Following the tragic event that took place at Pulse nightclub in Orlando on June 12, the Broadway and Orlando theatre communities will unite to perform From Broadway With Love: A Benefit Concert For Orlando - a healing night of music and dance to honor the 49 victims - on Monday, July 25 at 7:30 pm at the Disney Theatre in the Dr. Phillips Center for the Performing Arts.
Performing arts grow self-confidence, teach collaboration, and reawaken creative skills that become latent throughout the year. The specialized performing arts camps in Orlando are exceptional. There is something for every budget and every interest.
Six licensed productions of the musical, LIZZIE, are slated for 2016-17. LIZZIE, a rock show retelling of the infamous Lizzie Borden axe murders, became available for licensing in February.
Florida Theatrical Association (FTA) will host a series of workshops this summer open to emerging theater professionals. The workshops will cover many aspects of working in theater including singing, acting, directing and auditions, and will be led by industry professionals from throughout Central Florida. Participants must be high school graduates or older.
The creators of LIZZIE, the hard rock musical that tells the story of Lizzie Borden, America's favorite double axe-murderess and Victorian hometown girl, have announced that rights are now widely available to theaters and schools to produce the show. Requests may be submitted through their web site: www.LizzieTheMusical.com.
Votes are cast; polls are closed; and results have been tabulated! This was our biggest year yet! After a record number of voters in more than 70 regions worldwide, BroadwayWorld is very excited to announce the 2015 Orlando winners! Thanks to all who voted, and huge congratulations to all the winners!
Happy Holidays! It's the last week to vote for the 2015 BroadwayWorld Orlando Regional Awards! Check out the latest live stats as of December 18. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31!
Time is running out to vote for the 2015 BroadwayWorld Orlando Regional Awards! Check out the latest live stats as of December 18. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31!
Voting is fully underway for the 2015 BroadwayWorld Orlando Regional Awards! Check out the latest live stats as of December 11. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.
Voting has opened for the 2015 BroadwayWorld Orlando Regional Awards! Check out the latest live stats as of November 27th. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.
Voting has opened for the 2015 BroadwayWorld Orlando Regional Awards! Check out the latest live stats as of November 27th. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.
There's really no getting around it, BAT BOY: THE MUSICAL is weird, albeit wonderfully so. It's an audacious musical comedy ripped from the headlines of a supermarket tabloid. Inspired by the on-going Weekly World News articles that began with 1992's 'Bat Child Found in Cave!,' the musical tells the story of a half-bat/half-boy creature feared and tormented by close-minded townsfolk, despite the fact that all he wants to do is learn to be human and find a home. Musicals don't get much weirder than that. But, it is for this very reason that Gen Y Productions has become the most exciting theatre company in Orlando in less than a year of operation. Not only are they willing to do shows that are outside the scope of traditional companies, but they also do them extremely well. BAT BOY, a cult favorite since it debuted Off-Broadway in 2001, is far from a perfect show, but Gen Y's version, directed by Kenny Howard and running through Halloween at The Abbey, just might be as perfect of a production as possible.
Based off a Weekly World News story, the hilariously thrilling BAT BOY THE MUSICAL will be playing at the Abbey tonight, October 15, through October 31.
There is something killer going on in Orlando's theatre scene, and I mean that in the best possible way. Since debuting with a production of CABARET in January, Gen Y Productions has staged thrilling Florida premieres of two of New York's most buzzed-about new works, a risky proposition for a theatre company looking to build an audience. In June, it was a mesmerizing production of Pulitzer Prize-winner THE FLICK (read BWW's review), and now it is the devilishly entertaining HEATHERS: THE MUSICAL. The show runs through August 23rd at The Dr. Phillips Center for the Performing Arts, and after attending last week's Opening Night, I think it is safe to say that Gen Y is quickly becoming my favorite theatre company in Central Florida.
Gen Y Productions announces the Florida Premiere of HEATHERS: The Musical, playing at the Alexis and Jim Pugh Theater at the Dr. Phillips Center for the Performing Arts August 13 - 23.
The vast majority of theatre, even straight plays, has an intrinsic musicality that has become an engrained part of the art form; characters speak with an expected rhythm familiar to regular theatre viewers, dialogue is paced with a conventional choreography to which the audience has grown accustomed. While most playwrights strive for a heightened level of lyrical poetry from their scripts, Annie Baker's THE FLICK, by design, has no rhythm, nor choreography, nor poetry; what it has is uncomfortable reality. Since its debut in 2013, THE FLICK, presented at The Dr. Phillips Center through July 12th by Gen Y Productions, has amassed a devoted following and a Pulitzer Prize, but has also drawn the ire of many theatre-goers, who, frustrated by its unorthodoxy, leave the theater before the show is over. While THE FLICK, directed here by Tony-winning producer Kenny Howard, does have the occasional profanity and risque topics, it is nothing compared to that of theatre greats like David Mamet or Tracy Letts; no, the objection to THE FLICK is not because of its content, but because of how its content is presented.
The Flick, playing at the Alexis and Jim Pugh Theater at the Dr. Phillips Center for the Performing Arts through July 12, is offering student and industry rush tickets for $15 per ticket (plus fees).
Gen Y Productions has announced the full cast of the Florida Premiere of The Flick, playing at the Dr. Phillips Center's Alexis and Jim Pugh Theater June 19 through July 12.
