Richmond, Virginia 2013 marks the bicentennial of Italian composer Giuseppe Verdi's birth. In honor of this event, the Richmond Symphony is pleased to announce Verdi's Requiem, the second Altria Masterworks Concert of the 2013-2014 season!
The Richmond Symphony would like to announce an offer to all furloughed federal employees—two free tickets to Verdi's Requiem.
Boston Baroque and its Founder/Music Director, Martin Pearlman, have chosen to acknowledge a monumental moment in their history with a monument of music: Ludwig van Beethoven's Symphony No. 9, popularly known as the 'Choral' Symphony, which concludes with the uplifting Ode to Joy.
The Oratorio Society of New York, the city's standard for grand choral performance, launches its 141st Carnegie Hall concert season with two pillars of choral grandeur: Mozart's Requiem, in the original Sussmayr edition, and Mendelssohn's rarely-performed secular cantataDie erste Walpurgisnacht (The First Walpurgis Night), conducted by Kent Tritle, on Monday, November 4, 2013, at 8:00 PM.
2013 marks the bicentennial of Italian composer Giuseppe Verdi's birth! In honor of this event, the Richmond Symphony has announced Verdi's Requiem, the second Altria Masterworks Concert of the 2013-2014 season!
Richmond, Virginia 2013 marks the bicentennial of Italian composer Giuseppe Verdi's birth. In honor of this event, the Richmond Symphony is pleased to announce Verdi's Requiem, the second Altria Masterworks Concert of the 2013-2014 season!
The Oratorio Society of New York will perform defining symphonic choral masterworks of Bach, Mozart, Beethoven, and Mendelssohn, both as part of its annual 2013-14 series at Carnegie Hall under the leadership of music director Kent Tritle, and in a guest appearance with Sir Roger Norrington and the Orchestra of St. Luke's at Carnegie Hall. Mr. Tritle leads the 200-voice chorus, New York's standard for grand choral performance, in its 141st season and his ninth season as music director.
The National Endowment for the Humanities (NEH) has awarded $300,000 to a consortium of orchestras led by Pacific Symphony and Music Director Carl St.Clair for Phase Two of "Music Unwound," providing continued support for a multi-year commitment to integrate humanities content with live concert performances. The joint recipients include the Buffalo Philharmonic, the Austin Symphony, the North Carolina Symphony, the South Dakota Symphony and the Louisville Orchestra. (The University of Texas is also a principal recipient of the grant.) Conceived and directed by New York-based author, scholar and Pacific Symphony advisor Joseph Horowitz, the consortium of orchestras, in collaboration with local universities, is engaged in a multi-season exploration of aspects of the American musical experience. The project takes the form of cross-disciplinary festivals that also link to high schools, museums and two South Dakota Indian reservations.
The National Endowment for the Humanities (NEH) has awarded $300,000 to a consortium of orchestras led by Pacific Symphony and Music Director Carl St.Clair for Phase Two of “Music Unwound,” providing continued support for a multi-year commitment to integrate humanities content with live concert performances. The joint recipients include the Buffalo Philharmonic, the Austin Symphony, the North Carolina Symphony, the South Dakota Symphony and the Louisville Orchestra. (The University of Texas is also a principal recipient of the grant.) Conceived and directed by New York-based author, scholar and Pacific Symphony advisor Joseph Horowitz, the consortium of orchestras, in collaboration with local universities, is engaged in a multi-season exploration of aspects of the American musical experience. The project takes the form of cross-disciplinary festivals that also link to high schools, museums and two South Dakota Indian reservations.
Three-time Grammy-nominee Boston Baroque, under the direction of Martin Pearlman, one of this country's leading interpreters of Baroque and Classical music on period and modern instruments, has announced its 40th anniversary season program for 2013 - 2014. The season is packed with masterpieces such as Beethoven's Ninth Symphony, Handel's Messiah, Rameau's opera La Guirlande and Bach's Brandenburg Concertos. And, with Monteverdi's Il ritorno d'Ulisse in patria, Boston Baroque continues a tradition of presenting rarely-performed operas from the Baroque and Classical periods.
Three-time Grammy-nominated Boston Baroque and its Music Director, Martin Pearlman, will present 'De Profundis' tonight and Saturday, March 8 and 9, 2013 at 8:00 PM at New England Conservatory's acoustically acclaimed Jordan Hall (30 Gainsborough Street, Boston).
Three-time Grammy-nominated Boston Baroque and its Music Director, Martin Pearlman, will present 'De Profundis' on Friday and Saturday, March 8 and 9, 2013 at 8:00 PM at New England Conservatory's acoustically acclaimed Jordan Hall (30 Gainsborough Street, Boston).
The Oratorio Society of New York was slated to perform its program, "American Voices" featuring the New York premiere of Paul Moravec's oratorio The Blizzard Voices at Carnegie Hall on November 5, 2012, as the first program of its 140th anniversary season. But Hurricane Sandy blew into the city the week before, and the concert was one of several that had to be postponed. The OSNY milestone season opened instead with its annual performance of Handel's Messiah at Christmastime.
The Los Angeles Philharmonic has announced its calendar of performances for the 2013 season at Walt Disney Concert Hall. Details below!
Jazz musician great Dave Brubeck died this morning, Wednesday, December 5 at Norwalk Hospital in Connecticut. His longtime manager, producer and conductor Russell Gloyd revealded the news to the Chicago Tribune.
Boston Baroque, North America's first permanent Baroque orchestra, enters a dynamic new recording era with its debut release for European audiophile label Linn Records: Franz Joseph Haydn's oratorio, The Creation (Die Schopfung).
Due to circumstances related to the ongoing problems caused by Hurricane Sandy, the Oratorio Society of New York is postponing its Carnegie Hall concert of Monday, November 5, to an early 2013 date to be determined.
Boston Baroque, America's first period-instrument orchestra, has announced its 2012-2013 concert season, running from tonight, October 19, 2012 to April 20, 2013. Music Director Martin Pearlman will conduct five programs of two performances each, taking place at New England Conservatory's Jordan Hall in Boston or at Sanders Theatre at Harvard University in Cambridge. Highlights of the season will include a rarely-performed Handel comic opera, Partenope; Haydn's "Lord Nelson" Mass, which is slated to be recorded for later release on CD; Handel's Messiah at the holidays; and concerts that feature members of the orchestra and chorus in small ensemble and solo roles.
To launch the 140th anniversary season of the Oratorio Society of New York, the city's second-oldest cultural organization still performing, OSNY Music Director Kent Tritle has created an all-American program about "American aesthetics, history, and experience": music by Charles Ives and Aaron Copland and the New York premiere of a 2008 oratorio about an 1888 American tragedy. "American Voices" takes place on Monday, November 5, 2012, at Carnegie Hall, and features arrangements for chorus and orchestra of selections from Copland's Old American Songs and three songs by Charles Ives; Copland's "The Promise of Living" from The Tender Land; and the New York premiere of Paul Moravec's The Blizzard Voices, a work based on poetry by former U.S. Poet Laureate Ted Kooser about the Great Plains blizzard of 1888.
Marcello Giordani was be unable to perform in last evening's performance of the Verdi Requiem for New Jersey State Opera due to illness. William Davenport stepped in to sing the tenor role, making his NJ State Opera debut. See below for photos from last night's August 16th performance!
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