Ken Russell News

While the scariness of the season may be all too real and in-your-face to East Coast BroadwayWorld readers due to Hurricane Sandy, late October is indeed the most frightening time of the year, so let's take a look at some of the top picks for Halloween 2012 - whether you are looking to pass some time in the storm, boiling up a cauldron of witch's brew for trick or treaters or donning devilish duds yourself.

Yale Repertory Theatre, in a co-production with American Repertory Theater, presents the world premiere of Marie Antoinette by David Adjmi, directed by Rebecca Taichman. Marie Antoinette will be performed at Yale Repertory Theatre (1120 Chapel Street) October 26 through November 17. Opening Night is Thursday, November 1. The cast includes Fred Arsenault, Hannah Cabell, David Greenspan, Marin Ireland, Vin Knight, Jo Lampert, Polly Lee, Steven Rattazzi, Jake Silbermann, Teale Sperling, Brian Wiles, and Ashton Woerz.

Yale Repertory Theatre, in a co-production with American Repertory Theater, presents the world premiere of Marie Antoinette by David Adjmi, directed by Rebecca Taichman. Marie Antoinette will be performed at Yale Repertory Theatre (1120 Chapel Street) October 26 through November 17. Opening Night is Thursday, November 1. The cast includes Fred Arsenault, Hannah Cabell, David Greenspan, Marin Ireland, Vin Knight, Jo Lampert, Polly Lee, Steven Rattazzi, Jake Silbermann, Teale Sperling, Brian Wiles, and Ashton Woerz.

Bucks County Playhouse (BCP) (Jed Bernstein, Producing Director) has launched The Saturday Arts Program (SAP), a training ground for passionate young performers. Classes will take place weekly from September 22nd - November 17th at the Bucks County Playhouse, New Hope Solebury High School, and the Solebury School.

Today we are talking to a supremely gifted performer who can be seen eight times a week on Broadway in the currently running Des McAnuff revival of Andrew Lloyd Webber and Tim Rice's JESUS CHRIST SUPERSTAR, Jeremy Kushnier. Tracing his Broadway trajectory from his memorable debut in FOOTLOOSE back in the late 1990s to his impressive regional theatre and concert work - CHESS to The Dream Engine to BRIGHT LIGHTS, BIG CITY and beyond - to his success touring in AIDA, RENT and others, up to his most recent gig in JERSEY BOYS, Kushnier opens up about his diverse career thus far and what we can expect from him in the future, near and far. Plus, Kushnier analyzes the five roles he has essayed in the current production of SUPERSTAR so far, since he was first brought into the production as a standby and understudy, after all - Jesus, Judas, Pilate and two different priests - and shares his enthusiasm for the dazzling, Tony Award-nominated production - all of this as he prepares for his long-awaited upcoming solo spotlight concert at Birdland on June 18! Additionally, Kushnier shares plans and wishes for a forthcoming solo album, as well as offers his thoughts on GLEE, SMASH and much, much more!

This weekend, BroadwayWorld will be presenting an illuminating InDepth InterView with legendary composer Lord Andrew Lloyd Webber all about the enchanting new performance capture film version of his PHANTOM OF THE OPERA sequel, LOVE NEVER DIES. Until that chat, let's take a look back at some of the finest Andrew Lloyd Webber-related performances related to the entertainment dynasty built upon his operatic pop musical version of the classic Gaston Leroux novel that is about to celebrate its 10,000th performance on Broadway later this month, THE PHANTOM OF THE OPERA, as well as its continuation, LOVE NEVER DIES, and the two revivals of his two classic 70s hit stage collaborations with previous InDepth InterView participant Sir Tim Rice coming back to Broadway in a big way - JESUS CHRIST SUPERSTAR and EVITA. Plus, a look at the new Simon Phillips-directed production of LOVE NEVER DIES coming to Fathom-equipped movie theaters nationwide on February 28 and March 7, with DVD & Blu-ray after that, as well as the PHANTOM 25 DVD & Blu-ray being released in the US on February 7. It's a busy time of year for phans, clearly! Fetch your favorite mask and check out these four Andrew Lloyd Webber delicacies before they arrive!

In honor of this week's US release of THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL on DVD/Blu-ray - PHANTOM 25 for short - today we are focusing on the multitude of attributes that have made Andrew Lloyd Webber's unforgettable gothic musical the most successful entertainment of all time, now in its 25th year onstage and about to reach 10,000 performances on Broadway, where it is the reigning longest running show of all time. The gargantuan excitement generated by and the enthusiastic reception enjoyed by PHANTOM for audiences worldwide is unprecedented, yet, the new ultimate presentation of the show - PHANTOM 25 - is even more spectacular and thrilling than any iteration of PHANTOM on any stage or screen thus far. Bringing together the cast of a lifetime with the electricity of a live audience, the HD preservation of THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL is positively peerless in its sleekness, precision and polish of presentation. Never before - not even in the vaunted hands and cords of original show stars Sarah Brightman and Michael Crawford - has the show been this contemporary, sexual and hypnotizing. Ramin Karimloo as the Phantom brings a rawness and austerity to the role that commands attention and Sierra Boggess is, in a word, supreme, as the young ingenue under the Phantom's watchful musical tutelage. So, too, does Hadley Fraser's perfectly painted Raoul hit the right mark, as do the rest of the exceptional cast in their commitment to making clear-cut, strong and colorful impressions in their roles. The LED-enhanced set is an imaginative reworking of the designs by Maria Bjornson and the musical staging is smooth and assured thanks to original show choreographer Gillian Lynne. Yet, the star of PHANTOM 25 is, unquestionably, Andrew Lloyd Webber's rapturous, rich and enveloping score. Bringing together an impressive and inspired assortment of genres in creating the quintessential pop opera, Lloyd Webber employs elements of grand opera, opera bouffe, operetta and musical theatre, as well as incorporates a diverse range of musical styles - even a little heavy metal guitar in the title song, as we shall see (and hear). The score of THE PHANTOM OF THE OPERA is one of Andrew Lloyd Webber's finest achievements and stands tall alongside his other classic scores for JESUS CHRIST SUPERSTAR, EVITA, CATS, SUNSET BOULEVARD among many other international hit shows. Indeed, the story and score of THE PHANTOM OF THE OPERA is so very complex and decadent as to allow for a continuation of the story, score, characters and overall themes in the form of the new musical, LOVE NEVER DIES, which premiered in a new version in Australia last year and whose story traces the relationship of the Phantom, Christine and Raoul from the end of the original show all the way from Paris to Coney Island ten years later where PHANTASMA is the show everyone must experience thanks to a mysterious figure lurking in the shadows beyond the carousel. In today's celebration of PHANTOM 25, we will take a look at the original music videos, the legendary Hal Prince production on Broadway and in the West End, the forthcoming LOVE NEVER DIES - coming to Fathom-equipped theaters nationwide later this month - all with a special spotlight on the most phantastic anniversary concert of all time, THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL.

The impact of the influential 1969 rock opera TOMMY by The Who is incalculable insofar as its impact on perceptions of what modern musical storytelling could be and the way it shaped the way theatre music was received by audiences at large, and that is due in no small part to the awe-inspiring attributes of Pete Townshend's seminal, still timeless score. "Pinball Wizard" to "Acid Queen" to "Listening To You" and beyond, the multitude of strong melodies and potent messages in the psychedelic show continue to be compelling and absorbing - and the success of the show has continued beyond its multi-Tony Award-winning Broadway production: GLEE takes on the unforgettable Act One closer tonight, "Pinball Wizard".

Today we are talking to the composing half of one of the most talented and consistently exciting songwriting teams in musical theatre, Dempsey/Rowe - the force behind ZOMBIE PROM, THE FIX, THE WITCHES OF EASTWICK, and, now, the brand new rock musical at Washington, D.C.'s lauded and progressive Signature Theatre, BROTHER RUSSIA - Dana Rowe. Discussing the finer details of his previous collaborations with John Dempsey on the West End iterations of THE FIX and THE WITCHES OF EASTWICK, as well as their subsequent American premieres at the Signature, Rowe and I dissect his career thus far, with a particular focus on his edgy new hard rock theatre piece, BROTHER RUSSIA, directed by frequent Dempsey/Rowe director, previous InDepth InterView participant Eric Schaeffer. In addition to all about the boundary-breaking and genre-spanning BROTHER RUSSIA and his other notable musicals, Rowe and I also outline his influences and his own personal favorite scores, as well as shine a light on his enthusiasm for the musical genre at large and what makes his exceedingly complimentary partnership with Dempsey so elemental to the success of their risky and rewarding shows, ZOMBIE PROM until now. All of that and much, much more!

The Bushwick Starr and Nellie Tinder are set to present the world premiere of Evelyn.

The Bushwick Starr and Nellie Tinder are set to present the world premiere of Evelyn.

Today we are kicking off our trio of InDepth InterViews with the leading ladies of the new BAM production of RICHARD III by talking to stage and screen star Gemma Jones all about her role in the politically-themed Shakespeare historical drama, which continues performances at the Brooklyn Academy of Music through March 4.

Headlining the most successful entertainment of all time, THE PHANTOM OF THE OPERA, Michael Crawford was actually not the first name the creative team considered for the gothic musical undertaking during its creation in the mid-1980s, believe it or not. Steve Harley famously recorded the original single of the title song with composer Lord Andrew Lloyd Webber's muse Sarah Brightman and subsequently starred in the grandiose Ken Russell fever dream music video. While the public and critics alike assumed Harley's bid for the lead role in the gestating show was all but guaranteed after the video debut, it was not meant to be. Master director Hal Prince had his sights set on a British stage and screen star who had made a name with American audiences decades before in the troubled film versions of two Broadway hits - A FUNNY THING HAPPENED ON THE WAY TO THE FORUM and HELLO, DOLLY! - as well as made a name for himself the world over in the British sitcom SOME MOTHERS DO 'AVE 'EM. Crawford had also cemented his place in the musical theatre with his roles in FLOWERS FOR ALGERNON and BILLY, but it was PHANTOM that would catapult him into the ranks of iconic musical megastar. So, today, let us take a look at what made Michael Crawford's performance in THE PHANTOM OF THE OPERA so unforgettable as we celebrate this week's US release of the simply spectacular DVD/Blu-ray of the 25th anniversary production mounted late last year at the Royal Albert Hall starring Ramim Karimloo and Sierra Boggess, loving assembled and presented by original lead producer Cameron Mackintosh and featuring a grand finale complete with original PHANTOM cast-members Sarah Brightman and Michael Crawford, among a host of other glories.

The Bushwick Starr and Nellie Tinder are set to present the world premiere of Evelyn. Written and directed by Julia May Jonas and developed at the Starr, Evelyn is the next offering by up-and-coming company, Nellie Tinder.

This weekend, BroadwayWorld will be presenting an illuminating InDepth InterView with legendary composer Lord Andrew Lloyd Webber all about the enchanting new performance capture film version of his PHANTOM OF THE OPERA sequel, LOVE NEVER DIES. Until that chat, let's take a look back at some of the finest Andrew Lloyd Webber-related performances related to the entertainment dynasty built upon his operatic pop musical version of the classic Gaston Leroux novel that is about to celebrate its 10,000th performance on Broadway later this month, THE PHANTOM OF THE OPERA, as well as its continuation, LOVE NEVER DIES, and the two revivals of his two classic 70s hit stage collaborations with previous InDepth InterView participant Sir Tim Rice coming back to Broadway in a big way - JESUS CHRIST SUPERSTAR and EVITA. Plus, a look at the new Simon Phillips-directed production of LOVE NEVER DIES coming to Fathom-equipped movie theaters nationwide on February 28 and March 7, with DVD & Blu-ray after that, as well as the PHANTOM 25 DVD & Blu-ray being released in the US on February 7. It's a busy time of year for phans, clearly! Fetch your favorite mask and check out these four Andrew Lloyd Webber delicacies before they arrive!

The Bushwick Starr and Nellie Tinder are set to present the world premiere of Evelyn.

If only for originating the title role in the longest-running and most successful musical in world history - THE PHANTOM OF THE OPERA - which is merely one of the many impossibly impressive moments in a fifty-year career that truly defies description - Michael Crawford is known and loved the world over. From the Broadway and West End stage to the concert stage; the recording studio to the movie studio; performing everywhere imaginable - he has conquered it all. In a resume-spanning conversation that takes us from Broadway to Hollywood and to the stage of the London Palladium where he is now starring as the eponymous WIZARD OF OZ in Andrew Lloyd Webber's new theatrical adaptation of the classic film, Crawford and I take a look back at his many notable stage roles - among them, BILLY, BARNUM, DANCE OF THE VAMPIRES and, most recently, Andrew Lloyd Webber's THE WOMAN IN WHITE - and he also generously shares stories and recollections of the esteemed figures he has collaborated with over the years, including Barbra Streisand, John Lennon, Oliver Reed, David Foster, Stephen Sondheim, Hal Prince, Sarah Brightman and many more! Additionally, Crawford shares his insightful opinions on the state of theatre today and how it has changed over the course of his decades spent in show business, as well as looks ahead to returning to the concert stage following his departure from THE WIZARD OF OZ in the West End in February. So, catch Crawford while you can - and your little dog, too!

The premiere of a new Lady Gaga music video is always a cause celebre for entertainment lovers of any sort, but earlier today Gaga gave us a truly theatrical - and totally, wildly, adorably surreal - early Christmas treat of epic proportions in the form of the short film "Marry The Night". Part TOMMY, part David Lynch-ian fever dream, part throwback music video, with the rest unmistakably, unquestionably and undoubtedly all Gaga. Directed by Gaga herself, the "Marry The Night" music video puts into question the term itself - much like Kanye West's exquisite mini-movie musical treatment of eight of his songs from his Grammy-nominated opus MY BEATIFUL DARK TWISTED FANTASY in the form of the "Runaway" short film/music video from late last year - and, now, once again, Gaga has redefined not only the genre she is working in, but the entire music and theatre game itself. Daring, edgy, avant garde and more bizarre than anything you are likely to see at any multiplex this weekend - let alone on sweet, safe Broadway - the "Marry The Night" film is nothing short of Gaga firing on all axels - in this case, literally - and setting the stage afire with her fierce, determined conviction to following her own oh-so-idiosyncratic vision through to its ultimate - and oft-ugly; and, just as often, gorgeous - end. Actually, ends are what this video is about in many ways - from asses to hosannas. This isn't your mama's music video - or Madonna's, either (a trait which has been ascribed to Gaga videos past) - but what it is is the most over-the-top theatrical and unabashedly excessive - and best - music-related film of the year. Just don't call it a music video.