Pear Theatre's 2019-20 season opens in August with 'An Ideal Husband,' a searing comedy of virtue and moral inflexibility. Directed by Jenny Hollingworth, 'An Ideal Husband' previews on August 22, with press and Opening Night on Friday, August 23, followed by a champagne gala. The show runs Thursdays through Sundays through September 15. All performances are held at the Pear Theatre, 1110 La Avenida St., Mountain View. Tickets can be purchased by visiting www.thepear.org or calling (650) 254-1148.
Set in the 1930s, this comedy tells the story of two brothers who go to the Arizona desert to be extras in the huge Hollywood Biblical epic 'Exeunt Omnes'. Before you know it, Phil is directing the movie, and Benny is starring in it. To complicate matters further they both fall in love with the same woman, not to mention the gladiator battles, the Ten Plagues and a cast of thousands.
Performances run May 3rd thru May 19th at Curtain Players, 5691 Harlem Road, Galena, Ohio 43021. For more information or to purchase tickets, visit: http://curtainplayers.org
Punk reggae rockers Bumpin Uglies have announced that they will be releasing a new studio EP entitled Buzz. The EP, in conjunction with Ineffable Music Group's label arm Ineffable Records, will be available on all digital outlets on March 22, 2019.
Now onstage at the Roxy Regional Theatre in Clarksville through December 22, Miracle on 34th Street is among a small number of titles available to theater companies all over the United States looking for seasonal entertainment options for their loyal fans and season ticket holders. In fact, there's another production of the show opening at Murfreesboro's Center for the Arts this weekend and Chaffin's Barn Dinner Theatre in Nashville has announced the show as its holiday offering in 2019.
After the turkey and stuffing are put away on Thanksgiving night, bring your out-of-town guests to Historic Downtown Clarksville for family entertainment sure to get everyone in the holiday spirit.
History and politics take center stage as Palo Alto Players continues its 2018-19 season with the Bay Area premiere of the Tony Award-winning play ALL THE WAY.
Pear Theatre, always a champion of new plays by local playwrights, has upgraded its play development series and premieres 'Fresh Produce,' a weekend presentation of staged readings, from July 20 to 21. An annual event, 'Fresh Produce' will this year feature three plays under development from members of the Pear Playwrights Guild: 'Terms of Use' by Patrick Brennan, 'Dr. Rowan, the Demon, and Love' by Carol Wolf, and 'Confession' by Barry Slater. 'Fresh Produce' will offer one reading today evening, and two on Saturday afternoon. All readings are held at the Pear Theatre, 1110 La Avenida St., Mountain View. Tickets ($10 per reading, or $25 for all three) can be purchased by visiting www.thepear.org or calling (650) 254-1148.
Pear Theatre, always a champion of new plays by local playwrights, has upgraded its play development series and premieres "Fresh Produce," a weekend presentation of staged readings, from July 20 to 21. An annual event, "Fresh Produce" will this year feature three plays under development from members of the Pear Playwrights Guild: "Terms of Use" by Patrick Brennan, "Dr. Rowan, the Demon, and Love" by Carol Wolf, and "Confession" by Barry Slater. "Fresh Produce" will offer one reading on Friday evening, and two on Saturday afternoon. All readings are held at the Pear Theatre, 1110 La Avenida St., Mountain View. Tickets ($10 per reading, or $25 for all three) can be purchased by visiting www.thepear.org or calling (650) 254-1148.
Richmond Triangle Players concludes its 25th Anniversary Season with one of the most acclaimed musicals of the 20th century, A Chorus Line. This landmark work, with a cast comprised of performers from up and down the East Coast, opens Today, June 8, 2018 at 8 pm, following a two low-priced previews on Wednesday and Thursday June 6 and 7 at 8 pm.
Richmond Triangle Players concludes its 25th Anniversary Season with one of the most acclaimed musicals of the 20th century, A Chorus Line. This landmark work, with a cast comprised of performers from up and down the East Coast, opens Friday, June 8, 2018 at 8 pm, following a two low-priced previews on Wednesday and Thursday June 6 and 7 at 8 pm.
Spring is in the air - and for Pear Theatre patrons, that means "Pear Slices," a collection of original, short plays from the members of the Pear Playwrights Guild. Now in its fifteenth year, Pear Slices presents fifteen-minute vignettes: a stunning variety of stories, settings, and plot twists occupy the Pear Theatre stage, penned by local playwrights and brought to life with a single cast of highly versatile, local actors. "Pear Slices 2018," directed by Robyn Ginsburg Braverman and Troy Johnson, previews on May 3, with press and Opening Night on Friday, May 4, followed by a champagne gala. The show runs Thursdays through Sundays through May 20. All performances are held at the Pear Theatre, 1110 La Avenida St., Mountain View. Tickets can be purchased by visiting www.thepear.org or calling (650) 254-1148.
Emerging Artists Theatre celebrates its 25th Anniversary by presenting their 20th Annual New Work Series (NWS). Under the direction of Artistic Director, Paul Adam's, the festival runs February 26 through March 18 at TADA Theatre in Chelsea.
Spring is in the air - and for Pear Theatre patrons, that means PEAR SLICES, a collection of original, short plays from the members of the Pear Playwrights Guild. In fifteen-minute vignettes, a stunning variety of stories, settings, and plot twists occupy the Pear Theatre stage, penned by local playwrights and brought to life with a single cast of highly versatile, local actors. This annual short play showcase has become a favorite among Pear audiences and never fails to amuse, intrigue, and inspire. Troy Johnson and Robyn Ginsburg Braverman direct.
The very title of THE FIGHT encourages us to imagine the rivalry between Phyllis Feinberg (Fleur Alys Dobbins) and Doris Marguiles (Judith Hawking)--obviously fictional names for Gloria Steinem and Betty Friedan---in pugilistic terms.Deftly directed by Peter Dobbins, artistic director for the Storm Theater Company (which is currently in its twentieth season), Leaf's meticulously researched play explores the ideological and personal conflicts within Second Wave feminism, taking the 1973 meeting of the National Woman's Caucus in Houston as its dramatic focal point. Like his last work, Deconstruction, THE FIGHT is part-mystery and part-intellectual history. Profiled as an 'up and coming playwright' and compared to Saul Bellow in Timeout New York, Leaf's signature is the sustained, careful exposition of concepts and characters through sharp, witty, realistic dialogue. One thinks of George Eliot's line in Daniel Deronda's Book II: 'The moment of finding a fellow-creature is often as full of mingled doubt and exultation as the moment of finding an idea.' Leaf's plays are cerebral yet full of emotion, 'mingl ing ' ideas with with their messy human manifestations in ways Eliot, an irreducibly philosophical novelist, would approve.
The Public Theater's Free Shakespeare in the Park production of Julius Caesar, directed by Oskar Eustis, is in performances now and runs through Sunday, June 18. See the critics reaction below!
The Public Theater's Free Shakespeare in the Park production of Julius Caesar, directed by Oskar Eustis, is in performances now and runs through Sunday, June 18. See the critics reaction below!
From the director of The Ring comes this psychological thriller and 'fantastically creepy experience' (Kyle Smith, New York Post) about an ambitious young executive sent to retrieve his company's CEO from a remote and mysterious 'wellness center.' When he begins to unravel the retreat's terrifying secrets, his sanity is tested, as he finds himself diagnosed with the same curious illness that keeps all the guests there longing for the cure.
Over halfway through DECONSTRUCTION, Jonathan Leaf's remarkable play about Paul De Man, Mary McCarthy (Fleur Alys Dobbins) tells Hannah Arendt (Karoline Fischer) that she sees no morality 'worthy of the name' in the philosophy of Martin Heidegger. 'There's a need to find authenticity,' McCarthy concedes, 'But it seems to me that you can be genuinely and perfectly evil.' However one feels about deconstruction as a method of reading--I happen to be a fan--we should all agree that De Man was a bad guy: a thoroughgoing liar, a bigamist, a swindler, a manipulator, and the author of some 200 pieces for the Nazi publication in Belgium, Le Soir. I've lingered over this literary-historical context (ironic, given that deconstruction deemphasizes extra-textual material, including authorial intent) because while Leaf's play works beautifully as a story about the (alleged) affair between De Man and McCarthy, the play's real triumph is how deftly it evokes the intellectual minefields on which these personal relationships developed. DECONSTRUCTION is far better, to say nothing of smarter, than most of the ideologically-driven caricatures of the play suggest. This is all the more remarkable given the play runs a mere 75 minutes.
