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Urban Stages (Frances Hill, Artistic Director, Lauren Schmiedel, Managing Director) will present the World Premiere of the musical Langston in Harlem book by Langston Hughes, Walter Marks and Kent Gash, with music by Walter Marks, lyrics by Langston Hughes and directed by Kent Gash, with musical direction by Barry Levitt and choreography by Byron Easley.
The Seventh Annual Langston Hughes African American Film Festival, running April 17 thru April 25, will feature a full schedule of events including the Genie Award-winning film, 'Nurse.Fighter.Boy', appearances by filmmakers including Altrick Brown, Ava DuVernay, Charles Officer, and Morgan Stiff, the Seattle Premiere of 'Soundtrack for a Revolution' and 'Mississippi Damned', a Family Friday, and a filmmaking workshop. The film festival is expected to draw over 2,500 people who are passionate about creating and appreciating films for the Black community. The Festival is run by community volunteers under the Direction of Jacqueline Moscou, Langston Hughes' Artistic Director.
The Shelterbelt Theatre is proud to announce the world premiere production of Warpaint, an intense drama by Michael Oatman and Benjamin Graber. A sad-sack professor and a troubled student develop an unusual relationship that turns to lust and dark obsession.
The Last Fall is a poignant love story that follows two fifty-somethings as they mature in life and love while facing difficult truths. The audience follows Rhea, an urban school teacher, and Neville, a Trinidad-born taxi driver, as they struggle with the challenges before them.
Urban Stages (Frances Hill, Artistic Director, Lauren Schmiedel, Managing Director) present the World Premiere of the musical Langston in Harlem, featuring a book by Langston Hughes, Walter Marks and Kent Gash, with music by Walter Marks, lyrics by Langston Hughes and directed by Kent Gash, with musical direction by Barry Levitt and choreography by Byron Easley. Langston in Harlem began previews on Friday, April 9. The opening is set for Thursday, April 15, 2010 and will initially run through May 2, 2010.
Urban Stages (Frances Hill, Artistic Director, Lauren Schmiedel, Managing Director) will present the World Premiere of the musical Langston in Harlem, featuring a book by Langston Hughes, Walter Marks and Kent Gash, with music by Walter Marks, lyrics by Langston Hughes and directed by Kent Gash, with musical direction by Barry Levitt and choreography by Byron Easley. Langston in Harlem opened on Thursday, April 15, 2010 and will initially run through May 2, 2010.
Urban Stages (Frances Hill, Artistic Director, Lauren Schmiedel, Managing Director) will present the World Premiere of the musical Langston in Harlem, featuring a book by Langston Hughes, Walter Marks and Kent Gash, with music by Walter Marks, lyrics by Langston Hughes and directed by Kent Gash, with musical direction by Barry Levitt and choreography by Byron Easley. Langston in Harlem will begin previews on Friday, April 9; opening on Thursday, April 15, 2010 and will initially run through May 2, 2010.
Urban Stages (Frances Hill, Artistic Director, Lauren Schmiedel, Managing Director) will present the World Premiere of the musical Langston in Harlem, featuring a book by Langston Hughes, Walter Marks and Kent Gash, with music by Walter Marks, lyrics by Langston Hughes and directed by Kent Gash, with musical direction by Barry Levitt and choreography by Byron Easley. Langston in Harlem will begin previews on Friday, April 9; opening on Thursday, April 15, 2010 and will initially run through May 2, 2010.
Signature Theatre, the current recipient of the Tony Award® for Regional Theatre, presents the world premiere musical Sycamore Trees by Ricky Ian Gordon, composer of the acclaimed opera The Grapes of Wrath and the OBIE Award-winning Orpheus and Euridice, as well as the musicals My Life with Albertine and Dream True.
The Shelterbelt Theatre is proud to announce the world premiere production of Warpaint, an intense drama by Michael Oatman and Benjamin Graber. A sad-sack professor and a troubled student develop an unusual relationship that turns to lust and dark obsession.
Ask Your Mama, the extraordinary new work that made a sold-out audience at Carnegie Hall last season 'thunder its approval' (The New York Times), fills the stage on Friday evening, April 1at 8pm to aid the victims of Haiti's devastating earthquake. Hailed by The Los Angeles Times for 'its feeling of freshness and uncanny currency,' this remarkable collaboration between Emmy Award-winning composer Laura Karpman and world-renowned soprano Jessye Norman journeys from Africa to the Americas, South to North, cities to suburbs, opera to jazz, gospel to be-bop, and 'shadows to fire,' reflecting the pathways of Langston Hughes's epic Ask Your Mama: 12 Moods for Jazz. The performance benefits Partners in Health and the Clinton Bush Haiti Fund, and begins at 8pm in the Rose Theater in Frederick P. Rose Hall, Home of Jazz at Lincoln Center
San Francisco's cutting-edge Cutting Ball Theater announces the extension of it's roof-raising production of ...AND JESUS MOONWALKS THE MISSISSIPPI, a new play by Marcus Gardley. The play, a hit with critics and audiences alike, will now play through April 25 (added shows on April 15, 16, 17, 22, 23, 24 at 8pm and April 18 and 25 at 5pm).
The Last Fall is a poignant love story that follows two fifty-somethings as they mature in life and love while facing difficult truths. The audience follows Rhea, an urban school teacher, and Neville, a Trinidad-born taxi driver, as they struggle with the challenges before them.
This year, due to the planned seismic and electrical upgrades of the historic Langston Hughes Performing Arts Center facility in Seattle's Central District, Langston Hughes Performing Arts Center (LHPAC) will host its Seventh Annual African American Film Festival at a variety of new venues, The Cinerama will host the opening night screening.
The Auditorium Theatre of Roosevelt University (50 E. Congress Parkway) proudly presents the exclusive Chicago engagement of the world-renowned Alvin Ailey American Dance Theater for six public performance and two student matinees, Wednesday, March 24 through Sunday, March 28, 2010. Tickets are now on sale at ticketmaster.com/auditorium.
Alvin Ailey American Dance Theater announces programming for an encore New York season at BAM's Howard Gilman Opera House from June 10th - 20th, the culmination of a 20-city U.S. Tour celebrating Judith Jamison's 20th year as artistic director.
The Auditorium Theatre of Roosevelt University (50 E. Congress Parkway) proudly presents the exclusive Chicago engagement of the world-renowned Alvin Ailey American Dance Theater for six public performance and two student matinees, Wednesday, March 24 through Sunday, March 28, 2010. Tickets are now on sale at ticketmaster.com/auditorium.
Urban Stages (Frances Hill, Artistic Director, Lauren Schmiedel, Managing Director) will present the World Premiere of the musical Langston in Harlem, featuring a book by Langston Hughes, Walter Marks and Kent Gash, with music by Walter Marks, lyrics by Langston Hughes and directed by Kent Gash, with musical direction by Barry Levitt and choreography by Byron Easley. Langston in Harlem will begin previews on Friday, April 9; opening on Thursday, April 15, 2010 and will initially run through May 2, 2010.
New York City Opera will celebrate the opening of its 2010 Spring Season on Thursday, March 18, with a gala performance of Emmanuel Chabrier's glittering, comic L'Étoile, followed by a grand evening on the Promenade of the David H. Koch Theater and dancing to waltzes played by the New York City Opera Orchestra.
Diamond's play tells a story of a group of black girls known to Claudia MacTreer (played by ART regular Alicia Haymer in a starring role) in the fall of 1941, 'the year the marigolds didn't bloom.' Claudia comes to believe the marigolds didn't bloom because of the life and tragic events of her best friend, Pecola Breedlove (portrayed by Demetria Granberry, in her professional acting debut). Pecola, who is subjected to mocking because of both her dark skin and a suspected incestuous relationship with her father, spends her time longing for blue eyes, which to a dark-skinned black girl coming of age in a turbulent racial era, represent beauty and self-worth.
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