE BOBS HER HAIR, a world premiere musical that will take its first bows at Lyric's Plaza Theatre. The show, written by the lauded pair of Adam Gwon and Julia Jordan, will run October 7 through 25. Based on the F. Scott Fitzgerald short story of the same name, the show tells the story of 18 year old Bernice Harvey's journey from socially awkward to the belle of the country club- and back again. Check out a first look at the production below! 

STAGE TUBE: Watch Highlights of Lyric Theatre of Oklahoma's BERNICE BOBS HER HAIR

Lyric Theatre of Oklahoma continues its new works initiative this fall with BERNICE BOBS HER HAIR, a world premiere musical that will take its first bows at Lyric's Plaza Theatre. The show, written by the lauded pair of Adam Gwon and Julia Jordan, runs October 7 through 25. Based on the F. Scott Fitzgerald short story of the same name, the show tells the story of 18 year old Bernice Harvey's journey from socially awkward to the belle of the country club- and back again.  Check out a first look at highlights below!

Long Wharf Theatre to Open 2015-16 Season with DISGRACED

Long Wharf Theatre, under the leadership of Artistic Director Gordon Edelstein and Managing Director Joshua Borenstein, begins its 2015-16 season with Disgraced by Ayad Akhtar, directed by Edelstein, in association with Huntington Theatre Company.

Lyric to Premiere New Musical BERNICE BOBS HER HAIR This Fall

 Lyric Theatre of Oklahoma continues its new works initiative this fall with BERNICE BOBS HER HAIR, a world premiere musical that will take its first bows at Lyric's Plaza Theatre.  The show, written by the lauded pair of Adam Gwon and Julia Jordan, will run October 7 through 25. Based on the F. Scott Fitzgerald short story of the same name, the show tells the story of 18 year old Bernice Harvey's journey from socially awkward to the belle of the country club- and back again.

Shakespeare Theatre Company to Celebrate Free For All's 25th Anniversary This Fall

One of the capital's most beloved annual traditions, the Shakespeare Theatre Company (STC) Free For All, and one of William Shakespeare's most beloved plays, A Midsummer Night's Dream, are coming together for a major milestone: Free For All's 25th anniversary. Ethan McSweeny directs a revival of his 2012-2013 STC production, which will run September 1-13 at Sidney Harman Hall (610 F Street NW).

BWW REVIEW: Audra McDonald Dominates WTF's A MOON FOR THE MISBEGOTTEN

There's no mistaking who's in charge in the Williamstown Theatre Festival's crackling production of A MOON FOR THE MISBEGOTTEN now running through August 23. As Eugene O'Neill's indomitable Josie Hogan, six-time Tony Award winner Audra McDonald stomps, kicks, shoves and brandishes a big stick as she asserts her dominance over her father Phil (Glynn Turman), her landlord and wannabe love interest James Tyrone (Will Swenson), and anyone else who gets in her way.

Chautauqua Theater Company's OUR TOWN Begins Tonight

Chautauqua Theater Company (CTC), under the leadership of Artistic Director Vivienne Benesch and Managing Director Sarah Clare Corporandy, presents Thornton Wilder's Our Town from tonight, July 3 through July 12 on the Bratton Stage.

Chautauqua Theater Company's OUR TOWN Begins 7/3

Chautauqua Theater Company (CTC), under the leadership of Artistic Director Vivienne Benesch and Managing Director Sarah Clare Corporandy, presents Thornton Wilder's Our Town from July 3 through July 12 on the Bratton Stage.

BWW Review: SATCHMO AT THE WALDORF Offers an Insightful Look at the Jazz Icon's Remarkable Life

John Douglas Thompson gives a tour de force multiple-character solo performance in SATCHMO AT THE WALDORF at the Wallis Annenberg Center for the Performing Arts. It is easy to see why the New York Times described Thompson as one of the most compelling classical stage actors of his generation after witnessing his remarkable ability to totally transform himself into three very distinct and richly defined characters: jazz great Louis "Satchmo" Armstrong, his mob-connected and career-long manager Joe Glaser, and fellow jazz musician Miles Davis.

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